“An English Style of Jujitsu” (1905)

  • Originally published on the Bartitsu.org site on Tuesday, 18th September 2018

This anonymous letter to the editor of the St. James’s Gazette was originally published on March 9th, 1905.  The author’s objection to submission wrestling on moral and nationalistic grounds was fairly common during this period, and indeed had originally been levelled against E.W. Barton-Wright, circa 1900.  Barton-Wright’s displays of Japanese unarmed combat had been decried by some critics as being “un-English” and “comprised of absolute fouls“. 

Via his lectures and comments offered in Bartitsu displays, Barton-Wright replied that the object of testing the Japanese style via sport was to train for actual self-defence, wherein the traditional conventions of English sportsmanship were moot.

Much the same objection had been made against English-style boxing in Japan, where traditional sentiment was set against the idea of striking another person in the face – and, particularly, of drawing blood from their nose – for the purpose of sport.


Sir, —Jujitsu seems to be the fashionable graven image of the moment before which the whole athletic world is bowing down. English wrestling is abasing itself before this foreign god nightly at the Lyceum Theatre, where the best of our English wrestlers are being used for dusting scenery and wiping the floor.

Is it, or is it not, a fact, that all the holds and tricks which the Ju-jitsu experts beat our wrestlers, and compel them to hammer the floor in agonised token of defeat, should properly be called “fouls”? English wrestling knows nothing of these tricks; but it is not hard to imagine that English wrestlers could invent a few that would have the same effect on Japanese wrestlers as Ju-jitsu has on English experts. The Jap gets a twist on the Englishman’s arm of a sort that gives intense pain, and would result in a fracture if the victim did not at once give in.

Why not invent an English art of Ju-jitsu which might include such holds as, say, seizing the opponent’s car in the teeth, or thrusting the fist in his mouth and retaining it there; sitting firmly in the face; pressing tightly on the wind-pipe with the knee? A little imagination will supply no end of victory-compelling holds.  I don’t know, but a sort of patriotic pride makes me wonder how the Ju-jitsu experts would shine in a wrestling contest according to English rules—all fouls, English or foreign, barred.


The anonymous writer would not have to wait long for his answer to that question, as some Japanese fighters, notably including Yukio Tani and Taro Miyake did, in fact, compete successfully in English-style matches, most especially in the catch-as-catch-can style.

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Bartitsu Quiz

  • Originally published on the Bartitsu.org site on Saturday, 22nd September 2018

Test your general Bartitsu knowledge with these ten questions (answers given below):

1: In his lecture for the Japan Society of London, E.W. Barton-Wright defined Bartitsu as

A) “the new art of self defence”

B) “self defence in every form”

C) “the manly art of self defence”

D) “self defence for ladies and gentlemen”

2 – What name did Sadakazu Uyenishi assume when competing in music hall wrestling challenges (clue – it’s the same name he used when writing The Text-Book of Jujitsu)

A) Kazu

B) Ishi

C) Raku

D) Sada

3 – Pierre Vigny’s wife was known professionally as “Miss Sanderson”.  What was her real first name?

A) Marie

B) Mirabelle

C) Madaleine

D) Marguerite

4 – Sir Arthur Conan Doyle had Sherlock Holmes describe “baritsu” as

A) “the Japanese system of wrestling”

B) “a secret style of Japanese wrestling”

C) “the art of Japanese wrestling”

D) “the Japanese style of wrestling”

5 – To avoid an attack while simultaneously counter-attacking is described by Barton-Wright as a

A) “Guard by Resistance”

B) “Guard by Distance”

C) “Guard by Evasion”

D) “Guard by Deception”

6) Against which of the following tools-as-weapons did Barton-Wright not claim to have had to defend himself during his travels overseas:

A) Crowbars

B) Sledgehammers

C) Scythes

D) Spades

7 – Which style of jiujitsu did E.W. Barton-Wright study while living in Kobe, Japan?

A) Asayama Ichiden-ryū

B) Kashima Shin-ryū

C) Shindō Yōshin-ryū

D) Shinden Fudo-ryū

8 – In which year did Barton-Wright return to England from Japan?

A) 1897

B) 1898

C) 1899

D) 1900

9 – During Yukio Tani’s career as a music hall challenge wrestler, he was nicknamed:

A) The Pocket Hercules

B) The Little Samson

C) The Small Apollo

D) The Compact Ajax

10 – Which one of the following nicknames was not given to Emmeline Pankhurst’s jiujitsu-trained security staff?

A) The Jiujitsuffragettes

B) The Amazons

C) The Suffrajitsus

D) The Bodyguard

ANSWERS

1 – B

2 – C

3 – D

4 – A

5 – B

6 – B

7 – D

8 – B

9 – A

10 – C

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Antagonistics at THEMA 2016

  • Originally published on the Bartitsu.org site on Saturday, 22nd September 2018

A video memoir of fisticuffs/savate, French wrestling, self-defence and Bartitsu classes at the December, 2016 Toulouse Historical Martial Arts gathering:

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Bartitsu Demonstration at the Polish Army Museum

  • Originally published on the Bartitsu.org site on Sunday, 30th September 2018

Members of the Club L’Extreme Est of Warsaw, Poland exhibited Bartitsu at the Polish War Museum on Saturday, September 23.  The demonstration was based on the martial arts journey of Edward Barton-Wright in combining techniques from Japanese jiujitsu with English boxing, French kickboxing and the Vigny style of stick fighting.

Thanks to Iza Szypulska for these photographs:

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Bartitsu Mini-Documentary on the “Celebrity Antiques Road Trip”

  • Originally published on the Bartitsu.org site on Saturday, 17th November 2018

A six-minute item on the gentlemanly mixed martial art of Bartitsu, as featured on a recent episode of BBC2’s Celebrity Antiques Road Trip and including demonstrations by the Manley Academy of Historical Swordsmanship:

For the sake of strict historical accuracy, there’s no evidence that Sir Arthur Conan Doyle actually studied Bartitsu (in fact, the evidence suggests that he wasn’t even especially familiar with it). That said, it’s great to see another precis treatment of the art and its intriguing history in the mainstream media, and media doesn’t get much more mainstream than the Celebrity Antiques Road Trip.

Also worthy of note is that the show benefits the BBC’s charity Children in Need, which funds a wide range of projects helping children and disadvantaged young people throughout the UK.

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A Photo Gallery from Day 1 of BartitsuCon 2018

  • Originally published on the Bartitsu.org site on Friday, 23rd November 2018
The fouette median.
Pad work.
Instructor Tommy Joe Moore demonstrates a right hand punch.
“We have guards which are not at all like the guards taught in schools, and which will make the assailant hurt his own hand and arm very seriously.” – E.W. Barton-Wright
“With a little practice it becomes easy to make sure of hooking a man firmly by the neck (…) – E.W. Barton-Wright
The Vigny cane “bayonet grip” opposed to a dagger-wielding opponent.
Close-quarters work with the cane.
A painful “suffrajitsu” wrist and elbow lock applied by instructor Jennifer Garside.
Instructor Peter Smallridge demonstrates the fine points of jiujitsu newaza (ground grappling).
A little combat yoga, a.k.a. jiujitsu mat work.
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More Video of Sparring in the Style of 19th Century Pugilism

  • Originally published on the Bartitsu.org site on Friday, 23rd November 2018

Instructor Christoph Reinberger (in the knee breeches) and a student demonstrate 19th century pugilistic sparring.  Notably different from modern boxing, “classic pugilism” may include:

  • the milling guard – a dynamic guard involving rotating the fists in vertical circles
  • lunging left lead punches rather than short left jabs
  • spinning “pivot punches”
  • choppers (hammerfist/backfist punches)
  • standing grappling and throwing from the clinch position

The so-called “secret style of boxing” developed by Edward Barton-Wright and Pierre Vigny was never explicitly detailed in Barton-Wright’s writing on Bartitsu.  However, it likely resembled the generic 19th century style with the confirmed addition of parries designed to injure the opponent’s attacking limbs, and with the confirmed tactical aim of entering to close quarters and finishing the fight with jiujitsu.

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In Memoriam: Ricky Jay (1948-2018)

  • Originally published on the Bartitsu.org site on Sunday, 25th November 2018

Master magician, actor, magic consultant/historian and martial arts aficionado Ricky Jay has passed away at the age of 70.

Although Jay’s fame was due to his extensive accomplishments as a scholar and performer, his long-term involvement with the martial arts dated back to the 1970s, when he took up karate.  He later admitted that, as a professional sleight-of-hand artist, the danger of hand injuries from intensive martial arts training had been a foolish risk.

After karate came aikido – a style that shares more than a few principles with the art of legerdemain.  His aikido sensei was Fred Neumann, who would recall challenging Jay to repeat a particularly confounding sleight of hand trick while Jay was showering after a training session.  Without missing a beat, and with no evident means of preparation, Jay casually performed the feat again, stunning his sensei.

Ricky Jay’s 1977 book Cards as Weapons quickly became an underground cryptohoplological classic, purporting (with a fairly straight face) to teach a unique method of self-defence via card-scaling; the venerable magician’s feat of hurling playing cards with great accuracy and force.  The book combined absurdist humour, quirky historical scholarship and practical instruction, also featuring “guest appearances” by some of Jay’s acquaintances, including singer Emmylou Harris and scientist Carl Sagan.

Twenty years later, when he was cast as a villain in the James Bond movie Tomorrow Never Dies, Jay was asked to exert his card-throwing prowess in a scene with Pierce Brosnan as Bond:

At one point, they wanted me to throw cards as weapons to attack Bond, but the first time they asked me to do it in rehearsal, I was an enormously long distance away from Pierce Brosnan, and I warned them that the cards went very, very hard and fast, and they said no no, they had someone in front of it to block the shot, and I again said, “I don’t think you should do that,” they said, “No, no, it’ll be okay.” And Pierce seemed to be fine with it.

So I whaled a card, I don’t know how far, 50 or 75 feet away, and they said, “Just throw it at his face,” and I hit him right above the eye, and realized that I almost ruined the most lucrative franchise in the history of film. Suddenly that scene was no longer in the movie. [Laughs.] So in a way that was horribly disappointing, but the rest of it was fun.

Here’s the master himself, performing a number of his “cards as weapons” stunts:

In 2002, Jay playfully scaled cards at action movie star Jackie Chan during a mutual appearance on a talk show hosted by Conan O’Brien.

Throughout his career, the magician frequently drew parallels between the disciplines of close-up magic and martial arts, and likened the mentor/mentee relationships of traditional magic apprenticeship to those of a sensei and his students.  Although he “retired” into more sedate and academic pursuits later in life, Jay’s involvement in the martial arts continued via his close friendship with playwright, screenwriter and jiujutsuka David Mamet.  Mamet cast Jay as an unscrupulous fight promoter in his peculiar, cerebral martial arts movie Redbelt (2008):

And finally, here’s Jay reciting a poem written for (and about) him by the late Shel Silverstein, encapsulating the arcane dangers of a life lived in the service of deception:

Rest in peace, Ricky Jay – man of mystery, scholar of the obscure and sworn enemy of the mundane.

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Bartitsu Gift Ideas 2018

  • Originally published on the Bartitsu.org site on Friday, 30th November 2018
The Bartitsu Compendium, Volume 1: History and the Canonical Syllabus (2005) and The Bartitsu Compendium Volume II: Antagonistics (2008)

Compiled by members of the Bartitsu Society, volumes 1 and 2 of the Bartitsu Compendium are availablein print from Lulu.com.

Volume I collates most of the canonical Bartitsu material and features over two hundred and seventy pages of original essays, rare vintage reprints and never-before-seen translations, illustrated with hundreds of fascinating photographs and sketches.

Volume II provides resources towards continuing Barton-Wright’s martial arts experiments. It combines extensive excerpts from fifteen classic Edwardian-era self defence manuals, including well over four hundred illustrations, plus a collection of long-forgotten newspaper and magazine articles on Bartitsu exhibitions and contests; new, original articles on Bartitsu history and training; a complete course of Edwardian-era “physical culture” exercises; personality profiles, essays and more besides.

Bartitsu: The Lost Martial Art of Sherlock Holmes documentary (2011)

At the end of the Victorian era, E. W. Barton-Wright combined jiujitsu, kickboxing, and stick fighting into the “Gentlemanly Art of Self Defence” known as Bartitsu. After Barton-Wright’s School of Arms mysteriously closed in 1902, Bartitsu was almost forgotten save for a famous, cryptic reference in Sir Arthur Conan Doyle’s The Adventure of the Empty House.

In this fascinating 54-minute documentary shot in Switzerland, Italy, the UK and the USA, host Tony Wolf reveals the history, rediscovery and revival of Barton-Wright’s pioneering mixed martial art.

Bartitsu: The Lost Martial Art of Sherlock Holmes is available from the Freelance Academy Press.


Suffrajitsu: Mrs. Pankhurst’s Amazons graphic novel trilogy (2015)

London, 1914: The leaders of the radical women’s rights movement are fugitives from the law. Their last line of defense is the secret society of “Amazons”: women trained in the martial art of bartitsu and sworn to defend their leaders from arrest and assault.

After a series of daring escapes and battles with the police, the stakes rise dramatically when the Amazons are forced into a deadly game of cat and mouse against an aristocratic, utopian cult…

The Suffrajitsu graphic novel trilogy is available as e-books from Amazon and comiXology – we strongly recommend comiXology’s Guided View system for a fluid, intuitive online reading experience – as well as in print form as part of the Blood and Honor anthology.


Bartitsu: Historical Self-Defence with a Walking Stick (2018) instructional video series

German Bartitsu instructor Alex Kiermayer has collaborated with Agilitas.tv in producing this new instructional video series on the art of Vigny stick fighting, as incorporated into the original Bartitsu curriculum at the turn of the 20th century.

The series runs to 2 hours and 53 minutes and the German-narrated version is now available as a streaming download via Vimeo and on DVD via this site.


Image result for bartitsu forteza
Bartitsu sparring cane from Purpleheart Armory

Widely used by members of the Bartitsu Society, these rattan training canes are recommended for both drills and sparring applications.


The BlackSwift Raven self-defence walking stick
Image result for blackswift raven

Combining a stylish, low-profile appearance with superb dexterity and great strength, the BlackSwift Raven is especially recommended as a “carry” cane for self-defence purposes.


The Unbreakable Umbrella

Developed by Thomas Kurz specifically for self-defence applications,  Unbreakable Umbrellas are available in a variety of styles including ball-handle, crook-handle and telescopic models.  All Unbreakable Umbrellas are capable of withstanding extreme stress and impacts that would destroy regular umbrellas.


Bonus free gift: No Man Shall Protect Us (2018) suffragette bodyguard documentary

Embedded here for your convenience, the 2018 documentary No Man Shall Protect Us details the origins and exploits of the jiujitsu-trained Bodyguard Society who protected the radical suffragettes of England just before WW1. The documentary refers to Bartitsu and offers a special focus on Bodyguard martial arts instructor Edith Garrud, who was one of the most prominent self-defence teachers in England during the early 20th century.

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“Ju-Jitsu to the Rescue” (1913)

  • Originally published on the Bartitsu.org site on Friday, 30th November 2018

Here’s a newly-discovered Bioscope playbill for the short silent film Ju-Jitsu to the Rescue, which starred former Bartitsu Club instructor Yukio Tani and which played widely throughout England during late 1912-early 1913.

The film itself is sadly lost, but scarce and scanty reviews indicate that it began with a technical demonstration – possibly as part of a scene in which Tani was instructing a student – and then closed with a dramatic fight sequence in which Tani rescued a third party who was being unfairly set upon. One reviewer mentioned that “the villain is defeated by Tani by means of his well-known arm lock”, which almost certainly refers to the extended jūji-gatame lock by which Tani won many of his music hall challenge matches.

Tani was actually the second Bartitsu Club affiliate to star in a film, as Edith Garrud had famously appeared in a short subject called The Lady Athlete, Or, Jujitsu Downs the Footpads, which was produced in 1907.  A number of other very early short films also featured Japanese unarmed combat, including Juvenile Ju-Jitsu and A Lesson in Ju-Jitsu (both released in 1909) and the slapstick comedies Charlie Smiler Takes Up Ju-Jitsu and Nobby’s Ju-Jitsu Experiments (both 1914).  None of these films are known to have survived, although it’s worth noting that the great majority of items in the British film archive have not yet been catalogued.

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