Originally published on the Bartitsu.org site on Thursday, 20th September 2012
The pioneer of French jiujitsu was Ernest Regnier, who achieved short-lived fame under the vaguely Japanese nom de guerre of “Professor Re-Nie” when he defeated Georges Dubois in a widely publicised jiujitsu vs. French kickboxing match.
Regnier had been a skilled, but rather down-on-his-luck wrestler in Paris until he was sponsored to learn jiujitsu at the London dojo run by former Bartitsu Club instructor Yukio Tani and his associate, Taro Miyake. Regnier’s patron was a wealthy French physical culture devotee and entrepreneur named Edmond Desbonnet, who had been impressed by jiujitsu during a visit to the Bartitsu Club several years earlier.
Capitalising on the massive publicity generated by the jiujitsu vs. kickboxing contest, Desbonnet installed an ecole de jiujitsu in his fashionably appointed physical culture studio on the Rue de Ponthieu, just off the Champs Elysee. Jiujitsu proved thereafter to be a profitable, but brief fad amongst the Parisian elite; the colour picture above, taken from the front cover of the December 10, 1905 issue of Le Petit Parisien, shows a demonstration at the school for King Carlos I of Portugal.
These recently discovered photographs offer a good look at the school, including the opulent reception area and the main training hall featuring a large, quilted mat. “Re-Nie’s” classes sometimes featured guest instructors from London, notably Taro Miyake, who would stop by to teach in between wrestling engagements.
The building that housed Desbonnet’s physical culture academy (55 Rue de Ponthieu) is now a Marriott hotel, and the distinctive series of four arched windows shown in these pictures of Regnier’s jiujitsu dojo are still visible from the street outside.
Posted inJiujitsu|Comments Off on “Professor Re-Nie’s” School of Jiu-jitsu (Paris, 1905)
Originally published on the Bartitsu.org site on Monday, 1st October 2012
Slightly pre-Bartitsu, but the alert and imaginative viewer may perceive echoes of Sherlock Holmes-style fight choreography in this excellent video trailer for Terry Pratchett’s new novel, Dodger.
Hutton was amongst the foremost authorities on swordsmanship in late-Victorian England, writing many books on the subject and serving as a founder and President of the Amateur Fencing Association from 1895 onwards. He was also one of the original revivalists of historical (Elizabethan-era) martial arts such as the use of the two-handed sword, rapier and dagger and sword and handbuckler.
Captain Hutton died on December 18th of the year 1910.
Those wishing to pay their respects can view his memorial tablet in the chancel of St. Mary’s Church:
Across the road you will see a stepped entrance to the graveyard. Go up these steps and follow the path (you will pass an ancient tree); you will have the Church on your right. Hutton’s grave is about ten metres along the church wall, and 5 metres into the graveyard. Use the pictures below for reference.
Although it appears that the stone cross has toppled onto the boulder, it is in fact designed that way; the cross fits snugly into a carved notch in the boulder. The inscription, which is covered by turf to protect it from the elements, reads:
“OA 392 – In Affectionate Memory of / ALFRED HUTTON late King’s Dragoon Guards & Last Surviving Son of HENRY WILLIAM HUTTON of Beverley / Hold thou Thy Cross Before My Closing Eyes / Born March 10th 1839. Died December 18th 1910, Aged 71 Years.”
The graves of Captain Hutton’s sister, Harriott (died 18th January 1906), another sister, Marianne Eleanor (died 31st January 1908 aged 95), his mother, Marianne (died 19th January 1879, aged 87) are close to his grave.
Posted inBiography, Fencing|Comments Off on The Grave of Captain Alfred Hutton
Originally published on the Bartitsu.org site on Monday, 22nd October 2012
A stern portrait of former Bartitsu Club instructor Pierre Vigny, taken circa 1934 when he was the Director of the Academy of Defensive Sports in Geneva. The short source article also offers the interesting detail that Vigny had made the acquaintance of French physical culture guru and entrepreneur Edmond Desbonnet, who was instrumental in introducing jiujitsu to Paris, at the Bartitsu Club.
Posted inBiography|Comments Off on Pierre Vigny in 1934
Originally published on the Bartitsu.org site on Tuesday, 23rd October 2012
Demonstrations of Pierre Vigny’s self defence with a walking stick and of jiujitsu were included alongside this July, 1904 Graeco-Roman wrestling championship bout between George Hackenschmidt and Tom Jenkins.
Originally published on the Bartitsu.org site on Friday, 26th October 2012
An anonymous commentary on the potentials of jiujitsu from “The Outing” magazine, dating to 1904:
WHO would have said three years ago that a remote Eastern nation would become an arbiter between the athletic aims of the two extreme nations of the West? But some such relation as this is set up by the Japanese protest against the American exploitation of jiujitsu. Directly the art was discovered it was seized upon in America, advertised, practised and explained in a number of books. The explanations certainly exceeded the art, of which the scope and wonders have been greatly misrepresented, and in giving Jiu-jitsu a flair, which made it the fashionable spectacle in Paris as in New York, abstracted at the same time its chief merit. Jiu-jitsu may be an art, almost a science; but above all it is a game, and the exploiters of it have done the harm to it that they have done to other athletic games in emphasising its spectacular and combative advantages. Jiu-jitsu professionals, skilled after the fashion of ” the magnetic lady” who set silly London gossiping some years ago, will soon be a regular part of music-hall performances. This does not much matter, but it is less endurable that a game which might be a real boon to town-dwellers should be spoiled by sham gymnastic exponents who take themselves more seriously than they deserve.
For an athletic nation we are curiously backward in what may be called palaestral games. Fencing has its eminent devotees. Mr. Egerton Castle, umpiring at a bout in Gray’s Inn Gardens, where a bundle of foils leaned against the leaning catalpa, is a spectacle full of the savour of the Middle Ages. The two straightest backs in the House of Commons were trained on fencing. Captain Hutton has from time to time inspired different schools with his zeal for foils, single-sticks, broad-sword and buckler, quarter-staff, two-handed sword, or case of rapiers. Nevertheless, fencing and the sister games languish in England. They are not popular amusements, and the desire to take them up possesses very few of the many town-immured men and women who lament daily their need of exercise. On the whole, the gymnastic peoples are not the athletic. The Japanese dislike sport on the whole. The Germans prefer to develop chest and arms rather than legs; the English neglect the torso. Perhaps the French are more naturally proficient at both athletics and gymnastics than any people, except the Americans, whose competitive genius is overmastering.
Beyond all question the Japanese are the greatest gymnasts in the world, and have been for years. Two forms of wrestling, Sumo and jiu-jitsu—the first chiefly professional, the second both aristocratic and democratic, have long interested the bulk of the nation. Sumo has been regulated by a Gild of its own which is recognised by Government, used for police purposes, and exempted from taxation. The Gild has schooled its members into the strictest loyalty to the canons of art and etiquette in the same way as the Rugby Union in England, though more precisely and dictatorially, as befits an institution long and officially established, which holds its public examination and publishes its class-lists. Sumo in Japan is the counterpart, with many necessary deductions from the strictness of the analogy, of the Football League in England. It is professional, a spectacular rather than a popular game, and its players need great physical development.
Jiu-jitsu has other qualities, and these seem to me to bring it a long way ahead of any gymnastic game we have in England. And it should be English, for it is no more or less than the science of “ragging,” the exaltation of a rough and tumble, the impromptu wrestling which everyone practices and enjoys from infancy till the age when the sinews creak. It is the only game common to the nursery, the school, the university, the office, and it is greatly improved as a mere amusement by some application of science. The Japanese have especially associated the game, since its emergence in the seventeenth century, with military training, and its superiority to the stiffness of much army gymnastics
does not need argument. But the question now is not whether Woolwich or Osborne should engage a Japanese instructor, but whether many active men who cannot keep their muscles from rusting might not with advantage take their opportunities of scientific ragging in off hours. Its reputation has been spoiled by American over-emphasis. The art includes, of course, instruction in the coup-de-grace, in blows, or rather taps, and falls, and locks, and grips which can incapacitate and break limbs; but its points as a game are quite independent of such violent usage of anatomical knowledge.
The game has the minimum of paraphernalia, can be played in a small space;can be learnt, at least in rudiments sufficient for extracting amusement, from a book. It depends, unlike most gymnastics, on nimbleness more than muscle, and balance, not power, is its key. It is the fashion now to claim moral attributes for games, and the disciples of jiu-jitsu have made the common mistake. But after all “the art of self-defence ” — in England a technical phrase unfortunately restricted to boxing — deserves its constant epithet “noble”; and the jiu-jitsu game, which begins with the art of falling happily and conquering from an inferior position, has a clear symbolic claim to a moral quality. Physical inferiority tends to moral subserviency to the bully; and now no swords are worn and sticks are flimsy, jiu-jitsu is almost the only game which can teach the punier people to flourish in a fight.
Posted inJiujitsu|Comments Off on “Scientific Ragging”: The New Jiu-jitsu (1904)
Originally published on the Bartitsu.org site on Thursday, 1st November 2012
This interview with author Adrienne Kress re. her upcoming young adult steampunk/superhero/girl power novel The Friday Society reveals that one of the protagonists, a Japanese teenager named Michiko, works as a martial arts instructor for a character based on “Sir Edward Barton-Wright”.
According to the ringmaster, it was to be competed under “jiu-jitsu rules”, which according to him, meant that each of the men would be allowed, “To hit, scratch, bite, pull by the hair, kick sideways, gouge, or strangle. Practically the only forbidden action was a straight kick.” There would be no pinfalls and one man yielding to the other would only decide the match. It would be Mr. M. P. Adams of Melbourne’s job to keep the order as referee, which would prove to be no small task.
Posted inJiujitsu|Comments Off on “All-in fighting”: Jiu-jitsu Conquers Australia (1906-9)