- Originally published on the Bartitsu.org site on Saturday, 31st May 2014
This tongue-in-cheek cartoon, originally published in Life Magazine of August, 1914, may have been inspired by Andrew Chase Cunningham’s book, The Cane as a Weapon.
This tongue-in-cheek cartoon, originally published in Life Magazine of August, 1914, may have been inspired by Andrew Chase Cunningham’s book, The Cane as a Weapon.
A FRENCH WOMAN AND A JAPANESE MAN
AMAZE LONDON WITH A NEW STUNT.
The novelty of the summer in London is the jiu-jitsu dance in which Mlle. Deslys and S. K. Eida are performing in “The New Aladdin.” A glance at the accompanying pictures is sufficient to convince one that it is novel and not quite like any of the dances in which Americans indulge. It is hardly as graceful as a waltz, nor does it require the agility of a “jig.” In seeking a comparison, perhaps the famous Bowery “spiel” is more nearly like it than anything else we have.
After all, the jiu-jitsu dance is but a demonstration of the unflagging enterprise and initiative of amusement managers. Vaudeville strives to amuse, to appeal to our sense of humor; in a word, to present nonsense that incites the laughter and arouses the good spirit of the audience. Yet, there must be novelty, and the public is ever interested in those feats that involve the risk of the personal safety of the performer.
It matters not how really dangerous the feats may be, how much the pulse of the onlooker hastens, there is always a desire on the part of some to “see it over again.” Folks will talk about these hair-raising stunts, and managers know that there is no better publicity than the gossip that arises from an ever-increasing circle of public interest.
And knowing this, there is hardly an innovation in any field of human effort that is not exaggerated and made to fit the vaudeville stage and presented until public interest lags and the “new” act makes way for something “newer.”
The late Japanese-Russian War aroused great interest in things Japanese; in the home-life of the little yellow man; in his literature, his art, his sports, and his fads. Recall with what interest and lively expectation our athletes and physical-culturists hailed their “jiujitsu” manner of wrestling — that peculiar science in which sleight is a more potent factor than brute force.
Troupes of Japanese gave exhibitions of their skill upon the vaudeville stage, and no one who witnessed one of their “acts” can fail to remember that it was exceedingly rough, and that the necks of the participants were very often in great danger of being broken, not to mention the reckless manner in which limbs were twisted. Jiu-jitsu was then something novel; there was the spice of danger; the public was interested and the managers’ end was attained.
And now, perhaps because interest has abated, the original jiu-jitsu performance has been converted into a dance. London audiences have received the dance with marked signs of approval. It is exciting throughout, and excitement seems to be what the people want in theatricals these days. At any rate, they are getting it.
Notes: Gaby Deslys and S.K. Eida introduced the Ju-Jitsu Waltz to London audiences during the run of The New Aladdin, a musical extravaganza, which ran at the Gaiety Theatre, London, from 29 September 1906 to 27 April 1907.
S.K Eida was one of three assistant instructors at the Japanese School of Jujitsu in Oxford Street, operated by former Bartitsu Club instructor Yukio Tani and his fellow challenge wrestler, Taro Miyake.
According to the Footlight Notes blog:
Surye Kichi Eida (1878-1918), who was born in Japan, appears in the 1901 Census as an assistant gardener, living in Acton, West London, with his brother, Saburo Eida (1858-1911), an importer of art, and his family. In 1909 he married Ellen Christina Brown (1886-1931) and together they toured United Kingdom music halls in a Japanese dancing and ju-jitsu act, billed as Nellie Falco and S.K. Eida.
A collection of Suffragette bodyguard weapons and tools confiscated by police following the infamous “Battle of Glasgow” brawl, which took place at St. Andrew’s Hall on the evening of March 9th, 1914.
This picture was originally published in the Daily Record and now forms part of a display at the Glasgow People’s Palace museum.
The collection includes include six Indian clubs and five police truncheons (also commonly carried by private citizens for self defence purposes) along with several specialised items:
* top row, third from left: a set of wirecutters
* top row, fifth from left: a “life-preserver” or semi-flexible, weighted bludgeon
* bottom row, third from left: a section of barbed wire, probably part of the barricade that was concealed around the edge of the St. Andrew’s Hall stage; a pistol, probably that which was loaded with blanks and fired to intimidate the police by Scottish suffragette Janie Allen.
A special advance glimpse of Miss Persephone Wright, radical suffragette and Bartitsu-trained bodyguard, who stars in the Suffrajitsu graphic novel trilogy to be published by Jet City Comics.
Instructor Mark Donnelly will be teaching another seminar in Connecticut on June 15. Interested parties should RSVP to Twin Dragons Martial Arts by calling (203)265-1516.
A promotional postcard featuring Bartitsu Club wrestling and physical culture instructor Armand Cherpillod, shown posing in typical early 20th century jujitsu garb.
According to his 1929 biography, Cherpillod was invited to teach at the Bartitsu Club by his fellow Swiss martial arts instructor, Pierre Vigny, who had traveled to Switzerland at the behest of E.W. Barton-Wright specifically to find a champion wrestler. Upon arriving in London, Cherpillod quickly made his mark in the wrestling circuit and successfully represented the Bartitsu Club in several significant challenge matches. He also cross-trained in jujitsu with fellow instructors Yukio Tani and Sadakazu Uyenishi.
Cherpillod’s most famous student at the Bartitsu Club was Sir Cosmo Duff-Gordon, an eccentric athlete and aristocrat who later became famous as one of the few male civilians to have survived the sinking of the RMS Titanic.
Following the closure of the Bartitsu Club in 1902, Cherpillod returned to Switzerland where he pioneered the instruction of Japanese martial arts. He also wrote several books on that subject, including one that is the first known manual on jujitsu as self defence for women.
Samantha Swords experiments with a pair of antique Indian clubs on display at the Forteza Gymuseum, home of the Bartitsu Club of Chicago.
A member of the secret suffragette Bodyguard society takes down a London bobby in this illustration from the book Bodyguards!: From Gladiators to the Secret Service.
Written by Ed Butts, illustrated by Scott Plumbe and intended for readers aged approximately 9-12, Bodyguards! is an entertaining and informative survey of personal protectors throughout history, including the Praetorian Guard, the Swiss Guard, gunfighters of the Wild West, ’30s Chicago gangsters and many more.
The adventures of the Jujitsuffragettes will also be showcased in Tony Wolf’s upcoming Amazons graphic novel trilogy, currently scheduled to be published in October 2014.
Members of the French School of Bartitsu undertake an Antagonisticathlon obstacle course.