“Barnard College Girls Becoming Experts in Jiu Jitsu Art” (Allentown Leader, Feb. 9, 1916)

  • Originally published on the Bartitsu.org site on Tuesday, 26th January 2016
Barnard College jujitsu
Posted in Jiujitsu | Comments Off on “Barnard College Girls Becoming Experts in Jiu Jitsu Art” (Allentown Leader, Feb. 9, 1916)

Sherlock’s Baritsu Den: a Unique Gym in a Hanover Hotel

  • Originally published on the Bartitsu.org site on June 3rd, 2017
Gym

Guests at the Pelikanvietel in Hanover, Germany can get their sweat on Sherlock-style in the “Baritsu Den” gymnasium.

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“The Gentle Art of Self Defence: A Strange and Mysterious Set of Manoeuvres Calculated to Upset the Mental Balance of Your Adversary” (1899)

  • Originally published on the Bartitsu.org site on June 3rd, 2017

The anonymous author of this March 15, 1899 To-Day Magazine satire wittily skewers E.W Barton-Wright’s “New Art of Self Defence” series for Pearson’s Magazine.

ONE of the monthly magazines which has been with us for a little time has in its current issue published an article on the “New Art of Self-Defence.”

Practical trial by the writer of the series, which To-Day now starts, has shown that it is possible for the exponent of the “New Art of Self-Defence” to do everything which he claims his art enables him to do, provided he can always find an opponent who will be good enough to use only one arm in attack or defence, and who will otherwise be amenable to the wishes of the exponent, and do nothing but what the system arranges that he shall do. The article published below, and those to follow, will show how far this system of self-defence will go, and what can be done with an opponent who has properly studied the “New Art of Self Defence,” and is determined to depart in no way from the lines laid down therein.

I AM no relation of de Rougemont, but I have learned from him that the up-to-date editor always looks coldly upon that which is probable, commonplace, or easy of explanation ; therefore with the view of getting the said editor to use his organ as the medium of supporting me, and placing my writings in the hands of the public, I have prepared a series of articles on Self-Defence, which deal entirely with carefully thought out improbabilities, which are by no means easy of explanation, and which I may at once state I don’t propose to explain.

My first interview with the editor, who accepted this series, will give some inkling of the methods of my system of self-defence. I had sent up my card and, as I expected, the editor, not knowing me, told the messenger to say he was out. I was prepared for this, and had taken the precaution of following the messenger into the room. I heard the editor’s statement, which he made without looking up.

“That remark, sir,” said I, “is a d____d lie!”

I reckoned on the man’s temper, and knew that I would immediately have an opportunity of exhibiting my art of self-defence, and so get right to the core of my business at once. I was not wrong in my calculations. He replied with a heavy metal ink, pot; I countered with the messenger, who received it full in the forehead. The ink-pot made a nasty hole in his head, and his face was splashed with ink. I would have wiped away the ink, but found he was dead, so it did not matter.

[graphic]
“I countered with the messenger”

“That,” said I to the Editor, “brings us to business.”

“Your business?” he queried, as he hurled a solid ebony ruler at my head.

“Self-defence, a new system,” I replied, and I swung him in front of me with such lightning speed that he warded off the ruler. It caught him in the wind, but he recovered in about half an hour. I waited for him to speak, or to make some move. He seated himself, and pressed a button in his desk. A bell rang without, and another messenger entered, “Put that in the waste paper basket”—he pointed to the corpse—“and fill my ink-pot.”

I took a seat while his instructions were being carried out, and when the messenger had retired we discussed my business, and came to terms. Before I give any particulars (I refuse explanations) of my art of self-defence, perhaps it will not be amiss to make a few introductory remarks as to the general conception of self-defence.

In foreign countries, when a foreigner fights, he has only one goal, and that is to get the better of his adversary, and any means is considered justifiable to obtain this end. Of course his idea of honour differs from ours, so that, whereas with us Nature’s weapons are considered the only honourable method of settling a dispute, a foreigner will not hesitate to use a wardrobe, a beer barrel, a knife and fork, or, in fact, anything that comes handy.

[graphic]
“A foreigner will not hesitate to use a knife and fork”

It is to meet eventualities of this kind that my system has been devised. The general principles may be thus summed up. (1) To get an opponent whom you can trust to do as you wish; (2) to surprise your opponent by the strangeness of your movement, and their infinite variety.

Some of the feats which I shall now describe may, perhaps, seem difficult, but if my instructions are carefully followed, and everything requisite is kept conveniently at hand, I feel sure that steady practice will make them quite easy of performance.

Feat No. 1. I will suppose now that you are walking along a silent street at night and you are attacked by a man with a knife and fork. It is always well at night to wear your overcoat hung on your shoulders without passing your arms through the sleeves. This will facilitate the mode of defence needed for the knife and fork attack. When the man approaches you, throw off your coat and give it to him, mention that you will return, and hurry off to the nearest butcher’s shop. (If all the shops are closed have no compunction in knocking up a butcher, seize the toughest steak you can find and return to the scene of action.)

If the man is gone, you have lost your overcoat, but your defence has been successful, and you are a steak, albeit a tough one, to the good. If the ruffian is still there approach him swiftly and impale the steak on his fork. While he is wrestling with the steak, take hold of him by the right leg, jerk it quickly forward, push your head into the pit of his stomach and he will lie down. Then you can recover the steak and your overcoat, and if you feel so inclined you will be able to take the knife and fork and any valuables he may have.

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Feat No. 2. Here is an excellent method of forcing an undesirable person to leave a room. Say, for instance, he is a big man and overawes the policeman you may feel it necessary to call in, the best thing to do then is to immediately hire or buy a windlass, have it firmly fixed somewhere outside the room, test the chain, procure a padlock with a Yale lock and then enter the room again with the end of the chain and the padlock held in the left hand, which it will be as well to conceal behind your back.

Walk straight up to the undesirable person, seize him by the left leg, bring forward your chain, and, without telling him what you are going to do, lock the chain carefully round his ankle. Return then without loss of time to the windlass, turn the handle quickly but firmly, and in a very short time the undesirable person will leave the room. While performing this feat it will be well to keep so far out of your opponent’s reach as to make it impossible for him to hit you or retaliate in any way.

“The undesirable person will leave the room”

In case any one should fight shy of the practical use of this trick, it may be added that the person thus treated would, should he resist the action of the chain, feel such pain as to compel him to submit meekly long before any serious injury could be done to him.

It will not be necessary to impress upon the reader the importance of knowing how any undesirable person may be promptly ejected from a room. Thousands of cases have occurred in which a knowledge of this method would have been of inestimable service. No one could resist the treatment I have suggested, as the reader will be able to understand for himself by testing it on his friends.

Posted in Canonical Bartitsu, Edwardiana, Humour, Jiujitsu | Comments Off on “The Gentle Art of Self Defence: A Strange and Mysterious Set of Manoeuvres Calculated to Upset the Mental Balance of Your Adversary” (1899)

“Studies in Savate” (Sunday Oregonian, May 20, 1900)

  • Originally published on the Bartitsu.org site on June 3rd, 2017
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“The Dwarf of Blood” Reviews a Savate Exhibition at the Alhambra Theatre (1898)

  • Originally published on the Bartitsu.org site on October 30th, 2018

Colonel Nathaniel Newnham-Davis, who wrote a popular column for the Sporting Life newspaper under the  “Dwarf of Blood” pseudonym, was clearly a connoisseur of antagonistic novelties.  Of all the English journalists who covered the heyday of the Bartitsu Club between 1899 and 1902, Col. Newnham-Davis was perhaps the most enthusiastic and carefully critical.

Written in October of 1898, this report on Georges d’Amoric’s savate exhibition coincides with Barton-Wright’s earliest displays of jiujitsu in London, prior to his incorporation of Pierre Vigny’s savate and walking stick combat system.

I have been studying M. Georges d’Armoric’s book on the French method of the noble art of self-defence, which begins with a pat on the back to the average Englishman. “He will not,” says M. d’Armoric, “stop at the argument of points; he will offer practical demonstrations, for who does not think himself a crack in the noble art of self-defence and the use of Nature’s weapons?”

Then M. d’Armoric, pleading for le Chausson, goes on to point out, with fine eye to a topical allusion, how good for the Hooligans a little of the noble order of the boot would be.

“Let a good number of these fellows receive their deserts at the hands” – surely it should be feet—“of their would-be victims; let a few get the treatment they delight to inflict upon the unwary and unoffending; let them feel what the weight of well and scientifically administered Coup de Chausson on the side of the face is like, or the sensation of an upper cut off the knee may be; favour your pet elect with more sport, if not yet contented, and add the lead off from the left foot, or a rounded hit off the right, accompanied by a fair concentrated arm fist blow, in the ‘mark,’ and your attacker will not ask or even wait for more.”

As a practical exposition of these kindly sentiments M. d’Armoric trotted out his professors early this week at a press performance, and they are now whacking each other with canes, butting each other in the stomach, and putting their toes in each others ears nightly at the Alhambra. That the savate is useful in street row there can be no doubt, and the question as to whether a foot was only made to stand on when there is a row forward is a question of national taste.

I recall a story of a little row in Julian’s studio in Paris. There was pugnacious young British student who yearned to make mincemeat of an equally pugnacious French student, and each was encouraged by his compatriots. Suggestions as to a duel with sabres, pistols, or mitrailleuses were put on one side, and it was decided to turn the two men loose in courtyard with only the weapons that nature had given them. The Britisher squared up in the customary style, and while he was deciding whether he would knock the Frenchman’s teeth out or put him out of his agony at once by a solar plexus blow, the Frenchman nearly cut one of his ears off with the edge of his bootsole, and then caught him a kick well below the belt, a kick that sent him running round the yard doubled with agony.

When the Britisher was able to face again the Frenchman, who had been doing pas seul in the centre of the court, he remembered some wrestling tricks he had learned in Cornwall, and closing with the Frenchman brought him to ground with a throw meant to hurt. It did hurt the Frenchman – hurt him so much that his friends came into the yard and carried him out; but the Frenchmen hold to this day that the Britisher fought unfairly, and the Britons can scarcely contain their wrath now when they discuss the Frenchman’s tactics. It was in small way a forerunner of Fashoda.

Some Frenchmen came over here and boxed at the Pelican Club the old days of its existence in Denman Street. O’Donoghue, I think, was the bhoy put up against the best of the Frenchmen, and at first the gentleman from across the channel seemed to be getting very much the best of the deal; but somebody, The Mate, I think, told the Irishman to get to close quarters and keep there, and the character of the fight changed at once. It was on this occasion that Jem Smith, asked why he would not take on one of the Frenchmen, replied that he did not want to be prosecuted for manslaughter.

But this is straying away from the Press view of the “boxeurs.” The stage, set with palace scene, was decorated with tricolour flags, and M. d’Armoric, a genial and excellently-mannered Frenchman, described to us in very tolerable English all that was going to take place. The exponents of the noble art a Francaise were two muscular-looking young Frenchmen, with small moustaches and heads closely clipped, clothed in dark blue armless jerseys and dark blue tights, with a tricoloured sash at the waist.

First they went through the outs and parries that are recommended for battle with canes. Neither shouted “A bas les Juifs!” nor Conspuez Brisson!” Vive l’Armee!” nor “Vive la Republique!” which are the cries that seem to be inseparable from cane combat in the Paris of to-day; but after the cuts and guards, and review exercise or “salute,” differing very little from single-stick exercises as know them, except that before a cut is made the cane is given a preliminary twist, the two professors a set-to with the canes, their sole protection being masks and a glove on the right hands. They were very quick with cut and parry, but occasionally one caught the other whack which sounded and must have stung.

Then they put on the gloves and went through slowly the various punches, and butts, and kicks, and the parries for them—all very interesting from a scientific athlete’s point of view, but all little wearying to the layman. This done with we came to business. The two professors sat down in two chairs, had their arms wiped by two young gentlemen, who in frock coats and faultless ties looked as different as could be to the seconds we are used to on the British platform.

M. d’Armoric called “Time,” and after the hand-hold, which does duty for a handshake, the two went at it with will. Unfortunately they were rather unevenly matched. With their hands they were more or less on an equality, but in toot play one had undoubtedly the best of the game. One professor did little more than offer to kick the other’s shins, or the worst dislocate his knee, while the better man got in a corkscrew kick in the right ear, flicked off a bit of the left eyebrow, disarranged the folds of his opponent’s sash, and hurt his ankle all in one comprehensive chahut. In the third round the better man got in a kick on his opponent’s right breast that sent him to ground, and as nearly as possible knocked him out.

I believe that Mr. Slater is going to pit, or has pitted, English boxers against the Frenchmen, and it will be interesting to see the result. A man who knows as much about boxing as any amateur in this country was sitting in front of me at this press rehearsal, and his opinion was that Lancashire lad would be the best man to set against a Frenchman, for up North they are handy with feet as well as hands. If the evening show is what was put before us, we should say that the preliminary work is tedious, the actual contest decidedly interesting.

Posted in Edwardiana, Reviews, Savate | Comments Off on “The Dwarf of Blood” Reviews a Savate Exhibition at the Alhambra Theatre (1898)

Bartitsu and Suffrajitsu in York, U.K.

  • Originally published on the Bartitsu.org site on Monday, 29th October 2018

Instructor Lauren Ireland of the York School of Defence will be teaching a six-week introductory course in Bartitsu and suffrajitsu.  The course will take place between 8.30-10.00 pm on Wednesday evenings at the Melbourne Centre, Escrick Street, York, YO10 4AW. The first class commences on the 24th of October and the course runs through until the 5th of December with a one week break on the 14th of November.

Posted in Antagonistics, Canonical Bartitsu, Instruction, Suffrajitsu | Comments Off on Bartitsu and Suffrajitsu in York, U.K.

“Chucker-Out of the Unwanted: Muscular Maude” (1917)

  • Originally published on the Bartitsu.org site on Saturday, 20th October 2018

Actress Doris Lytton puts up her dukes as Maude Bray, a supporting character in the 1917 theatrical farce Wanted: a Husband.  Hilarity ensues when one of Maude’s friends advertises for a husband to spark some ideas for her new novel.

Maude – a “strenuous woman” who is well-trained in boxing and jiujitsu – volunteers her services as a “chucker-out” (Edwardian-vintage slang for a bouncer).  At one point in the play she deals handily with a “colonial” would-be suitor who is making a pest of himself:

This was not the first time that the Japanese art of unarmed combat had been associated with “chuckers-out”.  Some reviewers of E.W. Barton-Wright’s early jiujitsu displays commented that they could conceive of no other lawful use of the art, much to Barton-Wright’s indignation.

Posted in Boxing, Edwardiana, Fiction, Jiujitsu, Pop-culture | Comments Off on “Chucker-Out of the Unwanted: Muscular Maude” (1917)

Bartitsucon 2018 Classes and Instructors

  • Originally published on the Bartitsu.org site on Saturday, 20th October 2018

Participants in the upcoming Bartitsucon 2018 event will experience the full range of Bartitsu training, along with some related skills, as taught by no fewer than six instructors.  In addition to the panoply of seminars, the two-day event will also feature interclub sparring in four styles: pugilism, savate assaut, grappling and cane fighting.

Bartitsucon 2018 will take place between November 10-11 at the Redditch Boxing Academy in Redditch, UK.  Click here for further details and to book your ticket!

Saturday agenda:

Open and welcome:

09.30

Session 1

10 am – 11.30:

Prize Ring Rules: Pugilism and the Science of Self Defence

Tommy Moore, The Bartitsu Lab

Covering:

  • Pugilism techniques 101
  • Crafty In-play
  • Power generation
  • Pugilism vs modern boxing approaches

Session 2:

11.40 – 13.10

Close Range Cane

James Stewart, Dewskitch School of Impact Arts

Covering:

  • Basic grips (and the strikes that best suit)
  • Close range cane striking
  • Defence against grabs and holds

Lunch: 13.10 – 13.40

Food to be provided. Buffet lunch and drinks.

Session 3: 13.40 – 15.10

Suffrajitsu

Jennifer Garside

Covering:

Practical ways to use science, subterfuge, ju jitsu and antagonistics to defeat the most seasoned policemen the Met can throw at you. Drawing on the inspirational strategies, studies and techniques of “the Bodyguard”.

Session 4: 15.10 – 16.30

Improvised weapons

Duncan Mcnulty, Bartitsu and Antagonistics Forum

Covering:

  • Flexible weapons
  • Coat, cosh, weighted handkerchief
  • Improvised weaponry

Session 5: 16.40 – 18.00

Catch Wrestling

Mark Randall

Covering:

  • Smashing people up
  • Ripping things off people
  • Twisting off heads

Depart / Open mat for sparring and free work 18.00 – 18.45

Sunday agenda:

Open and welcome:

09.00

Session 1

9.30 am – 11 am:

Chausson: early Savate

Tommy Moore, The Bartitsu Lab

Covering:

  • Savate kicking techniques 101
  • Open hand strikes
  • Combination hitting

Session 2:

11.10 – 12.40

Bartitsu-era Ju Jitsu

Peter Smallridge, Basingstoke Bartitsu Irregulars

Covering:

Joint breaks, locks and Bartitsu grappling, otherwise known as:

“Subjecting the joints of any part of his body, whether neck, shoulder, elbow, wrist, back, knee, ankle, etc. to strain which they are anatomically and mechanically unable to resist.”

Lunch: 12.40 – 13.10

Food to be provided. Buffet lunch and drinks.

13.10 – 16.30: Interclub sparring

Some competitions will be simultaneous in ring / on mats. Participants to email their weight, experience levels.

Competition 1: Pugilism

Medium / controlled contact, x 1 5-minute round, grilled head guard, MMA gloves. Throws and trips allowed. Scoring based on clean shots, control of ring, and technical competence.

Competition 2: Savate

X 3 90 second rounds of Savate Assaut, light continuous contact. Scores based on clean shots, ring craft, ring control and technical competence.

Competition 3: Grappling

X 1 5-minute round.

Gi / No Gi at discretion of participants. Slams / high velocity throws to be avoided wherever possible. Three options of play:

  1. 1. Ground grappling to a pin / submit (as agreed by participants)
  2. 2. From standing to a successful throw / takedown
  3. 3. Full grappling (from standing to submit or pin)

Competition 4: Cane

X 2 2-minute rounds. Gloves, mask and padded stick / or light rattan. Contact levels agreed between participants. Additional padding optional. Striking with limbs allowed. Disarm wins the round. Otherwise scored on clean striking, mat control and technique.

Posted in Antagonistics, Bartitsu School of Arms, Boxing, Canonical Bartitsu, Instruction, Jiujitsu, Savate, Sparring, Vigny stick fighting, Wrestling | Comments Off on Bartitsucon 2018 Classes and Instructors

“The Problem of Lancashire Kicking” (January 30, 1880)

  • Originally published on the Bartitsu.org site on Saturday, 20th October 2018
Artwork by Anna FC Smith.

When E.W. Barton-Wright introduced Bartitsu at the turn of the 20th century, the English (or, at least, the middle-class London) bias against kicking was well-established.  The reasons for that bias are not, however, well understood.  It may simply have been that the popularity of boxing engendered a general assumption that a “fair fight” was to be fought with fists alone, and thus that any use of the feet in a fight was brutal and “unmanly”.  

Nevertheless, kicking folk-sports are well-documented in several regions of England, some dating back at least as far as the 16th century.   These styles included several variations depending on local custom and time period; some were contests of agility and endurance in which low-kicking was the only legal technique, and others were styles of wrestling that allowed low kicks along with foot-sweeps and trips.  The best-known historical variant today was known as purring and was introduced to the United States during the late 1800s, primarily via Cornish miners; another style is currently practiced as part of the revived Cotswold Olympicks, as seen here:

The anonymous author of the following article from the London Daily News was clearly not aware of the prevalence of English kicking sports. He does, however, offer an interesting description of a Lancashire variant called “puncing”, a term that may well be a cognate of “purring”. 

The moral climate of middle-class England during the 1880s was very much in favour of the “civilising impulse” that had by then suppressed duelling and even pugilism.  Typically of London-based commentary on kick-fighting during this period, the author takes a disapproving tone, conflating the practice of kicking as rough and tumble sport with street assaults by “cornermen” (gangsters) and even with domestic violence.  


We have already commented on the sentence which Lord Justice Brett recently passed upon two Lancashire kickers, and on the circumstances of the crime which provoked that severe but most just punishment. The prevalence of this peculiar form of brutality, however, in Lancashire—or rather in parts of it—is a sufficiently remarkable fact to deserve more attention than that somewhat fitful interest which occasional cases excite.

It is not more than three or four years since a similar outrage first attracted the notice of Londoners and residents of the South of England generally. Although there is unfortunately a good deal of brutality all over England, it cannot said that any particular form of it prevails remarkably in districts other than Lancashire. That “wives are made to be trampled on” is a maxim which is taken literally by ruffianly husbands all over the country as it is uttered metaphorically by enraged and slightly-shrewish wives. Fists, though the scientific use of them is sadly on the decline, are too frequently employed for the purpose, not of self-defence, but offence of a very definite and inexcusable kind.

But the Cornish miner, the Dorsetshire labourer, and the Sussex or Wiltshire shepherd do not usually confine themselves to any special method of avenging themselves against their enemies or giving vent to their feelings.  Even in the “Black Country,” the coal districts of Durham and Northumberland, the manufacturing towns of Yorkshire —though in the first two, at any rate, a sufficiently unpolished code of manners prevails —neither kicking nor any similar practice has been brought the level of fine art.

Lancashire – and not the whole of the county, but only in certain of its large towns—stands alone in the rather unenviable possession of this “specialty.” In the towns in which kicking does most prevail, it is practised on a very much larger scale and with very much more precision than the stranger who merely reads a case now and then would suspect. It may perhaps news to some people that kicking does not come by nature, though a little practice at the game of football soon will convince them of the fact. Neither foot nor hand will strike heavily aud accurately without a considerable amount of education; and, as the foot is as used for fewer purposes than the hand, its unhandiness (if an unavoidable pun may be allowed) is far greater.

The Lancashire kicker therefore practises his unamiable art from early age. But in truth he does not call it— at least in its finer forms—kicking. The proper term is “puncing,” and the highest branch of art is a “run punce.”  It is, indeed, in good running kicks that the great difficulty of the more harmless game consists, and it is not surprising to find that, in the kicking of men and women, the same obstacles to perfection are found.  Practice, however, makes both the Rugby boy and the Lancashire corner-man perfect; the latter, like the former, beginning at a very early age.

It is not to be supposed that the carnivals of brutality which culminate in twenty years’ penal servitude occur constantly, though their occurrence is only too frequent. But lesser opportunities for the practice of the art are probably at least as frequent as opportunities for the display fistic skill were not very many years ago. The alleys and closes of certain Lancashire towns, the corners of the streets, and the doors of the public-houses are frequently the scenes of milder skirmishes, in which this unlovely version of the exercise called in French savate is brought into play.

Fighting footwear; clogs worn in foot-combat matches were often augmented with nail studs and iron plates, producing truly fearsome weapons.

The heavy clogged boot which is usually worn in these districts has sometimes been taken to be a contributory cause of the practice, on the well-known principle of the connection between the means to do ill deeds and the doing of them. It is, course, clear that whether this is so or not, the boots are a very important factor in the question. Moreover, whatever may be thought about the origin or causes, the fact of the existence of the custom is quite unquestioned. It is an extremely local one, and there are Lancashire towns in which it is possible to reside for months and years without seeing or hearing anything of the practice.

But, on the contrary, there are others in which it is rife, and where, if murder is not done frequently, it is only because the “puncer” is a sufficiently skilful and accomplished practitioner to able to inflict grievous bodily harm without running the risk of the last penalty of the law.

If it is asked what the public opinion of the class which chiefly indulges in this brutal pastime is on the subject, the question is not an easy one to answer. Such public opinion on such points is never very easy to get at. But it would seem to the effect that “puncing,” though not exactly a laudable amusement, is at least not more brutal nor revolting than fighting with the fists.  We are not concerned to indulge in any casuistry as to the two exercises. But it may be at least pointed out that even noted bruisers do not generally run amuck through the streets of a town, getting the heads of the casual public into Chancery, and performing the other operations to which the picturesque and metaphorical, though slightly obsolete, terms of the ring are applied.

It takes two to make a fight, in the old sense. In the literal sense, doubtless, it takes two to make the amusement which is the corner-man’s delight. But as in love, in puncing—there is one who punces and another who very unwillingly allows himself to be punced. The highest delight of the puncer, indeed, appears to be to hunt in company, and to toss the victim from boot to boot with a cheerful precision which has something indescribably diabolical about it to those who have not been born and bred to the manner.

The great object of kicking of this kind appears to be the display of skill and the enjoyment of an invigorating pastime, much more than the punishment of injuries or the solace of an irritated temper. Yet, it would appear that in the kicking districts puncing is sometimes regarded by respectable persons as a legitimate, though perhaps extreme, method of showing displeasure. Occasionally in a Lancashire story the villain meets with chastisement in this form, and the agent is not held up to anything like the moral reprobation which would attend the act elsewhere.

Of course, all this shows the need of a very decided reformation of manners; but this reflection, which everybody will agree, leaves untouched the strangeness of the fact that in one district, and in one district alone, of the United Kingdom this peculiar form of brutality has attained something like the proportions and the vitality of an institution. There are no particular elements in the population of the county of Witches which are not present elsewhere. Drunkenness is, unfortunately, by no means confined to Lancashire, and, though the dreary appearance of but too many of her towns might fancifully supposed to roughen the manners of the inhabitants. Yorkshire and Warwickshire, Northumberland and Durham, not mention Glasgow and the towns of the Scotch black country, can fearlessly enter the lists with the blackest town in Lancashire in this respect. The sociologist, who must have a theory, is therefore thrown back upon the boots.

But, whatever may have been the beginning of the practice, whatever may have been the reasons of its continuance and spread, there can be no two opinions about the desirability of its speedily coming to an end. To the antiquary it may possibly be an interesting subject tor investigation and discussion, but to the contemporary historian and student of manners it is anything but satisfactory. There is a certain glib way talking about “relics of barbarism”; but this particular habit, though it is certainly worthy of any barbarism that ever existed, would seem to have grown up in the full civilization of nineteenth-century England.

Posted in Antagonistics | Comments Off on “The Problem of Lancashire Kicking” (January 30, 1880)

“The Duel with the Fashionable Pointed Shoes” (Circa 1885)

  • Originally published on the Bartitsu.org site on Saturday, 20th October 2018
German cartoonist Adolf Oberländer imagines a savate-like consequence to the mid-1880s fashion for pointed shoes.
Posted in Humour, Savate | Comments Off on “The Duel with the Fashionable Pointed Shoes” (Circa 1885)