A Video Interview with English Judo and Bartitsu Research Pioneer Richard Bowen (1926-2005)

  • Originally published on the Bartitsu.org site on Wednesday, 5th August 2015

Richard (Dickie) Bowen was born in Belgravia, London in 1926. His father was English and his mother was from Wexford, Ireland. His early training was in bacteriology and, after serving in the army for nearly four years, he worked as a laboratory technician. Generally physically active, he had become a proficient skier during his military service and on his return to London Bowen was keen to find an occupation to maintain and improve his physical fitness.

In January 1949, on the recommendation of a colleague, he took up judo and joined the Budokwai, the UK’s oldest judo club,where he received expert instruction from senseis Gunji Koizumi, Percy Sekine, Trevor P. Leggett and Teizo Kawamura. Two years later, he was present at a meeting of the Budokwai during which Koizumi presented the then-90 year old Edward William Barton-Wright to the audience as “the pioneer of jiujitsu in England”. Barton-Wright died the following year.

In 1956 Bowen was selected to represent Britain at the 1st World Judo Championships, an openweight competition held in Japan. He subsequently spent three and a half years training at the Kodokan in Tokyo. As part of the Kodokan’s Kenshusei, an elite group of mostly Japanese judoka, including Matsushita and Watanabe, Bowen was regularly taught by senseis Daigo, Osawa and Kawamura and received occasional tuition from senseis Mifune, Samura and Kotani.

Bowen’s close, life-time association with the Budokwai, as a judoka and instructor, and as a committee member and Vice-President, continued when he returned to the UK. He also became actively involved with the British Judo Association (BJA).

Bowen had always been interested in the history and early development of judo in Britain, and in 1990 he embarked on a project to document the people, techniques and styles connected with ‘the old judo’ that Bowen felt may otherwise be forgotten. This long-term project encompassed painstaking research via numerous libraries and both public and private archives.

His research inevitably uncovered original copies of E.W. Barton-Wright’s Pearson’s Magazine articles, which were of special interest to Bowen in that he was an aficionado of the Sherlock Holmes stories and recognised Barton-Wright’s Bartitsu as the inspiration of Holmes’ “baritsu”. He summarised his findings in an article for the Northern Musgraves Sherlock Holmes Society, titled Further Lessons in Baritsu (1997).

In the year 2000 Bowen forwarded photocopies of Barton-Wright’s articles to Joseph Svinth, the editor-in-chief of the Electronic Journal of Martial Arts and Sciences. These articles were then scanned, transcribed and broadcast online via the EJMAS Journal of Non-Lethal Combatives (edited by Svinth) and the Journal of the Manly Arts (edited by Tony Wolf), providing a basis for international Bartitsu research via the Bartitsu Society.

By this time, with the help and support of friends, acquaintances and fellow enthusiasts, Bowen had painstakingly accumulated a substantial UK ‘judo archive’. His personal collection of judo and related books and ephemera was later donated to the University of Bath and now forms the Bowen (Judo) Collection, comprising some 82 boxes of material.

Sadly, when Richard Bowen died in 2005, his book remained incomplete. However, the book was later published posthumously in two volumes, under the title 100 Years of Judo in Great Britain (2011). As well as forming a unique and invaluable record of the events, politics and personalities of English judo, Bowen’s book offers a highly accurate and detailed study of Bartitsu history.

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“If a Bold Bad Man Attacks You, Jiu-Jitsu Him!”

  • Originally published on the Bartitsu.org site on Thursday, 6th August 2015

A selection of classic jiujitsu “tricks” as women’s self-defence in this photo-feature from the Chicago Tribune of June 20, 1915.

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“Directly You Are Seized, Strike Your Assailant”: the Atemi-waza of Canonical Bartitsu

  • Originally published on the Bartitsu.org site on Sunday, 9th August 2015
Atemi montage

The Bartitsu canon consists of the close-combat techniques presented as Bartitsu by E.W. Barton-Wright and his colleagues between the years 1898-1902. Most notably, they include the various jiujitsu kata and Vigny stickfighting set-plays recorded by Barton-Wright in his two article series for Pearson’s Magazine; The New Art of Self Defence (1899) and Self Defence With A Walking Stick (1901).

This article catalogues the atemi-waza (striking and pressure point techniques) represented in Barton-Wright’s New Art of Self Defence articles. Although it’s been confirmed that B-W trained primarily at the Shinden Fudo Ryu dojo of sensei Terajima Kuniichiro in Kobe, we have never been able to positively identify B-W’s demonstration partner in these photo-series, nor exactly which school of jiujitsu is represented. B-W simply referred to studying with a teacher in Kobe who “specialised in the kata form of instruction”.

The most significant details on the Kobe Shinden Fudo Ryu dojo were recorded, not by Barton-Wright, but by Herman Ten Kate, a Dutch anthropologist who met B-W on a steamship from Jakarta to Japan. Ten Kate also trained at the Kobe dojo and, in 1905, wrote an essay for the Dutch magazine De Gids describing their training, “in which all types of randori, kata and atemi are combined”. Te Kate continued that, “in the school of my instructor Terajima, there were more than seventy (kata or defence sequences)”.

Experts in Japanese martial arts history believe that the Shinden Fudo Ryu of Terajima Kuniichiro was distinct from the style of that name commonly associated with the Bujinkan lineage today.

The sixteen kata shown in Barton-Wright’s articles feature thirteen atemi-waza techniques, including:

  • hammerfist or backfist strikes to the mastoid process/hinge of the jaw (“behind the ear”)
  • direct punch to the “pit of the stomach”*
  • rear headbutt
  • finger and thumb pressure to the trachea (“tonsil”) and mastoid process
  • foot stomp
  • thumb pressure to the sciatic nerve
  • backfist and double backfists to the face
  • thumb pressure to the humerus nerve
  • palm-heel strike to the elbow joint
  • elbow strikes to the wrists

* N.B. that this strike is part of Barton-Wright’s curious defence with an overcoat against a dagger-wielding attacker, and may actually represent a boxing punch rather than a jiujitsu punch.

New Art of Self Defence, Part 1

Overcoat

“Overcoat trick”: “a right-handed knock-out blow in the pit of the stomach”

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#2: “strike your assailant behind the ear with your right fist”

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#3: “jerk your head backwards, striking him in the face”

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#4: “strike him a back-hander with your right hand”

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#4 (alternative technique): “seize his throat with your right hand, forcing your thumb into his tonsil”

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#5: “strike him with the right fist behind the ear”

New Art of Self Defence, Part 2

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#4: “stamp heavily on your assailant’s right foot” and then “grasp his right leg with your right hand, in the precise position shown in the third photograph, exerting as much pressure as possible with your thumb”

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#6: “strike him (or if you are practising the feats with a friend pretend to strike him) in the face with your right fist”

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#7: “strike your assailant, simultaneously with both fists, in the face, and bring your elbows down very sharply upon his wrists”

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#9: “face your assailant, seizing him just behind the elbow with the thumb and finger of your left hand. Then exert pressure upon the nerve of the funny bone, which is situated just behind the elbow”

#9 (alternative technique): “Should it be found difficult to release your opponent’s hold in the manner described, a sharp upward blow at the elbow joint will have the desired effect.”

Then, “seize him by the throat with your right hand, and throw him upon his back”.

Bonus technique only recorded in the US edition of Pearson’s:

One further atemi-waza technique was described (but not illustrated) in the June, 1899 edition of Pearson’s Magazine published in the United States. The full sequence is reprinted here and the atemi technique requires the defender to “seize him by the throat, pressing your thumb into his tonsil or just under the back of the ear, which is extremely painful”.

Reviewing this list, we note that the mastoid process and trachea are the most common targets and that the atemi techniques serve the same tactical purposes as in most ko-ryu (traditional) jiujitsu curricula, including distracting or interrupting the opponent’s intention, causing momentary imbalance prior to a joint-lock or throw, and creating sufficient space for follow-up techniques.

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A Bartitsu Cartoon from 1976

  • Originally published on the Bartitsu.org site on Monday, 17th August 2015
1976 Bartitsu cartoon

Originally published in the Xenia (Ohio) Gazette of July 27, 1976, this cartoon is a curiosity of recent history in that E.W. Barton-Wright’s martial art was almost completely forgotten during the 20th century. The cartoonist evidently based his work on a copy of Barton-Wright’s 1901 Pearson’s Magazine article, “Self Defence with a Walking Stick”.

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Defense dans la Rue Vol. 2: Fundamental Striking Skills

  • Originally published on the Bartitsu.org site on Wednesday, 26th August 2015

The second volume of Craig Gemeiner’s Defense dans la Rue (“street self-defence”) instructional DVD series is now available:

During the later decades of the 19th century Parisian citizens experienced the brutality of the French Apache gangs, the call for an effective means of dealing with it intensified. Out of necessity a new system of personal combat began to develop. It came to be known as Defense dans la Rue.

This new DVD production features the striking skills from old school Defense dans la Rue as influenced by classical English boxing & French Savate.

Savate instructor Craig Gemeiner provides a detailed breakdown of the various stand-up striking techniques of this combat system, integrating it with specialized pad work, conditioning exercises and pressure drills making it ideal for the modern self-defence practitioner.

You won’t learn any fancy high kicks or low percentage techniques, only those skills that have been time tested in the streets, milling grounds and salles during the past 200 years have been included.

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Dubious “Self-Defence Umbrella” Initiative by Vodafone India

  • Originally published on the Bartitsu.org site on Thursday, 27th August 2015

Although they’re presumably well-intentioned, one hopes that Vodafone India and their ad agency will also be shelling out for the extensive training these women will need in order to be able to actually defend themselves. The notion that over-the-counter instructions and cartoon graphics can substitute for actual training and skill is dangerously naive.

If not backed up with real training, these “self-defence umbrellas” may only serve to signal that the women are carrying money …

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Duelling Canes

  • Originally published on the Bartitsu.org site on Monday, 31st August 2015

Highlights of a hard contact Bartitsu cane sparring match at the Forteza Fitness and Martial Arts studio in Ravenswood, Chicago.

The fighters are using 3/4″ diameter, 36″ rattan sparring canes from Purpleheart Armory, tipped with solid rubber blunts to simulate the steel ball handles and asymmetrical balance of a Vigny fighting cane, and are protected by standard 3-weapon fencing masks and street hockey gloves.

Targets in this bout included the mask, gloves and arms, torsos and thighs.  Standing grappling was also allowed, but unarmed striking, throwing and ground-grappling were disallowed in this bout, to focus on thrusting, striking and parrying with the canes.

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The Bartitsu Club Athens 1900

  • Originally published on the Bartitsu.org site on Tuesday, 1st September 2015
Bartitsu Club Athens

The Bartitsu Club Athens 1900 trains in la canne, jiujitsu, pugilism, fencing and Victorian-era self-defence, as well as special fitness classes for ladies and gentlemen. The Club trains every Monday, Wednesday and Friday at the Coriolanos College of Combat and Physical Wellness in Athens, Greece.

Instructors:

George Zacharopoulos: Instructor and Club Administrator

Trained in: Ninjutsu, Ju Jutsu, Olympic Fencing (epee), Olympic Archery (recurve), stick & knife fighting (Combined Chinese and Filipino Boxing) , knife defense, La Canne ,Historical European Martial Arts.

HEMA instructor for the last ten years, knife Survival Instructor at Reality Based Personal Protection system by Jim Wagner, co-author of the only book in Greek for Historical European Martial Arts: The knightly art of the Sword.

Vasilis Petalas: Instructor

Trained in: Boxing, Tae Kwon do, Tang Soo do, Hakkoryu Ju Jutsu, Tai Nui kung Fu, Ninjutsu, Kendo.

2nd Dan Bujinkan & 2nd Dan Genbukan, 1st Dan Kokusai Jujutsu Renmei, 1st Dan Seitei Iaido, 1st kyu Kendo, 1st kyu Jodo.

Stefanos Goutzamanis: Instructor

Trained in: Historical European Martial Arts, Keysi Fighting Method

HEMA instructor and fitness fanatic.

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First Ever Bartitsu Seminar in Malta

  • Originally published on the Bartitsu.org site on Thursday, 26th September 2013

Click here to read a short review of Mark Donnelly’s recent Bartitsu seminar for the Malta Historical Fencing Association.

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Yukio Tani (1904)

  • Originally published on the Bartitsu.org site on Friday, 18th December 2015
Yukio Tani 1904

A rare and unusual 1904 photograph of Bartitsu Club jiujitsu instructor and champion music hall challenge wrestler Yukio Tani.

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