- Originally published on the Bartitsu.org site on Wednesday, 11th June 2014
Instructor Mark Donnelly will be teaching another seminar in Connecticut on June 15. Interested parties should RSVP to Twin Dragons Martial Arts by calling (203)265-1516.
Instructor Mark Donnelly will be teaching another seminar in Connecticut on June 15. Interested parties should RSVP to Twin Dragons Martial Arts by calling (203)265-1516.
A promotional postcard featuring Bartitsu Club wrestling and physical culture instructor Armand Cherpillod, shown posing in typical early 20th century jujitsu garb.
According to his 1929 biography, Cherpillod was invited to teach at the Bartitsu Club by his fellow Swiss martial arts instructor, Pierre Vigny, who had traveled to Switzerland at the behest of E.W. Barton-Wright specifically to find a champion wrestler. Upon arriving in London, Cherpillod quickly made his mark in the wrestling circuit and successfully represented the Bartitsu Club in several significant challenge matches. He also cross-trained in jujitsu with fellow instructors Yukio Tani and Sadakazu Uyenishi.
Cherpillod’s most famous student at the Bartitsu Club was Sir Cosmo Duff-Gordon, an eccentric athlete and aristocrat who later became famous as one of the few male civilians to have survived the sinking of the RMS Titanic.
Following the closure of the Bartitsu Club in 1902, Cherpillod returned to Switzerland where he pioneered the instruction of Japanese martial arts. He also wrote several books on that subject, including one that is the first known manual on jujitsu as self defence for women.
Samantha Swords experiments with a pair of antique Indian clubs on display at the Forteza Gymuseum, home of the Bartitsu Club of Chicago.
A member of the secret suffragette Bodyguard society takes down a London bobby in this illustration from the book Bodyguards!: From Gladiators to the Secret Service.
Written by Ed Butts, illustrated by Scott Plumbe and intended for readers aged approximately 9-12, Bodyguards! is an entertaining and informative survey of personal protectors throughout history, including the Praetorian Guard, the Swiss Guard, gunfighters of the Wild West, ’30s Chicago gangsters and many more.
The adventures of the Jujitsuffragettes will also be showcased in Tony Wolf’s upcoming Amazons graphic novel trilogy, currently scheduled to be published in October 2014.
Members of the French School of Bartitsu undertake an Antagonisticathlon obstacle course.
These excerpts from the article “The Dwelling-House of an Apostle of Health” (“The House Beautiful”, Sept. 1909) offer a further glimpse inside the extraordinary dojo constructed in W.E. Steers’ Hilltop home in Surrey, England.
To explain the reasons for the inclusion of the beautifully designed gymnasium which is the great feature of the house, it should be noted that during his travels in Japan, Mr. Steers had been enormously impressed with the value of “jiu-jitsu” as a system of moral and physical training. He learned a little of the art in the Land of the Rising Sun; just enough to convince him of its great efficacy in developing all the powers of the body.
He saw, what so few people in England and America are aware of, that “jiu-jitsu” was not a mere method of wrestling, but that it formed the foundation of that extraordinary self-possession, coolness, and adroitness which are the mental as well as the physical attributes of the Japanese. He found that it was not a series of tricks which could be learned by an athletic man in the course of a few lessons; but that it was a highly developed system of education, the professors of which were as highly esteemed
in their own country as are those in western lands, who occupy the principal chairs at colleges and universities.
Hence the gymnasium at “Hilltop,” with its appliances for physical recreation. Several of the most prominent professors of “jiu-jitsu” have been over from time to time to instruct and exercise with the owner of this house of health on the hill. Among them may be mentioned Professor T. Tobari, one of the famous four who demonstrated before the Emperor of Japan the outstanding virtues of jiu-jitsu in comparison with other forms of physical culture, at a time when the government was deciding upon the best system to adopt for inclusion in the educational curriculums of the country.
The gymnasium is a room surrounded on three sides by walls painted to represent typical Surrey scenery as found in the neighborhood of Caterham. The mural decorative scheme was carried out by Mr. Hugh Wallis of Altrineham, Manchester. The fourth side is entirely open to the air and gives direct access on to a grassy exercising lawn, at one end of which is a plunge pool made of concrete and fitted with a spring-board. There are rolling shutters which can be drawn down when the owner is away or when tremendous storms of wind and rain drive in from the East.
The main floor of the gymnasium is constructed on springs like a dancing floor, with Japanese wrestling mats, two or three inches thick, surrounded by a thick cork carpet border, about two feet wide. A sunken bath with hot and cold water supply is fitted at one end of the room, and at the other is an arched fireplace recess. A door at the North end gives access to a dressing room and lavatory. Here the owner keeps his guns and revolvers, some of them being trophies of shooting contests. All the year round the gymnasium floor makes a splendid sleeping place; but Mr. Steers quite as frequently sleeps out on the lawn on a camp mattress.

During the final decades of the 19th century, a cabal of fencers and historians led by Captain Alfred Hutton and his colleague, the writer Egerton Castle, undertook a systematic study and practical revival of combat with long-outmoded weapons such as the rapier and dagger, sword and buckler and two-handed sword. Their efforts presaged the current revival of historical fencing, a rapidly growing movement that directly parallels the modern renaissance of E.W. Barton-Wright’s Bartitsu.
The book Ancient Swordplay details the origins, colourful heyday and ultimate decline of this unusual late-Victorian revival movement. Highlights include reports on many historical fencing exhibitions throughout the 1880s and ’90s, Hutton’s and Castle’s work as theatrical fight choreographers (who paid strict attention to historical accuracy) and Hutton’s determined efforts to revolutionise military sabre fencing with an infusion of “ancient swordplay”, especially that of the Elizabethan English master, George Silver.
Of particular interest to Bartitsu enthusiasts, Ancient Swordplay includes a chapter on Captain Hutton’s collaborations with E.W. Barton-Wright. In his book The Sword and the Centuries (1902), Hutton was moved to note that “the fence of the case of rapiers, as of all the other Elizabethan weapons, is much in vogue at the present time at the Bartitsu Club, now the headquarters of ancient swordplay in this country.”

For all their efforts, though, the Hutton/Castle revival did not directly survive their own generation. The final chapters examine the reasons why, coming to a conclusion that may surprise modern readers, and attempt to trace their legacy into the following decades of the 20th century, via actress/swordswoman Esme Beringer and French antagonisticathlete George Dubois.
Including numerous rare illustrations and a foreword by author Neal Stephenson, Ancient Swordplay is available now from the Freelance Academy Press website or Amazon.com. For a thorough historical context and commentary, please also see the new article Renaissance Swordplay, Victorian-style on the Freelancer blog.
Icelandic wrestler and showman Johannes Josephsson, who exhibited the art of glima wrestling in North American and European music halls during the early 20th century, demonstrates self-defence against not one, not two, but three ruffians.
A very Bartitsuvian blend of savate, cane defence, jiujitsu, wrestling and boxing is demonstrated in this 1917 newspaper illustration from the Omaha Bee.