Self Defence for Bicyclists (1901)

  • Originally published on the Bartitsu.org site on Friday, 25th June 2010

Longtime Bartitsu aficionados are well aware of Marcus Tindal’s eccentric and amusing article Self Protection on a Cycle, which was published in Pearson’s Magazine in 1901. There has been speculation as to whether Tindal was inspired by, or parodying E.W. Barton-Wright’s articles on self defence with a walking stick, which had also appeared in Pearson’s at about the same time.

Tindal may also have been inspired by the following letter from a Mr. H. Graves to the editor of the London Bicycle Club Gazette (vol. 23, 1900):

Self-defence For Bicyclists.

The other day I was informed by a lady of my acquaintance that, bicycling about sunset along the towing path from Hampton Court to Kingston, she and a friend were much annoyed by a couple of particularly ill-conditioned cads also riding bicycles. They followed the ladies from Hampton Court, and, finding the towing path otherwise empty of traffic, they hung on to their back wheels, and pursued them with a running fire of vulgarities. At last my friends, with their unwelcome escort, overtook another party of bicyclists, whereupon the two cads discreetly put down their heads and scorched off. I told the lady that her proper course in the circumstances was to sit up suddenly with all her power of back-pedalling and braking, whereupon her persecutor would have bumped her back wheel, and almost inevitably come a bad cropper.

To anyone acquainted with bicycle racing it is, of course, axiomatic that the result of a bump is to send the bumper to swift destruction, the person bumped escaping uninjured. My friend, however, was incredulous, and feared lest, like Samson, she should be overwhelmed in the destruction of her enemies. Such a result could only happen if the difference in the velocity of the two bicycles concerned was so great that the violence of the impact sufficed actually to smash the leading machine; for example, if a scorcher ran into a practically stationary bicyclist, the results, though worse for the former, would hardly leave the latter unscathed. But when, as in the case under notice, the speed of the two parties is nearly the same, the effect of the collision is nothing more than mere thrill in the machine of the person bumped, who, of course, immediately resumes pedalling, while the bumper, after two or three wild swerves, usually comes to the ground.

Apart from an elementary fact like this, which I should have imagined was better known, there are many points in bicycling strategy worthy of attention and practice, such, for instance, as how to get past a menacing tramp. The right method is sufficiently simple, though it requires not a little nerve. It consists in riding point blank at the aggressor, and at the last moment throwing the whole weight of the body to the right or left, as the case may be, thus making a rapid tack. Not one man in a hundred will stand up to a bicycle approaching at speed; the instinct to shrink back, especially in a person unprepared for such a manoeuvre, is irresistible, and according as he steps to the right or left, so the bicyclists swerves swiftly in the opposite direction. Another point worthy of consideration is the utilisation of the momentum of the bicycle in disabling an opponent. Most of us have at some time or other ventured a passing stroke at the head of a cap-throwing boy, and been surprised how overpowering to him is the result of a forward blow, and how ludicrously inadequate the effect of a back-hander. To bring into subjection this blind force should be difficult. Of course, the reaction from a hard blow dealt at a sturdy tramp might be disastrous to the bicyclist; but, by swerving and so throwing the balance of the machine well to the side of the person to be demolished, the recoil from the shock might be made to run concurrently with the natural recovery from the inclined position in which the blow was delivered.

Another useful way of dealing with an assailant is to ride at his side, and, throwing your arms round his neck, to leap on to him, leaving the bicycle to take its chance. The odds are that you, with your momentum, will overbear him and fall on him heavily, while the bicycle, relieved of your weight, has a reasonable chance of emerging unharmed. This is a far more desperate plan than the last-mentioned, and one to be employed only upon very narrow roads, but it ought to give a very great advantage to the bicyclist. Adopting either of these plans, you are far safer than if you followed your natural instinct of slipping past on the far side of the road, thus running the gauntlet of your adversary, who, undisturbed, can choose the psychological moment for putting his stick into your spokes. By closing with him you take the initiative, and the choice of moment rests with you; at close quarters, too, his stick is less likely to be effective, to say nothing of the specific advantages which have already been described. There seems, at all events, ample scope for our mathematicians to work out the dynamics of the moving bicyclist.

The editor replied:

Ladies will, no doubt, be very grateful for the hint. It is all so simple. But would it not be rather embarrassing if the odds did not work out properly, and the lady was left hanging round the tramp’s neck, while her bicycle careered on alone?

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Secret Histories and Outlaw Suffragettes: an Interview with “Suffrajitsu” Author Tony Wolf

  • Originally published on the Bartitsu.org site on Thursday, 19th December 2013

We’re pleased to be able to present this interview with Tony Wolf, the author of the upcoming graphic novel series Suffrajitsu.  Tony’s books will be part of the Foreworld Saga created by Neal Stephenson, Mark Teppo and others writers.

Both Bartitsu and the elite Bodyguard Society of the British Suffragettes play key roles in the Suffrajitsu trilogy, which will be published by Jet City Comics.

SOME LIGHT SPOILERS AHEAD …

Mrs. Pankhurst's Amazons

Above: A montage of complete and in-progress artwork for Suffrajitsu.

Q – Tony, this is your first graphic novel, but not your first book – how did you come to be asked to write this series, and did your prior work have anything to do with it?

TW – I’ve written and edited quite a lot of historical non-fiction, mostly on esoteric Victorian-era martial arts topics – that’s been my major research interest over the past fifteen years or so.  The project most directly relevant to the graphic novel was a children’s history book called Edith Garrud – the Suffragette that knew Jujitsu, which I wrote in 2009.

I actually kind of moved sideways into scripting Suffrajitsu out of my participation in brainstorming for another Foreworld project.  I think it was in late 2011 that Neal (Stephenson) first mentioned the graphic novel deal with Amazon and asked me to contribute something on the theme of the Suffragette bodyguards.

Q – How did the writing process compare to your prior books/anthologies?

TW – It was a joy in that after so many years of antiquarian research into these themes, this was my first real opportunity to get creative with them.  There was this sense of a dam, not completely bursting, but definitely exploding at certain key points.

Q – Tell us what you can about the series in your own words.

TW – Well, the events of the first book are based very closely on historical reports of actual incidents, although it’s become a kind of “secret history” in that the Suffragette Bodyguards were almost completely forgotten after the First World War.

We’re introduced to the main characters and their situation as political radicals – outlaws, really – in 1914 London.  By that time, both in real history and in my story,  the battle for women’s rights had reached a boiling point.  The suffragettes’ protests and the government’s reprisals were becoming more and more extreme.  Persephone Wright is the leader of a secret society of women known as the Amazons, who are sworn to protect their leaders, Emmeline and Christabel Pankhurst, from arrest and assault.

Q – And that really happened, correct?

TW – Persephone is a fictional character but yes, there really was a secret bodyguard society attached to the militant suffragette movement.

The Amazons are Bartitsu-trained bodyguards and insurgents, saboteurs –  the most radical of the radicals.  They’re all under constant threat of imprisonment and worse.

Something happens in the first book that is a major divergence from actual history and that’s what spins the story off into the alternate timeline of the Foreworld universe.

Q – Where did you get the inspiration for the storyline when it veers away from history?

TW – It was clear that it would take a dramatic event to move the story into the events of the second book … I can’t say much more than that!

Q – But I understand that both historical and fictional characters appear as principal figures?

TW – Yes indeed.  Many of the characters, like Edward Barton-Wright, are lightly fictionalised versions of their historical selves – as well as I “know” them from research – transposed into the Foreworld timeline.

The real Amazons were literally a secret society and even now we only know the names of a few of the actual women who were involved.   I took that as artistic licence to bring in several “ringers” from both fiction and history.  Judith Lee, for example, was the protagonist of Richard Marsh’s popular series of  “lady detective” short stories during the early 20th century.  Flossie le Mar, another member of my imaginary Amazons team, was a historically real person – she was a pioneer of women’s self defence in New Zealand – but she also had a sort of dime novel “alter ego” as the adventurous “Ju-jitsu Girl”, so it was a very easy decision to make her one of the Amazons.

Q – Are any of them purely invented and, if so, what purposes do those characters fulfill?

TW – The only major character that I entirely invented is Persephone Wright herself.  Even though she was partly inspired by several real suffragettes, including Gert Harding and Elizabeth Robins, I wanted the freedom of creating an original protagonist.

Persi actually surprised me several times – she’s much more of a Bohemian than I’d first imagined, and there’s a fascinating tension between her free-thinking inclinations and her disciplined drive to protect people at any cost.  She’s roughly half hippie and half samurai.  I think she’d often really rather be off partying at the Moulin Rouge or writing poetry in a Greenwich Village tea-room, but damn it, she has her duties.

Q – What do you hope will come out of the series?

TW – My dream scenario is that it will inspire readers to create their own stories set in the world of the Amazons; anything beyond that will be gravy.

Q – Do you have any trepidation about being a male author writing a graphic novel with mostly female protagonists?

TW – No, but I’m aware that some readers will have me under the microscope on that account.  My only agenda is that I think it’s amazing that a secret society of female bodyguards defied their government, putting their physical safety and freedom on the line over and over again, to secure the right to participate as equals in a democracy.  Their story was absolutely begging to be told in some medium or other and I’m honoured to have been given that chance.

One thing I tried hard to do, allowing that this is a work of alternate history fiction, was to portray the Amazons as fallible human beings.  For example, some of them have habits and attitudes that have become deeply unfashionable over the past century.  They’re also more-or-less outlaws and have that very specific ethical/political perspective of the end sometimes justifying the means; none of them are entirely “wholesome”.  Actually, none of them are “entirely” anything.  As far as I’m concerned, their foibles, ambiguities and unique perspectives make them worthwhile as characters.

Likewise, I’ve been careful to try to convey that it wasn’t just a simple matter of “righteous women versus oppressive men”.  Historically, many men energetically supported women’s suffrage and many women were vehemently opposed to it, especially as the cause became more radical.

Q – How has the process of working with Suffrajitsu been for you?

TW – It’s been an intensive, ground-up self-education in the nuts and bolts of scripting a graphic novel.  You’re constantly playing Tetris with the plot and dialogue to work everything in within strict boundaries – only so many words to a speech balloon, so many speech balloons or captions to a panel, panels to page and so-on. My editors and Joao Vieira, the artist, have been very patient with me as I’ve worked those things out.

Obviously, there’s a huge amount of sub-plot and back-story etc. that I simply couldn’t fit in.  We’re currently developing a website for the series that will help with all of that and hopefully allow for some ongoing, active engagement with readers.  There will also be some free short stories to whet readers’ appetites for further Suffragette Amazon adventures.

Q – Do you have a favourite character or a favourite moment in the series?

TW – Oh, that’s hard … my inner 13-year-old has a real weakness for cool badasses so perhaps the mysterious Miss Sanderson is a favourite in that sense.  Similarly, (name of the villain redacted because spoilers) … the fact that he was actually a real person is somehow both appalling and deeply satisfying.

I do have a favourite moment, come to think of it, but that comes late in the third book.  I haven’t even seen the art for that sequence yet, so it’ll have to wait for a future interview!

Q – Finally, then, when will the stories be released?

TW – We don’t have definite dates yet, but the website will probably be officially launched in July 2014.  All of the stories will be issued first as individual e-books via the Kindle Fire, then later together with some bonus material as a printed collector’s edition.

Q – That’s something to look forward to!  Thanks for your time.

TW – Thank you!

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Review: “100 Years of Judo in Great Britain”, Volume 1

  • Originally published on the Bartitsu.org site on Wednesday, 20th July 2011

This review is specific to Volume 1 of a two-part series of books by the late judoka and historian Richard Bowen (1926-2005), whose extensive private collection of judo/jujitsu books and ephemera now forms the Bowen Collection at Bath University.

The “Reclaiming of its True Spirit” subtitle is curious, in that aside from a few scattered editorial comments, the book does not actually address reclaiming judo’s “true spirit”. Rather, Volume 1 of 100 Years of Judo in Great Britain offers a very thorough history of the early 20th century personalities and politics of jujitsu and judo in the UK, with generous asides exploring Japanese martial arts in the USA and elsewhere during the same period.

Bowen was obviously a devoted and very careful scholar, with long-term access to rare archives, diaries etc. in addition to in-depth first-hand knowledge of the subject and many of its principal figures. Specific to Bartitsu, he performed pioneering research into the lives of Bartitsu founder E.W. Barton-Wright, music hall challenge wrestlers Yukio Tani and Sadakazu Uyenishi and strongman/jujitsu promoter William “Apollo” Bankier, amongst many other notables. 100 Years of Judo in Great Britain cites and offers extensive quotes from numerous c1900 newspaper articles, etc. that promise to open new doors for contemporary Bartitsu researchers. Also, students of Brazilian jujitsu/MMA history will be interested to read about Mitsuyo “Conde Koma” Maeda’s early experiences as a challenge wrestler in London.

Perhaps unavoidably, given that the book was published posthumously, some sections are obviously better polished than others. Frustratingly at times, there are no chapter headings, contents pages nor index, though there are almost 100 pages of carefully annotated end-notes. The proof-reading also leaves quite a lot to be desired. Ultimately, though, these are minor quibbles in comparison with the absolute wealth of knowledge and detail to be found in this book. It is a unique and very valuable contribution to martial arts scholarship.

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Review of Eugene, Oregon Bartitsu seminar

  • Originally published on the Bartitsu.org site on Monday, 15th March 2010

Classical fencing maestro and historical fencing instructor Sean Hayes offers a review of the recent Bartitsu seminar in Eugene, Oregon:

We had a fantastic seminar with Tony this past Saturday/Sunday! Each day began with exercises from the Wolf system, Tony’s training paradigm for martial arts and physical movement skills. These included fully cooperative and semi-cooperative balance exercises: in the former, partners work together to form a physical system of shared balance which they then explore; in the latter, the exercises shift to deliberate attempts to explore your partner’s balance system and exploit weaknesses. All of the exercises involve warm-up and stretching components, as well as spatial and body awareness components, and safe falling exercises. Towards the end they are combined in a series of spontaneous partner drills. It’s all tightly integrated and proves to be a perfect warm-up for martial arts practice, far superior to anything I’ve experienced previously. (My students can expect to see it incorporated into our regular practice.)

Tony then segued into Bartitsu practice. He began us with canonical Bartitsu exercises, exploring the major components of Barton-Wright’s established practiced (time wouldn’t permit all the canonical materials, of course) and getting the correct practice mastered as well as limited time permits. As the day developed, and we began to integrate boxing, kicking, jiujitsu, and walking-stick, Tony then developed the transitions between the various arts and showed how they were intended for use as an integrated system.

He incorporated neo-Bartitsu in a manner that brought us directly back to the Wolf system exercises. At various points, increasing as each day progressed, we would be given one of the kata or set-pieces to perform, with one partner “breaking” the exercise and the other partner responding. The responses were derived naturally and intuitively as a combination of the balance exercises with which we had begun the day (Barton-Wright was clear that disrupting the opponent’s balance was an immediate priority) and the individual Bartitsu techniques. By the end of Sunday we were performing fairly complicated semi-spontaneous exercises with confidence and skill.

Here’s a photo from a neo-Bartitsu demonstration at the end of the weekend, where we start a drill at speed, I “break” it by changing the expected action into something unexpected, and Tony responds by countering, breaking my balance and throwing me, striking me as I fall, and then belaboring me as he sees fit:

If you’re near, or know someone near, the remaining cities on this tour, then GO! This is a rare opportunity to train with a highly skilled professional martial artist.

I’d like to thank Tony for his effort, energy and dedication – and I’d like to thank the students for the same!

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Report on Bartitsu Classes at the Steampunk World’s Fair

  • Originally published on the Bartitsu.org site on Friday, 27th May 2011
Instructor Mark Donnelly demonstrates self defence with a walking stick.

Thanks to Rachel Klingberg for this detailed report on Mark Donnelly’s three Bartitsu classes at the recent Steampunk World’s Fair conference in New Jersey.

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The Bartitsu Club: Isle of Wight

  • Originally published on the Bartitsu.org site on Friday, 20th December 2013

Members of the Bartitsu Club: Isle of Wight demonstrate the art of self defence with a walking stick.

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The BWAHAHAHA Sketchbook

  • Originally published on the Bartitsu.org site on Friday, 20th December 2013

Members of Seattle’s Barton-Wright/Alfred Hutton Alliance for Historically Accurate Hoplology and Antagonistics, sketched during their demonstration for the 2013 Sherlock Seattle Convention.

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Bartitsu and Miss Sanderson-Themed Apparel

  • Originally published on the Bartitsu.org site on Saturday, 21st December 2013
T-shirts

Esfinges is the first female international HEMA network, created to unite and support women martial artists, and to encourage and assist more women to take up the practice of Historical European Martial Arts.

The Esfinges Shop now includes a number of t-shirts, sweatshirts and other items with logos inspired by E.W. Barton-Wright and the fencer/self defence instructor known only as “Miss Sanderson”. A wide variety of styles and colour choices are available.

Your purchase will also support Esfinges projects.

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“The Georgia Wonder Meets the Great Japanese Wrestler”

  • Originally published on the Bartitsu.org site on Friday, 29th July 2011

Lulu Hurst, also known variously as the “Little Georgia Wonder” and as the “Georgia Magnet”, was a music hall sensation during the mid-late 19th century. Claiming to possess a supernatural power of electrical or magnetic force, but in fact skilfully exploiting subtle principles of physics, anatomy and the ideomotor effect, the apparently frail “Magnet” was often matched against heavyweight strongmen, boxers and wrestlers in carefully controlled “tests” using simple props such as pool cues, wooden chairs and umbrellas. The results were often both spectacular and amusing to the “Magnet’s” many fans.

Later, Bartitsu founder E.W. Barton-Wright was to produce a written expose of the “magnetic act”, including many of the feats first popularised by Lulu Hurst.

There follows an account of one of the “Georgia Magnet’s” New York performances, pitting her skills against the strength of sumo wrestler Sorakichi Matsuda (misspelled as Matsada in the report):

There was the usual overflowing, shouting crowd in the Brooklyn Theater last night, and the cues and canes and chairs, with the fifteen or twenty assorted men who martyred themselves for the cause of science, went waltzing across the floor with the customary mad dance. The usual exciting scenes with wrecked umbrellas, canes and cues took place until the feature of the evening was introduced, the struggle over the chair by the Georgia Wonder and the celebrated Japanese wrestler, Matsada.

The Oriental Orlando struggled and tugged, and did his level best, while Lulu, calm and smiling, dashed the Japanese around the stage amid the shouts and plaudits of an excited house. The audience went wild in their wrought up enthusiasm over this wonderful and exciting scene.

Then Matsada and four helpers clinging to the chair could not force it to the floor, and when the almond-eyed son of the East came back to his box he was heated, tired, panting and exhausted, while his fair antagonist was apparently as cool and fresh as ever.

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The Bartitsu Club of New York City

  • Originally published on the Bartitsu.org site on Saturday, 30th July 2011

Although Bartitsu founder E.W. Barton-Wright once announced plans to introduce his “New Art of Self Defence” to the United States, that was never to be. However, some of his articles for London magazines and newspaper reports on his activities were re-published in the USA, possibly inspiring something of the American self defence boom that took place during the first decade of the 20th century.

The modern Bartitsu revival is very much an international effort, with clubs and study groups about evenly spread between Europe and North America. One of the newest groups is the Bartitsu Club of New York City (you can “like” them on Facebook here), recently instrumental in hosting the very successful Antagonistics Weekend event with Bartitsu instructor Mark Donnelly (reviewed here).

Organised by the indefatigable Rachel Klingberg, the New York club meets monthly in Central Park. Lessons may include:

* Intros, warm-up with Victorian/Edwardian calisthetics, pugilism shadow boxing with attention to proper form and structure
* Savate kicks, coup de pied bas
* Vigny cane – footwork and posture, proper form and stances with solo movements, drills
* Safe falling, Ju Jutsu locks and defense against grabs, “How to Put a Troublesome Man Out of the Room”, grabs to wrists, coat lapels, etc.
* Parasol defense, bayonetting with parasol, locking with cane or parasol, drills from “Self Defence with a Parasol” 1901 article
* Basic fencing
* Cool-down and debriefing

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