E.J. Harrison on E.W. Barton-Wright

  • Originally published on the Bartitsu.org site on Saturday, 19th June 2010

A passage from E. J. Harrison‘s classic book The Fighting Spirit of Japan, originally published in 1912. This section is taken from a reprint dating to the early 1950s.

Perhaps a pioneer of the Japanese art (of self defence) or a certain version of it was the late Barton-Wright, who studied for some time in Japan, afterwards proceeding to London where he opened an academy and taught what he knew under the name of Bartitsu. He claimed that he had grafted on to the parent stem various shoots of his own invention or culled from other schools in different parts of the world. Without doubt Mr. Barton-Wright was a colourful personality in his day and generation and could give a very good account of himself against all and sundry lacking knowledge of either jujutsu or judo. This splendid veteran passed away only a few years ago, on the threshold of his tenth decade.

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Martial Arts of the World: An Encyclopedia of History and Innovation

  • Originally published on the Bartitsu.org site on Thursday, 17th June 2010

A Bartitsu essay by Tony Wolf is featured in this new two-volume encyclopedia from ABC-CLIO publishing.

You can click this link to visit Martial Arts of the World at Amazon.com. At US$144.00, the encyclopedia is primarily intended for libraries, but serious collectors of quality martial arts literature will want their own copies.

Films from Hollywood to Hong Kong and such competitions as MMA and Ultimate Fighting give us vivid, if oversimplified, images of martial arts in action. But the realities of the world’s martial arts traditions—their histories, philosophies, codes of honor, and methods—are richer than any pop culture portrayal can suggest, with centuries-old combat disciplines practiced in virtually every corner of the globe.

ABC-CLIO’s Martial Arts of the World: An Encyclopedia of History and Innovation is the most authoritative reference ever published on combat disciplines from around the world and across history. Coverage includes Shaolin monks, jousting knights, Roman gladiators, Westerner gunfighters, samurai warriors, and heavyweight boxers. These iconic figures and many more are featured in this title, as well as representatives of less well known but no less fascinating systems, all vividly characterized by expert contributors from around the world who are themselves martial arts practitioners.

Martial Arts of the World comprises 120 entries in two volumes. The first volume is organized geographically to explore the historic development of martial arts styles in Asia, Africa, Europe, and the Americas. The second volume looks at martial arts thematically, with coverage of belief systems, modern martial arts competitions, and a wide range of such topics as folklore, women in martial arts, martial arts and the military, and martial arts and the media.

The encyclopedia offers notably in-depth coverage of areas that have often been neglected in similar works, including martial arts of European, African, South American and Oceanean origins. Another real strength is the emphasis on “Themes” in the second volume, likewise offering truly insightful coverage of the relationship between martial arts training and belief systems, folklore, media, military and paramilitary cultures, performing arts and politics, among other topics.

The four-page Bartitsu entry is featured in the second volume as a case-study of the globalisation of the martial arts. It covers the origins, creation, slide into obscurity, rediscovery and modern-day revival of E.W. Barton-Wright’s “New Art of Self Defence”.

Bartitsu is also referenced in entries on the Jujitsuffragettes, the international spread of jiujitsu, French canne fencing etc.

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Yukio Tani’s Kaeshi-No-Kata

  • Originally published on the Bartitsu.org site on Tuesday, 15th June 2010

An interpretation of the kaeshi-no-kata (forms of countering) devised by former Bartitsu Club instructor Yukio Tani during his time as an instructor at the London Budokwai.

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Boxing vs. la Savate (circa 1869)

  • Originally published on the Bartitsu.org site on Sunday, 13th June 2010

From “Fores’s Sporting Notes and Sketches”, 1894:

YES, I have seen one or two queer events in the boxing line. How time makes the running nowadays! Somehow, things seem to come and go much faster than they used to do, and, although I still feel young, it is nearly a quarter of a century since I witnessed the most amusing show, I suppose, that was ever given in the way of a contest between two exponents of the noble art of self defence— one an Englishman, and the other a Frenchman.

The match was arranged by a well-known amateur boxer, and took place in a small town in France, in the rooms of an old Frenchman who gave lessons in fencing, &c. Only about a dozen spectators were invited, and I happened to be one of the favoured few. The Englishman was one of the stars of his profession, and a real tough bruiser, and had never seen the French style of boxing, viz. ‘la savate.’ The Frenchman was one of the leading professors of the art, and had never met an Englishman. So we looked forward to seeing something that would amuse us. We were not disappointed. They both wore gloves, the weight of which I do not remember, and canvas shoes. There was no ring, so they had the whole room to manoeuvre in. The spectators stood round the corners.

I will call the Englishman ‘Tom,’ and the Frenchman ‘Alphonse.’ Tom appeared in the orthodox rig, breeches and socks, and stripped to the waist. Alphonse turned out in a white jersey and black tights. He was a great contrast to the broad-shouldered, bullet-headed Englishman, being nearly a head taller, with extraordinarily long legs, and a wild and hungry look about the eyes. They advanced to the middle of the room, and Tom held out his hand in the usual manner, but was received with a low and courteous bow from Alphonse.

Tom led off by making a feint at the face of Alphonse, who parried it, and landed Tom a smart kick on the side of the head with his right foot, followed immediately by another kick on the other side of the head with his left!

Tom’s look of astonishment was a picture, he tried in vain to get in at Alphonse, who seemed to flutter about more like a butterfly, or daddy-long-legs, than anything else; he tried to catch hold of the feet that kept playing about his head, but without avail, the head that he wanted to go for was never where the head should be, according to Tom, so practically, he had nothing to tackle, except an elongated pair of understandings that seemed to work on springs and on which he could make little or no impression.

I forget how many rounds were fought; any how, we were all convulsed with laughter till the last round, in the middle of which Alphonse threw himself back on his hands and shot out with his left foot, the sole of which was planted with terrific force full into Tom’s face.

The pugilist staggered back nearly the whole length of the room, but he recovered himself, and, with a wicked look, made a rush at Alphonse, and drove him into one of the corners, where he could not use his legs, and landed him one he will never forget, right under the jaw, which almost lifted him off his legs, and his head went with a crash against the wall, and poor Alphonse dropped senseless to the floor. Tom stood over him and muttered, ‘You d—d Froggy, I’ll teach you to play football with my head!’

It was some time before Alphonse came round, in fact, we thought at first that he was killed; however, with plenty of cold water poured over his head, and a fair quantity of cognac poured down his throat, he at last recovered, and it is needless to say, had had quite enough of it. I would go a long way to witness such another show, the extraordinary agility of the Frenchman was most astonishing, and there is no doubt an adept at ‘la savate’ is no mean adversary for an ordinary boxer to tackle.

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“Schools Where Men are Taught to Defend Themselves Against the Attacks of Street Rowdies” (New York Tribune, August 30, 1903)

  • Originally published on the Bartitsu.org site on Wednesday, 26th May 2010

ART OF STICK DEFENCE.

A Ready Means of Warding Off Felonious Assaults.

In the crowded city as well as at the lonely crossroads a man never knows when he may be called upon to defend himself. However vigilant may be the police, however strong the windows of his house, one is never absolutely secure from thug or burglar. However regular nay be his habits, however restrained his desires, still there are emergencies which may keep a citizen out until the “owl” hours or call him into unfrequented byways.

Street gangs never seemed bolder than at the present time, and their attacks upon law-abiding citizens are of frequent occurrence. The majority limit their operations to the tenement house districts, but now and then they appear where least expected. Such was the case in the alleged attack upon David Lamar’s coachman in Long Branch by “Monk” Eastman and some other members of his notorious East Side gang.

When a man is called on to face a ruffian, he needs no better weapon than a hickory walking stick. A revolver is likely to harm him more than to help. As soon as a man reaches for his weapon, his adversary has the right to shoot, and the accomplished criminal is almost sure to have his weapon ready first. The stick is the better weapon, because it is quicker. It is in one’s hand already. It is always “loaded.”

In such a crisis the first blow counts. At such a time neither endurance nor strength is as important as quickness. There is only one round, and in most instances there is only one blow. The man who gives it first, and gives it right, is the victor. One does not need to be an experienced boxer or wrestler, for his adversary on such occasions is not likely to observe the Marquis of Queensberry rules or the laws of the Greco-Roman school of wrestling. Foul means are fair at such times.

In the city of London the crime of the highwayman and burglar has increased to such an extent that many schools have sprung up in the great English metropolis where one may learn the art of stick defence. These schools have proved popular, and many of the professional fencing and boxing masters have included courses in which the pupil is taught to handle the stick. The instruction is simple, and contrasts in a striking degree with the complicated science of fencing. Neither is it anything like the old art of handling the singlestick, where two men armed with sticks parry with each other for an opening to administer a blow.

Stick defence differs from all these manly exercises in this essential — it is not a pastime between sportsmen; it is a quick and safe method of knocking out a thug.

Many a busy New Yorker, however, would never learn the art of stick defence, even though he believed it would some day save his life, if he had to go to a gymnasium or a fencing school to learn it. “I simply haven’t the time,” such a man would say.

For the same reason he has long wished to be a boxer, and secretly envied the splendid muscles of the athletes he sees at the beach when be goes down there for a Sunday swim. Neither does he know anything about wrestling or many another manly sport which would not only befriend him in an hour of need, but, best of all, build up his physique and enable him to work harder and longer, and yet feel far less weary when he leaves his office at night.

Stick defence, however, can be learned at home more easily, perhaps, than any other art of self-defence, and after a few general rules are mastered the beginner may learn how to apply them in many effective ways. He must first of all have a roommate or some other good friend who is willing to play the “thug” and to be “knocked out” some half hundred times. In imagination the “thug’s” arms will be broken, his wrists and ankles dislocated and his neck twisted.

The thug who is of Anglo-Saxon origin generally makes his assault with his fists. If he doesn’t he pulls a pistol. His most common first attack is to strike his purposed victim in the face with his left hand, and to hold back his right ready for a blow in the stomach. Nine times out of ten such a ruffian overwhelms his man and even an experienced boxer may fail to thwart such an assault. But the man with a stick, should he handle himself right, ought not only to withstand his enemy, but break his arm.

As soon as the stick man sees what his assailant is up to he clutches his enemy’s left hand with his own, and with his right, holding his stick and guarding his stomach at the same time, he cracks the thug’s arm in the crazy bone, at the elbow. At the same time he strikes he twists the arm inward, so as to make the pain of the blow still more acute. If the stick man wants to strike hard enough he can break a thug’s arm in this way.

Should one find it impossible to use this device in withstanding a left-handed attack, there is another way which proves almost as effective.

As the thug rushes for his man the stick man grasps his cane at the small end with his left hand, and with his right he clutches it near the handle. His hands are near enough together, however, so that his right elbow is at an angle of 90 degrees, and with this protruding elbow he wards off the swing of the thug’s left arm. At the same time he thrusts the handle of his cane under the chin of his foe and topples him over on his back. In case „of a right-handed attack, the man with a stick meets it in the same fashion, but with opposite hands.

Unless the sight of a pistol’s muzzle unnerves him, the man with a cane is able to dispose „of the thug who pulls a gun easier than if he used only his fists. If the pistol puller is left handed, an upward blow of the cane is best, for it knocks the weapon high into the air, and does not swerve the barrel sidewise, (in which case) the bullet is likely to reach the heart of the intended victim.

But in ninety-nine cases out of a hundred the gun is in the right hand, and the stick man need only drop to his knees and at the same time strike his would-be murderer a sharp sidewise crack on the knuckles to disarm him.

As the Anglo-Saxon uses his lists, so the Italian and Spaniard have recourse to the knife. Unless such a thug is left-handed, he strikes with his right hand, and he is met by the stick man in much the same way as a left-handed fist blow is averted by the thrust of the cane’s handle under the chin. The stick man, however, holds his arms differently. He now bends his left elbow to avert the stab and shield his vitals.

As a general thing the thrust of a cane under the chin partially strangles a thug and so disconcerts him that he drops the blade from his hand. Should the ruffian use his left hand, the man with a stick grasps his weapon with his right hand around its small end and his left about its centre, and with his right elbow shielding his breast he gives the strangling thrust into his enemy’s neck.

The German also has his way of holding up a pedestrian. In the gymnasium or the army he has been trained in the use of the broadsword, or even as a peasant boy he has had his “schlagen” matches with his playmates. So when a Teuton who has settled in the New World descends to deeds of violence, he generally uses a stick. His fate, however, at the hands of the master of stick defence is likely to be as instantaneous as that of the Anglo-Saxon or Italian.

In meeting this kind of enemy an umbrella or cane with a hooked handle is the best weapon. The stick man catches the cane of his foe, hooks his assailant around the neck and then jerks his head forward. At the same time he raises his knee so that the face of the thus strikes against it with great force. This treatment makes a man see so many stars that he invariably drops his cane and thus surrenders himself to the mercy of his victor.

Some thugs have a way of coming up on victims from behind and disconcerting them with a kick. The stick man who knows the tactics of thugs is prepared for this kind of assault. As soon as he suspects what is to occur he wheels on his heel and hooks the thug by the foot with the handle of his cane or umbrella. This is sure to send the ruffian over backward on to his back.

Another way is to dodge the kick, and crack the upraised leg with a stick over the knee. Such a blow will break a man’s leg if it be administered hard enough.

Tactics which might supplement those of the London stick men have been Introduced into the United States Navy. They are trick catches which are for the most part based on the Japanese system of wrestling. A sailor renders an assailant powerless simply by twisting his muscles the wrong way. It is called the leverage system, for the reason that it tends to pry a victim’s joints apart by using the bones as levers one against another. Should a New Yorker combine both the tactics of the London stick man and the United States naval wrestler, it is safe to say that the police of this city would have far fewer holdups and burglaries to record than at the present time.

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Bartitsu Shout-Out in New Superhero Drama, “The Cape”

  • Originally published on the Bartitsu.org site on Thursday, 20th May 2010

Bartitsu gets an unexpected shout-out in this preview for the new NBC superhero series, “The Cape”. From the official Cape website:

“The Cape” is a one-hour drama series starring David Lyons (“ER”) as Vince Faraday, an honest cop on a corrupt police force, who finds himself framed for a series of murders and presumed dead. He is forced into hiding, leaving behind his wife, Dana (Jennifer Ferrin, “Life on Mars”) and son, Trip (Ryan Wynott, “Flash Forward”). Fueled by a desire to reunite with his family and to battle the criminal forces that have overtaken Palm City, Faraday becomes “The Cape” his son’s favorite comic book superhero — and takes the law into his own hands.

During a training montage, the Cape’s mentor, Max Malini, says:

“British Bartitsu … the warrior dancers of the T’ang Dynasty used their robes as weapons.”

The Cape is obviously an expert martial artist armed with a super-powered cloak, but it’s unlikely that we’ll see any classical Bartitsu featured in the series. On the other hand, it’s always nice when writers do their homework. One wonders what E.W. Barton-Wright would have made of all this.

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Baron Charles de Berenger’s “Defensive Gymnastics” (1838)

  • Originally published on the Bartitsu.org site on Wednesday, 12th May 2010

“To be courageous is enviable, whilst, on the other hand, to be able to conceal the absence of courage is useful” – Baron Charles de Berenger, 1835

Seven decades before E.W. Barton-Wright produced his articles on Bartitsu, there was Baron Charles de Berenger and his “Defensive Gymnastics”.

Lieutenant Colonel Charles Random, Baron de Berenger, was a colourful character indeed. Virtually nothing is known of his early life, except that he was born with the humbler name of Charles Random sometime in the late 18th Century.

During the first decade of the 1800s he was reported to have been working as a colourer at Ackermann’s Printing Company in London and to have been serving as an Army volunteer. He was a notably good shot with both rifle and pistol. As a well-mannered young sportsman he enjoyed the patronage of a banker named Hammerley, and it was at Mr. Hammerley’s home that Random met and subsequently married a German widow, the Baroness de Berenger. He would probably have been aged in his late twenties at that time.

By virtue of having married a Baroness, it appears that Random then assumed the title of Baron and for the rest of his life announced himself as “Charles Random de Berenger de Beaufain” and claimed to be of noble Prussian heritage.

By all reports an effusively polite and remarkably inventive man, de Berenger was none-the-less prone to financial problems. While the Napoleonic Wars raged throughout the European mainland, de Berenger landed in a London debtor’s jail on at least one occasion. In 1814 he was implicated in an audacious and elaborate stock fraud that included temporarily convincing a large proportion of London society that Napoleon Bonaparte had been killed. De Berenger served a year in prison for his part in that infamous affair.

The Stadium

By 1830 de Berenger appears to have come into a very substantial sum of money, enough to purchase a large estate in the London suburb of Chelsea.

At the time de Berenger bought the property it was a fine estate including a large villa and some eleven acres of picturesque park-land bordering the river Thames. Perhaps in consequence of his interests in marksmanship and athletics, he immediately began work on converting the oak and elm-studded grounds of Cremorne House into an elaborate outdoor training facility for all manner of sports. He installed butts (targets) for archery, pistol and rifle shooting, set aside fields for equestrian training and planned a “floating school of Natation (swimming),” to be set upon pontoons and moored to his pier.

On May 28th, 1831 the Baron issued a prospectus for “THE STADIUM, Cremorne House, Chelsea, established for the tuition and practice of skilful and manly exercises generally.” The Stadium’s motto was “Volenti nihil difficile,” “Nothing is difficult for him who has the will.”

This prospectus and one subsequent were notable for including pictures by both de Berenger himself and his friend, the famous caricaturist and illustrator George Cruikshank.

“How to Protect Life and Property”

In 1835, de Berenger released his second book, “Helps and Hints: How to Protect Life and Property.” His format and style may have been modeled after that of Lord Chesterfield, whose correspondence with his son Philip (dating from 1730) had since been compiled into a popular and controversial volume. In any case, de Berenger chose to frame “How to Protect Life and Property” as a series of letters to his own son, Augustus, advising him on how to prevent or otherwise counter a myriad of potential threats.

Thus, de Berenger’s work may actually be considered as an early ancestor of the modern “self-protection handbook” genre. De Berenger did not simply present a system of, for example, fencing, nor boxing; rather, his lessons addressed self-defence in the broadest sense, including everything from escaping a burning house to numerous tricks of hand to hand combat; from dealing with wild animals to the avoiding the depredations of swindlers and pickpockets, with numerous digressions on the subjects of manly courage and morality.

The book was well-received by most contemporary reviewers, although it was dismissed out of hand by a much later (and deeply unsympathetic) writer as being a “claptrap book of gymnastics.” Several journals noted the Baron’s apparent obsession with moral conduct, which was cast in a rather ironic light by his involvement in the Stock Exchange scandal, but most seem to have taken his unusually florid prose style with amused good grace and to have been genuinely impressed with the scope and detail of his instruction and anecdotes.

In 2008, de Berenger’s writings on self-protection were re-published as “Defensive Gymnastics”, a compilation of the Baron’s advice on the different modes of “manly character”; the use of defensive gymnastics with fists, canes, whips, pistols and umbrellas to thwart pickpockets, street ruffians and con-artists; and how to escape from highwaymen, burning buildings, icy ponds and wild bulls.

The 2008 edition features over 50 new photographs and drawings, an introductory biography and a special feature on the Baron’s Stadium. Here is a short video preview:

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“More Jiujitsu Tricks” (Punch Magazine, 1905)

  • Originally published on the Bartitsu.org site on Wednesday, 5th May 2010

During the first “jiujitsu boom” of the early 20th century, Punch Magazine made great sport of the novel art of self defence and of the claims made by jiujitsu enthusiasts.

In April of 1899 Mr. Punch published a story purporting to recount what happened when a Bartitsu fan, whose interests only extended to reading Barton-Wright’s articles rather than actually practicing the art, attempted to use it against a burglar. That tongue-in-cheek essay is reproduced in the second volume of the Bartitsu Compendium.

The June 14, 1905 edition of Punch included the following article, written by “Iyama Terra”, describing several “laughably simple” tricks sure to upend any scallywag.

MORE JIU-JITSU TRICKS.

Iyama Terra, the famous Japanese wrestler, whose recent work on Jiu-Jitsu (The Bruiseless Art) has created such a sensation in police circles, has been good enough to supply us with three short chapters which were inadvertently omitted from his book. His valued contribution is accompanied by the following characteristic note :—

Dear Mr. Punch,—Jiu-Jitsu, as taught by me and practised by everybody, is the science of defending yourself against every known form of physical attack. The system embraces 417 separate tricks, all of which can be done. In fact, next to its infallibility, the most conspicuous virtue of Jiu-Jitsu is its almost laughable simplicity. Yours, Iyama Terra.

RUSES AND FALLS.

To Repel The Attack Of A Man With Hatchet.

It is very important to know how to deal with a man who assails you with a hatchet. There are several ways of making effective resistance, but just a few will suffice. Indeed, it will be better to teach you only two or three, because if you knew them all you would, when putting them into practice, get confused and probably chopped.

Method 1.—Wait until your opponent strikes and then move. Try to move as quickly as possible. Everything depends on that. Activity rather than gracefulness should be aimed at. If your adversary delivers a really violent blow, and you successfully evade it, his hatchet will be partly buried in the ground. While he is endeavouring to extricate it approach him from behind, seize his legs and plait them in the shape of an ordinary lock-stitch. Then firmly bend them up his back and maintain them in their place with your right arm. Your left hand will be free to secure his left arm and wrap it twice neatly round his neck. To complete the fall you can stand on his right hand, if necessary. He is now practically powerless, and you can hold him in position until he has given a promise to lead a better life.

Method 2.—This is a favourite trick of mine. For its successful performance it is desirable that your friend should be wearing a fur overcoat, a stand-up collar and knickerbockers. Your first business is to make a feint, after which you ought to have no difficulty in taking the hatchet from him. Roll his fur overcoat suddenly up over his head to prevent him from seeing what you are going to do next. Get a firm purchase on his collar from the back, and with the other hand clutch the ends of his knickers. Tilt him over quickly and swing him about with his face downwards. As to how long you need swing him there is no absolute rule. Deal with every case on its merits.

Method 3.- —In the event of your antagonist being a big man with a big hatchet, and especially if it is quite clear that he is annoyed, it is sometimes a good thing to go swiftly away. Return with several friends and bigger hatchets.

To Cope With A Hat-kicking Hooligan.

To a quiet, well-behaved man nothing is more vexing than to have his hat, tilted over his eyes by the frolicking foot of a hooligan. I have squelched scores of hat-doffers in my time. This is how it is done.

Method 1.—Let him try it on. When his foot is about two inches off the hat strike it (the foot) smartly to one side. This will cause him to whirl on one leg like a top. When the projecting limb comes round again, take hold of it and follow it round in the manner of a sailor at the capstan. Four or five turns and you can leave him spinning.

Method 2.—This is usefully employed when your assailant happens to be intoxicated. In such case his kicking is likely to be erratic and may miss your hat. Seize his foot when it is about opposite your waistband. Keeping tight hold of the foot run rapidly past him. This will probably cause his leg to bend at the knee. To double up his remaining leg and tipple him on to his back is the work of a moment, or a couple of moments at the outside. Then tie each leg to its corresponding arm in a loose bow-knot. If you have the time it is amusing to stand by and watch him. As he attempts to undo himself, tighten the knots.

N.B.—As this second method requires a quick eye and plenty of nerve, it is well to constantly practise it at home before trying it on a stranger.

“Eifia Nofo” replied with two further techniques in the July 5, 1905 edition:

MORE JIU-JITSU TRICKS.

Dear Mr. Punch,—After reading in your columns Iyama Terra’s additional chapters on Jiu-Jitsu, I am tempted to give the public the advantage of two of my favourite tricks which I have practised many years with unvarying success.

(1) To protect yourself from a man who presents a loaded revolver full in your face.

At first sight it would appear that the man with the revolver has the advantage over you, but a close study of my method of defence will convince anybody that the man is really completely in your power.

First, with an adroit movement, catch the muzzle of the revolver firmly between your teeth. Then with a quick step towards your opponent get out your matches. Strike one, and set fire to his hair. He will of course put his hands up to extinguish the flames, and so let go of the revolver. He is now at your mercy, and you can do as you like with him.

(2) To protect yourself from a man who aims a blow at your face with his clenched fist.

For the purposes of this trick it is essential that you should be wearing heavy boots. In the event of a quarrel on the football field you will naturally be forearmed, but should you and your opponent be playing tennis you must tactfully postpone the attack until you have changed your shoes.

The method of defence is very simple. As he hits out at your face, and before he reaches it, quickly stand on your head. He will obviously hit your hobnailed boots, and his fist will suffer. His next step will naturally be to stand on his head and renew the attack, when you immediately resume your former position and he again hits your boots. This must be continued until your opponent is tired.

—Yours, Eifia Nofo.

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Bartitsu at ISMAC 2010

  • Originally published on the Bartitsu.org site on Sunday, 2nd May 2010

Tony Wolf will be teaching a six-hour Bartitsu seminar at this year’s International Swordfighting and Martial Arts Convention in Detroit, Michigan (September 3-6 2010).

This class will explore three essential combat principles of Bartitsu, the “gentlemanly art of self defence” founded by Edward William Barton-Wright in 1898. Barton-Wright defined these principles as:

(1) to disturb the equilibrium of your assailant; (2) to surprise him before he has time to regain his balance and use his strength; (3) if necessary to subject the joints of any part of his body … to strains which they are anatomically and mechanically unable to resist.

He also noted that:

It is quite unnecessary to try and get your opponent in any particular position, as the system embraces every possible eventuality, and your defence and counter attack must be entirely based upon the tactics of your opponent.

Drawing from a selection of classical Bartitsu unarmed and walking-stick fighting set-plays, we will take up the challenge implied by Barton-Wright’s precepts of adaptability and improvisation, thereby continuing the “mixed martial arts” experiment that he began in late Victorian London.

Pre-requisites: this class is not suitable for beginners. Intermediate to advanced level martial arts training, preferably including skill in falling techniques, is required.

Equipment: a sturdy crook-handled walking stick or 36 inch dowel with any edges smoothed away; fencing mask or similar face/head protection.

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E.W. Barton-Wright’s “overcoat trick”

  • Originally published on the Bartitsu.org site on Tuesday, 27th April 2010

In the March edition of Pearson’s Magazine, 1899, Bartitsu founder E.W. Barton-Wright demonstrated a curious self defence technique making use of an overcoat as a defensive weapon. The provenance of this technique is unclear. It could be an aspect of the Shinden Fudo Ryu jiujitsu that he had studied in Kobe, Japan; an adaptation of a French Apache (gangster) street-fighting trick, or perhaps Barton-Wright’s revival/update of the classic “cloak in the face” manoeuvre recorded by historical fencing masters such as Salvator Fabris:

Fabris’ technique had been revived as part of the historical fencing curriculum developed by Captain Alfred Hutton, who taught both Elizabethan and modern forms of fencing, as well as theatrical stage combat, at Barton-Wright’s Bartitsu Club:

According to Barton-Wright:

There is, however, one simple and effective way of meeting an attack with a knife that I will explain. We will suppose that you have to pass through a locality late at night where there is a likelihood of such an attack, and you do not wish to run the risk of bringing yourself within the law by relying upon a revolver.

Carry your overcoat upon your shoulders without passing your arms through the sleeves, in the style of a military cloak, with your right hand ready upon your left shoulder to use your coat in the way explained below, should the necessity arise. Be careful always to walk in the middle of the road. Directly your assailant attacks, face him and wait until he is within a distance of two or three yards. Then envelop his head and arms by throwing your coat at him, with a sweeping, circular motion of the arm. This will obscure his view momentarily, but not your own, and will give you plenty of time to deliver your attack, which should take the form of a right-handed knock-out blow in the pit of the stomach.

Or while he is still enveloped in the folds of your coat, slip round behind him, seize him by the right ankle, and push him under the shoulder blade with your left hand. You will thus throw him very violently upon his face, and in his endeavour to break his fall and protect his face he will put out his hands, and in doing so, involuntarily drop his weapon. He will then be disarmed and in a position where you can break his leg immediately if you so like, or if you do not wish to proceed to such extremes, you can hold him down in the position shown in No. 6 until the police arrive.

This is only one of the many ways I have of meeting such a contingency.

A tongue-in-cheek reference to the overcoat technique then appeared in the April 8th, 1899 issue of Guy’s Hospital Gazette:

Mr. Higgins has been taking lessons in the new art of self-defence. At his first meeting with Mr. Barton-Wright he attempted to floor him with the usual knock-out blow, but soon found himself presenting an inverted image moving against the shadow. This led him to think that there was more in the method than met the eye.

It appears that there is a good deal to learn in this new art. There are several hundreds of different manoeuvres for as many different forms of attack, and the trouble begins, I imagine, when you work off the wrong defence for the particular variety of attack.

There is one trick with an overcoat which strikes us as particularly “fresh.” All you have to do is to walk in the middle of the road with your arms removed from the sleeves of your overcoat. (The only drawback to this is that it rather spoils the set of the overcoat and necessitates wearing one all the summer). Then you meet your assailant—this is the hardest part of the business, but it can generally be managed by a judicious use of opprobrious epithet. Having met him, all you have to do is to seize your coat by the shoulder and plug it round his head.

If you are successful you can jump on his chest while he is getting untangled; if not, he will probably move off with the overcoat down a side-street. You lose the overcoat, but win the game. I must try it on a policeman.

And finally, here is the same trick, executed by Jude Law as Dr. John Watson in Sherlock Holmes (2010) as a prelude to belabouring his antagonist with a frying pan:

Posted in Canonical Bartitsu, E. W. Barton-Wright, Instruction | Comments Off on E.W. Barton-Wright’s “overcoat trick”