“Victorian Vigilante”

  • Originally published on the Bartitsu.org site on Wednesday, 19th January 2011

The Abney Park song “Victorian Vigilante”, from their End of Days album.

Victorian Vigilante

lyrics by “Captain” Robert Brown

Each night as I go walking
I hear the dead men talking
They tell me of all your misdeeds
Lead me to all your leads

Each night as I go walking underneath the lamplight
I bring my baritsu and I’m ready for a fight.
My boots are shining brown
And my cane’s of oak.
I’ll Unleash some hurting on you,
Justice I’ll invoke!

‘Cause I’m a Victorian vigilante,
Bring some justice on your head.
From the palace to the riverside,
For your troubles you’ll get led.

A Victorian vigilante,
Bring some justice on your head
From the palace to the riverside,
For your troubles you’ll be dead.

Cut Scene: your victims dethroned!
Dripping ice hook on crimson cobblestones.
Wipe your hands on the dead man’s greatcoat
And dive into the sewer’s black moat.

All your steps have led me to this spot.
You hide your tracks but there’s one that you forgot.
Drag your dripping coat out of the water black
But I stand waiting, and I’m on the attack!

‘Cause I’m a Victorian vigilante,
Bring some justice on your head
From the palace to the riverside,
For your troubles you’ll get led

A Victorian vigilante,
Bring some justice on your head
From the palace to the riverside,
For your troubles you’ll be dead.

Pacing slowly round each other in the rain
Our eyes are locked as you unsheathe your sword cane.
We know each other, although we’ve never met.
An ice cold game you won’t soon forget.

You swing and thrust, I wrap you in my coat.
I’m suddenly behind you, and my blade is at your throat!
You kick and swing your fists and blade and shoe,
But all your twitching and pulling has cut your neck in two.

‘Cause I’m a Victorian vigilante,
Bring some justice on your head
From the palace to the riverside
For your troubles you’ll get led

A Victorian vigilante,
Bring some justice on your head
From the palace to the riverside,
For your troubles you’ll be dead

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E.W. Barton-Wright on “How to Pose as a Strong Man”

  • Originally published on the Bartitsu.org site on Sunday, 16th January 2011

Bartitsu founder E.W. Barton-Wright’s article How to Pose as a Strong Man was first published in the January, 1899 edition of Pearson’s Magazine. Presented as an instruction manual of eleven parlour tricks for amateur entertainers, the article doubled as an expose of feats that had been made famous by vaudeville and music hall performers such as Lulu Hurst and Annie May Abbott.

Hurst, Abbott and their imitators claimed that they possessed a mysterious electrical or magnetic force that allowed them to overcome or resist the strength of large, strong men, often with the use of simple props such as chairs, pool cues, walking canes or umbrellas.

This report from the Fielding Star, 25 October 1899, is typical:

(Annie Abbott) is only a small person weighing 100 lbs and yet strong men were unable to lift her whenever she desired to offer resistance – a resistance which evidently was not mere physical strength, but a wonderful power which she possesses. On the other hand she was able to raise men with a mere touch of the hand. One of her most extraordinary feats was where seven men were piled on a chair and Miss Abbott raised the mass of humanity a few inches off the stage by a mere touch of the hand.

Experiments with boys were also extraordinary. A boy from the audience was asked to stand in the centre of the aisle, half way down the hall, and a gentleman in the audience was asked to lift him off his feet. Under ordinary circumstances this could easily have been done, but Miss Abbott exercised some unknown power over the boy and the gentleman was unable to lift him off his feet. Various other tests were given by Miss Abbott, and in all she successfully resisted the forces pitted against her, giving an astounding manifestation of some force other than that making up the ordinary phenomena of nature.

As an engineer with a background in martial arts training and an interest in both electrical technologies and showmanship, Barton-Wright was almost uniquely qualified to assess and explain these “tests”:

It must not be supposed that it is necessary to possess any unusual strength to pose as a strong man; indeed, in many strong men’s feats, strength plays a less important part than knack and trickery.

… (The Georgia Magnet) declared that it was solely owing to the fact that she possessed remarkable magnetic and electric powers that she was able to perform these feats. This, of course, was not the case, for anyone of average strength, who follows these instructions, will be able to perform them.

The article explains the feats of the “Electric Girls” as demonstrations of trickery via subtle bio-mechanics and the power of suggestion, making clever use of leverage and the ideomotor effect. Some twenty years later, magician, escapologist and arch-skeptic Harry Houdini would also pick up on the relationship between martial arts techniques and those of the music hall charlatans …

… who gave the world of science a decided start about a generation ago.

The jiu jitsu of the Japanese is, in part, a development of the same principles, but here again much new material has been added, so that it deserves to be considered a new art.

– Harry Houdini, Miracle Mongers and their Methods, 1920

These feats are amusing to perform and can be useful in teaching skills of balance manipulation, but it is ironic that despite being thoroughly debunked over a hundred years ago, they are still sometimes exhibited as demonstrations of unexplained (para)physical power. A novel commercial twist may be seen in the “tests” associated with products such as wristbands or pendants claimed to be imbued with “frequencies” that improve balance, strength and flexibility:

Caveat emptor …

Posted in E. W. Barton-Wright, Edwardiana, Video | Comments Off on E.W. Barton-Wright on “How to Pose as a Strong Man”

“Master of Men: the Life’s Work of William Muldoon, Champion and Trainer of Champions”

  • Originally published on the Bartitsu.org site on Friday, 7th January 2011

“Master of Men” is an anthology of books, articles and essays about the remarkable Irish-American combat athlete and coach, William Muldoon. After numerous adventures as one of “New York’s finest”, he left the police force to become one of the first American professional wrestlers, taking on all comers in rough and tumble saloon matches and working as an actor/stuntman on the Vaudeville stage.

In 1889, Muldoon’s radical training methods brought the out-of-shape, alcoholic bare-knuckle boxing champion John L. Sullivan back into form for his legendary title fight with Jake Kilrain. Muldoon later became the inaugural chairman of the New York State Athletic Commission and a personal trainer for some of the richest and most powerful men in America. Includes 29 rare illustrations and a special bonus interview with Scott Burt of the Bare Knuckle Boxing Hall of Fame.

The 316 page book is available in print or e-formats from the Antagonistics Emporium, which also features a free instant preview.

Posted in Antagonistics, Biography, Boxing, Physical Culture, Wrestling | Comments Off on “Master of Men: the Life’s Work of William Muldoon, Champion and Trainer of Champions”

Introduction to Bartitsu seminar in Vancouver

  • Originally published on the Bartitsu.org site on January 1, 2011

The Academie Duello is offering an introductory Bartitsu class on Saturday, January 8th:

“If one gets into a row and plays the game in the recognised style of English fair play – with fists – the opponent will very likely rush in and close, in order to avoid a blow. Then comes the moment for wrestling in the secret Japanese way. Instantly the unwary one is caught and thrown so violently that he is placed hors de combat, without even sufficient strength left to retire unassisted from the field.”
– E.W. Barton-Wright, “Black and White Budget” magazine, December 1900

Learn the mixed martial art of the Victorian English Gentleman. In this four-hour workshop, you’ll acquire the essential Bartitsu skills of Boxing, Jujitsu, Savate and Cane fighting:

-the basic punches of scientific boxing and the first defensive moves of pugilism,

-the first throw from jujitsu and how to land without hurting yourself when thrown,

-the foundations of walking stick self-defence, and the essential kicks of savate.

This Introduction to Bartitsu is a pre-requisite for the ongoing Bartitsu class. We want all newcomers to the weekly class to have some familiarity with the core techniques, and to get some practice in an easy environment where all of the students are learning the skills together.

Saturday, January 8, 2011 1pm-5pm

So, whether you’re interested in studying Bartitsu on an ongoing basis, or if you just want to learn the essential elements, the Introduction to Bartitsu covers the fundamentals. Fun and self-defense without getting your spats dirty!

$60 (15%off for members

* Location: Academie Duello, 412 W. Hastings St., Vancouver

You can sign up online via this link.

Posted in Canonical Bartitsu, Seminars | Comments Off on Introduction to Bartitsu seminar in Vancouver

“Bartitsu Boxer”

  • Originally published on the Bartitsu.org site on Thursday, 30th December 2010

This unique Bartitsu-inspired artwork, incorporating a page from an 1880s book on gentlemanly etiquette, is available from this site.

Posted in Boxing, Edwardiana | Comments Off on “Bartitsu Boxer”

Season’s Greetings

  • Originally published on the Bartitsu.org site on Friday, 24th December 2010
Posted in Humour | Comments Off on Season’s Greetings

Bartitsu on Russian TV

  • Originally published on the Bartitsu.org site on Wednesday, 15th December 2010

An item from a Russian youth news show, featuring the activities of Bartitsu Club Russia under the guidance of Ran Braun and Sergey Mishenev.

Posted in Canonical Bartitsu, Seminars | Comments Off on Bartitsu on Russian TV

“Society Women Wrestlers: Ladies’ Craze for Japanese Ju-jitsu” (Daily Mirror, April 4, 1904)

  • Originally published on the Bartitsu.org site on Monday, 13th December 2010

Impressed by the success of the Japanese system of wrestling – the Ju-jitsu — President Roosevelt has ordered it to be adapted in the. Naval Academy, where it is to be practised, in addition to the ordinary athletic exercises.

President Roosevelt is said to be devoted to this style of wrestling, and many American society ladies have taken it up as a new diversion.

But Americans are not alone in their enthusiasm for the new sport. I In England women are taking great interest in Ju-jitsu. Yukio Tani, the great Japanese exponent of the art, who is quite confident of beating his English opponent in the great match for £200 a side, puts in several hours a week instructing the dames and damsels of Mayfair in the noble art of (Japanese) self-defence. Lady Clara Vere de Vere has taken up Ju-jitsu , as the science is called, with vigour, and is rapidly making herself competent to tackle the burliest hooligan who ever donned cap and muffler. The writer on Saturday received the testimony of “Apollo,” the Jap’s manager, on the subject.

The strong man was at breakfast when our reporter called at his cozy flat in Shaftesbury avenue, but he readily consented to talk.

Makes Women Graceful

“Ju-jitsu”, said he, “is particularly adapted for ladies for several reasons. In the first place, no muscular strength is required, for it is all a question of ‘knack’ and quickness. In the second the science, apart from its usefulness as a means of self-defence, induces grace of carriage and develops the’ figure. You see, to be a competent ju-jitsuist you must hold yourself upright. Whereas, in other styles of wrestling, one has to adopt a crouching attitude, which contracts the chest and makes the figure ugly.”

The fad, it appears, commenced when Tani began to take engagements to appear at private houses and give exhibitions’ of wrestling in the Japanese style. Fashionable hostesses began to vote Hungarian fiddlers and Polish tenors altogether out-moded after they had seen the lithe and graceful Jap and his manager give a glimpse of ju-jitsu. Sometimes, at dances, the wrestling-mats were spread on the ball-room floor between waltzes, and looking on at a bout of ju-jitsu gave the dancers a rest. The grace, the quickness, and the absence of violence which are the distinguishing marks of
ju-jitsu fascinated Lady Clara Vere de Vere, and from seeing it done to wanting to do it herself was but a step. Now, Tani has his hands full putting fair and aristocratic aspirants up to the various locks and holds which constitute the Japanese art of self-defence.

Keenness of the Ladies

“A girl,” says the authority, “will learn ju-jitsu in one-third of the time, and with one-half the trouble, compared with a man. For one thing, they are keener about it; and for another, we cannot get the men to take it seriously enough to moderate their drinking, smoking and late hours – all of which are not conducive to excellence in ju-jitsu.

“Again, a girl is more anxious to improve her general physique than the male thing – and there is no doubt that this style of wrestling is a first-class thing for health and beauty.

An ever-present terror to women living in the country is the prowling tramp. But, armed with a knowledge of ju-jitsu, madame or mademoiselle may take her unattended walks abroad, and in the event of an encounter with the ‘hobo,’ may give him the alternative of crying quarter or having an arm broken.”

So fashionable is the new craze becoming that some West End stationers are printing invitation cards with “Wrestling” in the corner where “Dancing” or “Music” was wont to stand.

Posted in Edwardiana, Jiujitsu | Comments Off on “Society Women Wrestlers: Ladies’ Craze for Japanese Ju-jitsu” (Daily Mirror, April 4, 1904)

Bartitsu (from the Daily Express, June 16, 1900)

  • Originally published on the Bartitsu.org site on Friday, 10th December 2010

BARTITSU

Some of my readers may have been present at the very interesting exhibition of bartitsu given last summer by the well-known athlete, Mr. Barton-Wright. Since then the apostle of this most useful form of self defence has been striving to force his pastime to the front, and so successful have his efforts proved that in several of our leading schools the “game” has already been regularly adopted.

Briefly, bartitsu is a form of self-defence in which the only weapon employed is a common walking stick, preferably a malacca-cane. The theory of bartitsu is based upon the theory of fencing and of single-stick in combination with just a suspicion of the “savate.”
The work is done almost entirely with the wrists, the hands being used alternately.

Perhaps the most fascinating stroke of all is a sort of “forward backhander,” if I may so describe it, the cane being suddenly brought down to “guard.” and then unexpectedly swung back over the shoulder.

It is not to be wondered that so practical a form of self-defence should be appealing to many of our athletes, and when it becomes more generally known it will, in all probability, secure a large following.

Posted in Canonical Bartitsu, Vigny stick fighting | Comments Off on Bartitsu (from the Daily Express, June 16, 1900)

More Screenshots from “Bartitsu: the Lost Martial Art of Sherlock Holmes”

  • Originally published on the Bartitsu.org site on Wednesday, 8th December 2010

Some more images from our upcoming documentary:

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