The Bartitsu School of Arms 2012 in Text, Video and Images

  • Originally published on the Bartitsu.org site on Sunday, 16th September 2012

The second annual Bartitsu School of Arms and Physical Culture was a three-day conference and training seminar held in Chicago between September 7-9, 2012. The event was hosted by the Bartitsu Club of Chicago and based at the Forteza Fitness and Martial Arts studio.

Day 1

Our band of stalwart adventurers met at the Forteza Fitness and Martial Arts studio in Chicago’s Ravenswood neighburhood just before noon, embarking in a small but spirited convoy to La Salle, IL to tour the Hegeler Carus Mansion and its historic gymnasium – normally a two-hour trip. Unfortunately we were delayed by unusually heavy traffic leaving the city, but the Hegeler Carus Mansion staff were kind enough to delay the start of the 2.00 tour to accommodate us. En route, a nascent plan emerged to write a Bartitsu-themed “anthem”, perhaps in the style of a c1900 music hall song. We also met SoA instructor Allen Reed, who lives somewhat near La Salle, at the site.

The mansion tour was fascinating, particularly re. the Hegeler and Carus families’ close connections to events such as the 1893 Columbian Exposition and the spread of Zen Buddhism to the Western world and to the publishing industry via their in-house “Open Court” company. By special permission of the Hegeler Carus Foundation, instructor Tony Wolf was then able to lead an extended, “up close” tour of the famous 1876-vintage gymnasium, which he has been helping to research and re-assemble. Two Bartitsu Club of Chicago members were afterwards inspired to construct their own “teeter ladder” exercise apparatus, which would surely be a unique addition to the Forteza gymuseum; as far as we know, the original teeter ladder in the mansion’s gym is the only surviving example of its type.

Our return to Chicago was significantly delayed by extremely heavy traffic, due in part to a Bruce Springsteen concert, but we were just about able to get everyone fed and at the Lincoln Square Theatre in time for the beginning of Susan Swayne and the Bewildered Bride.

The play is set during the late Victorian era and actually opens with the title character – a no-nonsense, Mary Poppinsish member of the Society of Lady Detectives – making adroit use of jujitsu and then her parasol to fend off various assailants. Further fight scenes showcased everything from smallsword fencing to pugilism in the context of an ostensible Jack the Ripper mystery, but in fact the mysteries to be solved were of a different and more personal nature. All ended happily for the heroines and the audience was left hoping for further adventures with the S.O.L.D.

Day 2

We began the first full training day with a tour of the Forteza Fitness and Martial Arts studio and then a mini-lecture on Bartitsu history. Warm-ups began by simply walking around the space for orientation, then jogging, then jogging backwards, then jogging while throwing an antique leather medicine ball to and fro (nothing like it for breaking the ice).

We continued the warm-up with a series of synergy exercises stressing efficient whole-body movement, unbalancing tactics and elbow/hip alignment.

Next up was a set of two circuit training sessions in which small groups rotated between short classes taught by three instructors; Allen Reed teaching collar-and-elbow wrestling and jujitsu throws, Tony Wolf teaching fisticuffs and Mark Donnelly teaching cane techniques. These sessions were followed by some “integration” training, making the point that Bartitsu really comes to life when the various skills/styles are tested against each other and combined together.

After lunch we reconvened for longer, specialized classes with each instructor. Mark taught a session on umbrella/parasol defense via the “bayonet” grip; Forteza Fitness instructor Keith Jennings taught some catch wrestling holds, takedowns and reversals; Allen presented several canonical Bartitsu/jujitsu kata, and drills arising from opponent resistance; Tony taught “combat improvisation” based on various canonical unarmed and armed set-plays.

Then each instructor in turn was invited to contribute to a combat scenario beginning with cane fighting, segueing through boxing and throwing and ending up on the ground.

The last session of the day was devoted to informal “breakaway” groups and included some spirited cane sparring, pugilism drills, scenario-based cane techniques, free submission grappling and even some Bowie knife work. Serious points to those young enthusiasts who, after a very full day of Bartitsu training, still had enough energy to squeeze in a kettlebell session.

At 7.00 pm we met in the Victorian-themed side room at O’Shaughnessy’s Public House – all dark green velvet, dark polished wood and maroon trimmings – and spent a very pleasant couple of hours eating, drinking and chatting before retiring gratefully, if not necessarily gracefully, to home and rest.

Day 3

The final day of the School of Arms began with an orientation and quick Bartitsu history lesson for the four new (Sunday only) participants. We started the warm-up with forward and backward jogging and medicine ball tossing, then rotated through whole-group exercises/balance games taught by Mark Donnelly, Allen Reed and Tony Wolf, including iterations of wrist wrestling, stick wrestling, stand-off and finger-fencing.

Next we cycled through two circuit training rounds of small group mini-lessons (roughly 15 minutes each), in which Mark concentrated on cane work, Allen on jujitsu throws and Tony on integrating standing grappling with fisticuffs and low kicking.

After lunch each of the instructors taught a longer, 45 minute class for the whole group. Mark focused on the technical and tactical dynamics of parrying and countering with the cane. Allen taught applications of two canonical jujitsu kata vs multiple opponents and Tony gave a session on spontaneously combining three canonical kata/set-plays (two jujitsu, one cane) in response to opponent resistance.

We then set up for the Antagonisticathlon, which proved to be by far the roughest and wildest rendition of that event yet. The combination of stirring Sherlock Holmes and Steampunk music via the PA system and the presence of an audience fed into a quite extraordinary mixture of hard fighting and surreal Victorianesque humour. It was a sight to see.

After the warm-downs, the School of Arms ended on a high note, with thanks to our hosts at Forteza Fitness and Martial Arts for providing the perfect venue for this event, to the instructors and to the brave souls who volunteered as ruffians in the Antagonisticathlon. We then passed out participation certificates and posed for group photos before retiring to O’Shaughnessy’s for drinks and farewells.

Special thanks to the members of the Bartitsu Club of Chicago who volunteered to host and chauffeur out-of-towners, the staff at the Hegeler Carus Mansion and to all the participants, some of whom had traveled considerable distances for the event.

Onwards to the Bartitsu School of Arms 2013 …

Posted in Antagonistics, Bartitsu School of Arms, Boxing, Canonical Bartitsu, Jiujitsu, Physical Culture, Savate, Seminars, Sparring, Video, Vigny stick fighting | Comments Off on The Bartitsu School of Arms 2012 in Text, Video and Images

“Professor Re-Nie’s” School of Jiu-jitsu (Paris, 1905)

  • Originally published on the Bartitsu.org site on Thursday, 20th September 2012

The pioneer of French jiujitsu was Ernest Regnier, who achieved short-lived fame under the vaguely Japanese nom de guerre of “Professor Re-Nie” when he defeated Georges Dubois in a widely publicised jiujitsu vs. French kickboxing match.

Regnier had been a skilled, but rather down-on-his-luck wrestler in Paris until he was sponsored to learn jiujitsu at the London dojo run by former Bartitsu Club instructor Yukio Tani and his associate, Taro Miyake. Regnier’s patron was a wealthy French physical culture devotee and entrepreneur named Edmond Desbonnet, who had been impressed by jiujitsu during a visit to the Bartitsu Club several years earlier.

Capitalising on the massive publicity generated by the jiujitsu vs. kickboxing contest, Desbonnet installed an ecole de jiujitsu in his fashionably appointed physical culture studio on the Rue de Ponthieu, just off the Champs Elysee. Jiujitsu proved thereafter to be a profitable, but brief fad amongst the Parisian elite; the colour picture above, taken from the front cover of the December 10, 1905 issue of Le Petit Parisien, shows a demonstration at the school for King Carlos I of Portugal.

These recently discovered photographs offer a good look at the school, including the opulent reception area and the main training hall featuring a large, quilted mat. “Re-Nie’s” classes sometimes featured guest instructors from London, notably Taro Miyake, who would stop by to teach in between wrestling engagements.

The building that housed Desbonnet’s physical culture academy (55 Rue de Ponthieu) is now a Marriott hotel, and the distinctive series of four arched windows shown in these pictures of Regnier’s jiujitsu dojo are still visible from the street outside.

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“Dodger” Takes on the Ne’er-Do-Wells of Dickensian London

  • Originally published on the Bartitsu.org site on Monday, 1st October 2012

Slightly pre-Bartitsu, but the alert and imaginative viewer may perceive echoes of Sherlock Holmes-style fight choreography in this excellent video trailer for Terry Pratchett’s new novel, Dodger.

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The Grave of Captain Alfred Hutton

  • Originally published on the Bartitsu.org site on Sunday, 21st October 2012 

Thanks to some excellent detective work by members of the Schola Forum, the grave and memorial tablet of former Bartitsu Club instructor Captain Alfred Hutton has been located in Astbury Churchyard, Cheshire, UK.

Hutton was amongst the foremost authorities on swordsmanship in late-Victorian England, writing many books on the subject and serving as a founder and President of the Amateur Fencing Association from 1895 onwards. He was also one of the original revivalists of historical (Elizabethan-era) martial arts such as the use of the two-handed sword, rapier and dagger and sword and handbuckler.

He collaborated with Bartitsu founder E.W. Barton-Wright during several exhibitions and then joined the Bartitsu Club as both a fencing instructor and board member, later describing the Club as “the headquarters of ancient swordplay in England”. Hutton also learned basic jiujitsu and the Vigny method of self defence with a walking stick from his fellow instructors.

Captain Hutton died on December 18th of the year 1910.

Those wishing to pay their respects can view his memorial tablet in the chancel of St. Mary’s Church:

Across the road you will see a stepped entrance to the graveyard. Go up these steps and follow the path (you will pass an ancient tree); you will have the Church on your right. Hutton’s grave is about ten metres along the church wall, and 5 metres into the graveyard. Use the pictures below for reference.

Although it appears that the stone cross has toppled onto the boulder, it is in fact designed that way; the cross fits snugly into a carved notch in the boulder. The inscription, which is covered by turf to protect it from the elements, reads:

“OA 392 – In Affectionate Memory of / ALFRED HUTTON late King’s Dragoon Guards & Last Surviving Son of HENRY WILLIAM HUTTON of Beverley / Hold thou Thy Cross Before My Closing Eyes / Born March 10th 1839. Died December 18th 1910, Aged 71 Years.”

The graves of Captain Hutton’s sister, Harriott (died 18th January 1906), another sister, Marianne Eleanor (died 31st January 1908 aged 95), his mother, Marianne (died 19th January 1879, aged 87) are close to his grave.

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Pierre Vigny in 1934

  • Originally published on the Bartitsu.org site on Monday, 22nd October 2012

A stern portrait of former Bartitsu Club instructor Pierre Vigny, taken circa 1934 when he was the Director of the Academy of Defensive Sports in Geneva. The short source article also offers the interesting detail that Vigny had made the acquaintance of French physical culture guru and entrepreneur Edmond Desbonnet, who was instrumental in introducing jiujitsu to Paris, at the Bartitsu Club.

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Antagonistics at the Royal Albert Hall (1904)

  • Originally published on the Bartitsu.org site on Tuesday, 23rd October 2012

Demonstrations of Pierre Vigny’s self defence with a walking stick and of jiujitsu were included alongside this July, 1904 Graeco-Roman wrestling championship bout between George Hackenschmidt and Tom Jenkins.

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Stick Fighting at the Bartitsu Club of Chicago

  • Originally published on the Bartitsu.org site on Thursday, 25th October 2012 
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“Scientific Ragging”: The New Jiu-jitsu (1904)

  • Originally published on the Bartitsu.org site on Friday, 26th October 2012

An anonymous commentary on the potentials of jiujitsu from “The Outing” magazine, dating to 1904:

WHO would have said three years ago that a remote Eastern nation would become an arbiter between the athletic aims of the two extreme nations of the West? But some such relation as this is set up by the Japanese protest against the American exploitation of jiujitsu. Directly the art was discovered it was seized upon in America, advertised, practised and explained in a number of books. The explanations certainly exceeded the art, of which the scope and wonders have been greatly misrepresented, and in giving Jiu-jitsu a flair, which made it the fashionable spectacle in Paris as in New York, abstracted at the same time its chief merit. Jiu-jitsu may be an art, almost a science; but above all it is a game, and the exploiters of it have done the harm to it that they have done to other athletic games in emphasising its spectacular and combative advantages. Jiu-jitsu professionals, skilled after the fashion of ” the magnetic lady” who set silly London gossiping some years ago, will soon be a regular part of music-hall performances. This does not much matter, but it is less endurable that a game which might be a real boon to town-dwellers should be spoiled by sham gymnastic exponents who take themselves more seriously than they deserve.

For an athletic nation we are curiously backward in what may be called palaestral games. Fencing has its eminent devotees. Mr. Egerton Castle, umpiring at a bout in Gray’s Inn Gardens, where a bundle of foils leaned against the leaning catalpa, is a spectacle full of the savour of the Middle Ages. The two straightest backs in the House of Commons were trained on fencing. Captain Hutton has from time to time inspired different schools with his zeal for foils, single-sticks, broad-sword and buckler, quarter-staff, two-handed sword, or case of rapiers. Nevertheless, fencing and the sister games languish in England. They are not popular amusements, and the desire to take them up possesses very few of the many town-immured men and women who lament daily their need of exercise. On the whole, the gymnastic peoples are not the athletic. The Japanese dislike sport on the whole. The Germans prefer to develop chest and arms rather than legs; the English neglect the torso. Perhaps the French are more naturally proficient at both athletics and gymnastics than any people, except the Americans, whose competitive genius is overmastering.

Beyond all question the Japanese are the greatest gymnasts in the world, and have been for years. Two forms of wrestling, Sumo and jiu-jitsu—the first chiefly professional, the second both aristocratic and democratic, have long interested the bulk of the nation. Sumo has been regulated by a Gild of its own which is recognised by Government, used for police purposes, and exempted from taxation. The Gild has schooled its members into the strictest loyalty to the canons of art and etiquette in the same way as the Rugby Union in England, though more precisely and dictatorially, as befits an institution long and officially established, which holds its public examination and publishes its class-lists. Sumo in Japan is the counterpart, with many necessary deductions from the strictness of the analogy, of the Football League in England. It is professional, a spectacular rather than a popular game, and its players need great physical development.

Jiu-jitsu has other qualities, and these seem to me to bring it a long way ahead of any gymnastic game we have in England. And it should be English, for it is no more or less than the science of “ragging,” the exaltation of a rough and tumble, the impromptu wrestling which everyone practices and enjoys from infancy till the age when the sinews creak. It is the only game common to the nursery, the school, the university, the office, and it is greatly improved as a mere amusement by some application of science. The Japanese have especially associated the game, since its emergence in the seventeenth century, with military training, and its superiority to the stiffness of much army gymnastics

does not need argument. But the question now is not whether Woolwich or Osborne should engage a Japanese instructor, but whether many active men who cannot keep their muscles from rusting might not with advantage take their opportunities of scientific ragging in off hours. Its reputation has been spoiled by American over-emphasis. The art includes, of course, instruction in the coup-de-grace, in blows, or rather taps, and falls, and locks, and grips which can incapacitate and break limbs; but its points as a game are quite independent of such violent usage of anatomical knowledge.

The game has the minimum of paraphernalia, can be played in a small space;can be learnt, at least in rudiments sufficient for extracting amusement, from a book. It depends, unlike most gymnastics, on nimbleness more than muscle, and balance, not power, is its key. It is the fashion now to claim moral attributes for games, and the disciples of jiu-jitsu have made the common mistake. But after all “the art of self-defence ” — in England a technical phrase unfortunately restricted to boxing — deserves its constant epithet “noble”; and the jiu-jitsu game, which begins with the art of falling happily and conquering from an inferior position, has a clear symbolic claim to a moral quality. Physical inferiority tends to moral subserviency to the bully; and now no swords are worn and sticks are flimsy, jiu-jitsu is almost the only game which can teach the punier people to flourish in a fight.

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Bartitsu (sort of …) to be Featured in “The Friday Society”

  • Originally published on the Bartitsu.org site on Thursday, 1st November 2012

This interview with author Adrienne Kress re. her upcoming young adult steampunk/superhero/girl power novel The Friday Society reveals that one of the protagonists, a Japanese teenager named Michiko, works as a martial arts instructor for a character based on “Sir Edward Barton-Wright”.

The real-world Barton-Wright was never anywhere close to being knighted, and apparently the character based on him is a pretty nasty fellow, but the book sounds fun. It’s being launched at an event in Toronto on December 7, 2012 which will include a Bartitsu demonstration by members of the Riot A.C.T. stunt team.

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“All-in fighting”: Jiu-jitsu Conquers Australia (1906-9)

  • Originally published on the Bartitsu.org site on Monday, 5th November 2012

Those with an interest in the international expansion of Japanese martial arts during the early 20th century should read this excellent article on the early history of Australian jiujitsu:

According to the ringmaster, it was to be competed under “jiu-jitsu rules”, which according to him, meant that each of the men would be allowed, “To hit, scratch, bite, pull by the hair, kick sideways, gouge, or strangle. Practically the only forbidden action was a straight kick.” There would be no pinfalls and one man yielding to the other would only decide the match. It would be Mr. M. P. Adams of Melbourne’s job to keep the order as referee, which would prove to be no small task.

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