Originally published on the Bartitsu.org site on Monday, 18th December 2017
A gallery of images from a recent unarmed Bartitsu seminar with instructor Alex Kiermayer for the inaugural Noble Science event in Ronneburg, Germany. This event brought together instructors in various unarmed martial arts and combat sports including Pankration, Scottish backhold wrestling, pugilism, savate Genovese and traditional German wrestling as well as Mr. Kiermayer’s classes on the kicking and grappling aspects of Bartitsu.
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Originally published on the Bartitsu.org site on Thursday, 10th February 2011
One hundred and ten years ago today, E.W. Barton-Wright presented his seminal lecture, Jujitsu and Judo: The Japanese Art of Self Defence from the British Athletic Point of View for the Japan Society of London.
Although a significant event in the very early history of jujitsu in the Western world, Barton-Wright’s lecture had at least one precedent. Some ten years earlier, at the inaugural meeting of the Japan Society, the prominent Japanese banker and judoka, Mr. Tetsuro Shidachi, had delivered a similar lecture, entitled Jujitsu: The Ancient Art of Self Defence by Sleight of Body. Mr. Shidachi’s notes were subsequently developed into a popular article and may even have inspired Barton-Wright’s own training in Japan, which took place between 1895-98.
Before introducing Barton-Wright, the chairman, Mr. Arthur Diosy, paid formal homage to the late Queen Victoria, whose recent death was still being mourned throughout the British Commonwealth. He then referred to the previous lecture and noted that while Mr. Shidachi had concentrated especially on the moral and intellectual aspects of Japanese unarmed combat, Barton-Wright proposed to address it from the practical perspective of the British athlete.
The lecturer commenced with one of his most comprehensive descriptions of Bartitsu, explaining first that the word was simply a portmanteau of his own surname and of jujitsu, which he defined, curiously, as meaning “a fight to the last”. Bartitsu, he continued, implied “self defence in every form, and not in one particular branch”. He went on:
Under “Bar-titsu” I comprise boxing, or the use of the fist as a hitting medium, the use of the feet both in an offensive and defensive sense, the use of the walking-stick as a means of self-defence in such a way as to make it practically impossible to be hit upon the fingers. Judo and Ju-jitsu, which are secret styles of Japanese wrestling, I would call close-play as applied to self-defence.
In order to ensure as far as it was possible absolute immunity as against injury in cowardly attacks or quarrels, we must understand boxing in order to thoroughly appreciate the danger and rapidity of a well-directed blow, and the particular parts of the body which were specially liable to bring about absolute collapse if scientifically attacked. The same remarks, of course, apply to the use of the foot or the stick. Ju-do and Ju-jitsu were not designed as primary means of attack and defence against a boxer or a man who kicks you, but are only supposed to be used after coming to close quarters, and in order to get to close quarters it is absolutely necessary to understand boxing and the use of the foot.
He then proceeded into a thorough precis of judo and jujitsu, although it’s evident either that some of his definitions of Japanese terms were eccentric, or that the secretary, who was recording the lecture for posterity, became confused by the technical jargon.
After an accurate summary of judo as having been founded by Professor Kano and consisting of techniques of yielding rather than resisting, Barton-Wright was then recorded as having defined jujitsu as what we, today, would call submission wrestling. It is, perhaps, more likely that he meant to distinguish judo from jujitsu by noting that (circa 1900) the former discipline concentrated on throwing techniques, whereas certain schools of the latter were more focused on ne-waza grappling and restraint methods.
Barton-Wright noted that European wrestling champions, including “the Terrible Greek” (Antonio Pierri), had refused to wrestle with his Bartitsu Club champions, for fear of having their necks broken. This may not have been showman’s hyperbole; the practice of grappling to the point of submission via joint-locks or choke-holds was entirely novel in Europe at the turn of the 20th century, and many members of the wrestling establishment criticised it as being barbaric.
The secretary appears to have become confused again in recording Barton-Wright’s definition of kata as “a form of wrestling … in which leverage and balance played the principal parts”. In fact, kata are specifically pre-arranged drills; they do usefully teach the skills of leverage and balance, but they do not comprise a form of wrestling in themselves.
Barton-Wright then noted that one reason for the strength of the Japanese wrestlers was that there was very little “animal power” in Japan, i.e., that horses and cattle were comparatively seldom employed as beasts of burden, so that a great deal of human muscular strength was necessarily developed via manual labour. More specific to his subject, he mentioned that it took three months to train the muscles of the neck to the point where they could resist strangling.
There followed a series of practical demonstrations of various jujitsu throws – Barton-Wright took care to reassure his audience that the demonstrators, K. Tani and S. Yamamoto, were not hurt in taking their falls – and then joint-locking techniques. Next was an exhibition of the famous “pole trick” in which the prone Yamamoto, with his hands bound behind his back, wriggled out from beneath a bamboo pole pressed across his throat by six men, while two more attempted to pin his legs to the floor and another two stood on him; a feat of jujitsu escapology that was to become a staple of public Bartitsu demonstrations.
For the finale, Barton-Wright himself demonstrated a series of throws and locks upon a volunteer from the audience, the 6’+ Lieutenant Douglas of the 7th Prussian Cuirassiers, who was a visitor to the Japan Club.
Replying to questions from the onlookers, Barton-Wright said that weight was of no consequence in jujitsu, noting that “leading English pugilists” had refused to try their strength with Tani, because they shared the Terrible Greek’s fear of getting their necks broken. In response to a query about catch-as-catch-can wrestling, he replied that it was effective “in uncivilized countries (against) unclothed men”, but that in civilized countries judo and jujitsu were superior means of self-defence. This was almost certainly a reference to the use of the gi jacket in effecting throws and strangling grips. Barton-Wright would later made the same point to wrestlers who complained about his jacketed submission wrestling rules, noting that if a man was attacked in the street, both himself and his assailant were likely to be wearing coats or jackets.
As to how this art of self-defence would avail in a struggle with a violent drunken man requiring six men to hold him down, Mr. Barton-Wright said that a “lock” could easily be put on a drunken man by which he could be escorted. At the Japanese ports, he said, burly sailors had been picked up by small Japanese policemen and thrown into the sea, the sailors saying that the police officers were “demons”. Both question and answer in this case were very likely inspired by an anecdote about an English sailor in a Japanese port town, related in Rudyard Kipling’s 1892 essay “The Edge of the East”. That essay had also been cited in a footnote to Shidachi’s lecture.
… the beauty of life penetrates (the sailor’s) being insensibly till he gets drunk, falls foul of the local policeman, smites him into the nearest canal, and disposes of the question of treaty revision with a hiccup. All the same, Jack says that he has a grievance against the policeman, who is paid a dollar for every strayed seaman he brings up to the Consular Courts for overstaying his leave, and so forth. Jack says that the little fellows deliberately hinder him from getting back to his ship, and then with devilish art and craft of wrestling tricks – “there are about a hundred of ’em, and they can throw you with every qualified one” – carry him to justice. – Kipling, “The Edge of the East”
Although the details evidently changed in re-telling, the image of the small Japanese police officer manhandling the drunken English sailor seems to have penetrated the popular imagination of the time; the same anecdote would re-appear some six years later during the “boxing vs. jujitsu” controversy in Health and Strength Magazine.
There followed a miscellany of questions; was jujitsu commonly taught in Japan? No, there were people who had lived there for thirty years and knew nothing of it. Barton-Wright further reported that the Japanese had been suspicious of him when he expressed an interest in the art, that he could not, initially, persuade anyone to return with him to England and display it in the music halls, and that he, himself, had not been taught its higher forms. It was never taught nor exhibited for money in Japan and Professor Kano taught judo for purely altruistic reasons.
Referring to the ethic of self control among combat athletes, Mr. G.C. Haite commented that forbearance was common among his friends who were boxers and wrestlers, so that the Japanese were not singular in that respect. Barton-Wright replied:
Things are different to this on the Continent. In some countries six or seven men think nothing of attacking one. There is a mental as well as a physical side to this training, which is never acquired without practice. Directly one sees a man, one ought to know whether he is a man to go for at once, or whether he should be allowed to have first turn and afterwards come in oneself.
The Chairman, Mr. Diosy, then proposed a vote of thanks to the lecturer, saying that “this wonderful art of self-defence, when used as it should be, in defending the weak against the strong, would be of great service in those countries where one would not find fair play.”
Mr. Haite seconded the Vote, which was carried by acclamation.
Originally published on the Bartitsu.org site on Tuesday, 19th May 2015
Once again Portland, Oregon’s Historic European Martial Arts school Academia Duellatoria is teaming up with GearCon to bring you a full weekend symposium on Victorian Age Martial Arts. The event happens in the convention district of Portland, Oregon Juuly 3rd – 5th at the Double Tree by Hilton Portland, just walking distance from Lloyd Center Mall.
The Victorian Martial Arts Symposium brings together instructors from Canada and the United states to collaborate in bringing you a variety of instruction in Bartitsu and Victorian martial systems. This years instructors include Jeff Richardson and Matthew Hoden of Academia Duellatoria in Portland Oregon, David McCormick of Academie Duello in Vancouver Canada, Thomas Badillo of Botta Secreta Productions in San Francisco California, and Stewart Sackett of Nemesis Jiu-Jitsu in Portland Oregon.
Classes feature a variety of instruction from Historic Sabre and Cutlass practice to self defense with the cane and umbrella to empty hand martial systems. The centerpiece of these arts is Bartitsu, a mixed art self defense system developed in London. And, as always, the symposium includes a women’s self defense class on Sunday afternoon.
More information and a full schedule of classes for the symposium can be found here.
The Victorian Martial Arts Symposium is held in conjunction with GearCon, Portland’s premiere Steampunk convention. The convention features a fine art salon and market place, a gaming room, a variety of panels, and evening entertainment this year featuring a concert by Aurielo Voltaire.
Originally published on the Bartitsu.org site on Tuesday, 15th February 2011
Ran Braun will be teaching a one-day clinic in theatrical/cinematic Bartitsu via the Red Crow Stunt organisation on Sunday, May 15th in the town of Reggio Emilia in Northern Italy.
The Bartitsu clinic will run between 11.00-1.30 and 2.30-5.00 and will be proceeded by a seminar in stunt equestrianism on Saturday, May 14th. All details are available from info@redcrowstunt.com.
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Originally published on the Bartitsu.org site on Wednesday, 27th April 2011
A fun display of theatrical “baritsu” from Sergey Mishenev, the “Russian Jackie Chan”. Sergey is also a keen promoter of Bartitsu as a martial art, having written articles, hosted seminars and performed lecture/demonstrations over the past several years.
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Originally published on the Bartitsu.org site on Sunday, 17th May 2009
This humourous article, written and illustrated by J.F. Sullivan, originally appeared in “The Ludgate Monthly” of 1897, just a few years before E.W. Barton-Wright introduced Bartitsu to London.
No weapon is so little understood as the umbrella. This—the true arm of the citizen — has simply been brought into sheer contempt and ridicule by no fault of its own, but simply by the ignorance and want of skill of its wearer. In the case of every other weapon which has been adopted, at various periods of the world’s history, by man, the user has considered a thorough knowledge of its capabilities and limits a fundamental necessity in its effective employment; and has invariably fitted himself, by long and constant practise, for that employment. What prehistoric man would have thought of using his flint spear as a gun? What Roman legionary would have dreamed of applying a fuse to the hilt of his sword ? Would any sane Knight of the Middle Ages have been caught employing his lance in the capacity of a single-stick ? Very well then !
It fills me with an inexpressible shame to have to declare—to inform presumably intelligent citizens—that the umbrella is not a broadsword!
The umbrella is distinctly a form of rapier; the husband-beater is a hand-and-a-half estoc (to be used in the saddle, if required); and the sunshade and parasol are short swords, or long daggers: and one and all are designed for thrusting— not cutting.
Yet how does the citizen use his characteristic weapon ? Why, as a broadsword—nearly always!
How does Jones, Brown, or Robinson —fully armed with his umbrella—behave when attacked by bravos, infuriated females, mad dogs, or infuriated cabmen?
MISTAKEN UMBRELLIST AND MAD DOG
He simply hits them on the hat—with the exception of the mad dog, of course —with his gingham: and they simply smile, and reduce him to a pulp. We read of cases every day in the newspaper.
Linger for awhile in any wild district into which the arm of the law has not yet penetrated, and where the citizen holds his life in his hands: the districts round about Bow Street Police Station, for example. Wait until you perceive some pedestrian attacked by a gang of footpads, descending from the mountain fastnesses of Betterton Street and Somebody’s Rents. You need not, as a rule, wait more than five minutes.
Now watch : how does that pedestrian employ his umbrella ? Why, almost invariably as a broadsword.
With his swashing blow he endeavours to cleave a rough to the chine, and behead him.
MISUSED AS A BROADSWORD
The effort fails in its purpose—and why ? Why, simply because no umbrella, even of the finest temper, will bear an edge sufficiently keen to sever the head from the body at a single blow.
Why does that citizen fail to go home to tea; and why are his widow and orphans left desolate ?
Because he never studied the true use of the umbrella.
But see—here approaches another pedestrian whose wary eye indicates that he knows what’s what. He proceeds along Endell Street, his light overcoat twisted around his left arm; his stern right hand gripping a tightly-rolled umbrella. As he arrives at the scattered chips of the former pedestrian, with a blood-curdling war-cry whose echo may even startle the slumbering policemen in the adjacent station, and cause the magistrate to shudder in his chair, out rush the wild hordes of the alley.
Calmly the new pedestrian places his back to the workhouse wall; then, in a moment, his flashing umbrella has passed, to the very hilt, through his foremost assailant. It is out again, and its keen ferrule passes down the throat of a second foeman.
A third falls, the wind whistling shrilly through three distinct perforations which pierce him from back to front. The rest flee in confusion. It is a rout. That citizen stands erect amid a ring of the silent slain. He has learned the use of the umbrella—that is all. He goes home to tea, while the police arrive and gather up the slain.
It is a national disgrace that there exists no School of Umbrella-Fence. In this very London are many schools and clubs for the culture of the rapier and single-stick; yet there is not one where umbrella play may be studied.
Still, even in the absence of schools, the science may be studied at home, with the aid of one’s wife.
It is as well not to allow the wife to be armed in this game, as ladies are proverbially clumsy with weapons, and might damage one seriously.
Let the wife be merely on the defensive, and armed with a shield. A dish- cover with a string inside will serve admirably as a shield; or a sofa cushion will do. By a little practise, according to the following rules, the umbrellist may quickly become proficient in the use of one of the handiest and prettiest weapons yet invented by man.
First Position.—Stand with the feet some sixteen inches apart; the right foot in advance ; the right shoulder turned towards the adversary; the point of the umbrella lowered; the left arm raised as a balance.
The Lunge.—Raise the umbrella to a horizontal position, and thrust it suddenly out until the arm is fully extended; the right foot simultaneously taking a step forward. With a little practise a hit is almost certain, unless your wife has a very quick eye. Hit anywhere, as every hit counts.
If your wife tires of the game, tear up her hat and twist the cat’s neck. Return to first position, and smile.
After a time, when the umbrellist has become to some extent expert, an orange may be placed upon the wife’s head, to lunge at; and when the lunger can succeed in transfixing the fruit with the ferrule, some amount of dexterity has been attained. It is as well for the wife to be provided with sticking-plaster, and a few false eyes; but, as we said before, never allow her to use an umbrella, as serious accidents to the male umbrellist may result.
Where no wife is at hand, any person unable to retaliate will answer the purpose. If you possess a very fat friend, you will find excellent practise in lunging at his waistcoat buttons. Should you injure any vital part, apologise at once: for the strict etiquette of the game should never be omitted.
We will now suppose that the umbrellist has qualified himself for serious combat; and append a few hints as to the proper methods of procedure in some of the many occasions in which the umbrella, as a lethal weapon, may come in useful.
The Duel To The Death With A BURGLAR.—On being disturbed at night by sounds indicative of the presence of a burglar in the house, the umbrellist should arise, select his favourite umbrella, and, proceeding to the grindstone, give a keen point to the ferrule.
He then descends the stairs, and challenges the burglar to single-combat; when the following rules of the duel must be strictly observed :
The burglar, first laying aside any dangerous weapon, such as a revolver or jemmy, with which he may be armed, assumes an upright position, with his hands clasped behind him. The umbrellist now advances, and bows to his adversary, who returns the salute. Play now commences.
It consists of the endeavour of the umbrellist to transfix the burglar with the umbrella. The burglar should not move, as movement is calculated to baulk the aim of his opponent. In this play no hits count unless the ferrule appears on the further edge of the burglar’s periphery.
At each thrust which penetrates, yet fails to go right through, the burglar is at liberty to call “half-through,” and scores one. Seven perforations through vital parts secure victory to the umbrellist. Should there be several burglars, only one should join in the duel at a time; the other or others standing aside and somewhat behind the one engaged, in order to check the effective thrusts. These may be marked on the drawing-room wall-paper, or scratched on the piano with a nail.
For the adjustment of affairs of honour, the umbrella might be made invaluable. In fine, the misuse of the umbrella by a nation priding itself upon its military instincts—a nation upon whose flag the sun never sets—is a standing disgrace only to be wiped out by speedy and thorough-going reform.
William Henry Grenfell, the 1st Baron Desborough, poses with a statuette of himself as a fencer in this Illustrated Sporting and Dramatic News photo. The effigy was presented by Captain Alfred Hutton during early July of 1909, on behalf of the British fencing community and in recognition of Grenfell’s services to their sport during the 1908 London Olympics, for which Grenfell served as the primary organiser.
Both Grenfell and Hutton had been associates of the Bartitsu Club at the turn of the 20th century. Hutton had served as the chief fencing instructor and as a member of the Club’s committee, and Grenfell as the Club President and as a promoter of Bartitsu as a novel method of physical culture and self defence, after having witnessed the combined Bartitsu and historical fencing displays by Edward Barton-Wright and Alfred Hutton at the London Bath Club on June 10, 1899. It’s unknown as to why Barton-Wright did not maintain his association with the Bath Club, which might well have allowed his “Bartitsu experiment” to continue beyond early 1902.
William Grenfell’s own long list of athletic accomplishments included winning fencing championships in the epee style, twice swimming the rapids of the Niagara Falls, scaling the Matterhorn three times and rowing across the English Channel.
Originally published on the Bartitsu.org site on Tuesday, 21st April 2009
Among the interests of the Bartitsu Society is the study of 19th century physical culture; the panoply of diverse exercise systems that were practiced in public and private gymnasia throughout Europe, North America and Australasia. E.W. Barton-Wright commented that Bartitsu included a “system of physical culture which is as complete and thorough as the art of self defence”.
The Hegeler Carus mansion in LaSalle, Illinois, features an extremely rare surviving example of a 19th century gymnasium. The Hegeler Carus gym remained virtually unchanged throughout the 20th century, and still contains numerous, some probably unique, items of exercise apparatus, including wooden dumbbells and Indian clubs, a “teeter ladder”, parallel bars and “Roman rings” suspended from the ceiling. The gym also features a climbing pole that D.T. Suzuki used as a “meditation pole” during his long stay at the mansion.
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Originally published on the Bartitsu.org site on Friday, 13th August 2010
Pieter M.C. Toepoel was, in a sense, the E.W. Barton-Wright of the Netherlands. A boxing and physical culture teacher and something of a free-thinker, attracted to novelties, Toepoel was the first man to teach Japanese martial arts in Holland. He eventually developed a Bartitsu-like method combining boxing, jiujitsu and even self defence with a walking stick.
In his 1910 book Het origineele jujutsu, Toepoel recalled that:
…in 1899 I read in an English Magazine about an international system of self defence which had used amongst others a couple of pins from jiujitsu.
This is obviously a reference to E.W. Barton-Wright’s Pearsons Magazine articles on Bartitsu. Thus inspired, Toepoel made his way to London and possibly Paris and seems to have picked up an eclectic jiujitsu education. His book name-drops former Bartitsu Club instructors Sadakazu Uyenishi and Yukio Tani as well as Koyama, Miyami, Re-nie (Ernest Regnier, who pioneered jiujitsu in Paris), Okashi, Saito and Apollo (strongman William Bankier, who became Tani’s manager after the Bartitsu Club era), but does not identify Toepoel’s (main?) instructor in the art.
Most puzzlingly, Toepoel refers to learning jiujitsu upon the thin carpet of a shabby old London boxing club, and described his teacher – introduced to him by some boxing acquaintances – as a “Japanised Englishman” who had trained daily for seven years with Taro Miyake. Toepoel further notes that they would stop practicing when others entered the club, implying that this was a security precaution so that others would not “steal” their techniques; he was also apparently made to promise that he would never teach jiujitsu himself in the UK.
This is all very curious; who was the “Japanised Englishman”, and why all the secrecy?
Toepoel refers to both Tani’s Oxford Street school and to Uyenishi’s Golden Square dojo, which would seem to date his training in London to the period of roughly 1904-1909. By that time, there were several books and numerous articles available on jiujitsu, not to mention two full-time schools and several rather marginal ones. Although Japanese wrestling was hardly being taught on every street corner, it was quite widely available and it’s odd that a jiujitsu teacher at that time would have been quite so secretive.
Taro Miyake arrived in London in 1905, so it would seem to be impossible that any English jiujitsuka could have trained with him for seven years prior to 1910, unless that person had begun studying with Miyake in Japan.
On the face of it, and assuming that Pieter Toepoel was above adding in a bit of spurious detail for the sake of drama, there were only a few jiujitsu practitioners in London at that time who could conceivably have been described as “Japanised Englishmen”. Our candidates include:
E.W. Barton-Wright, who does not seem to have impressed anyone else as being “Japanised”, but who had spent three years in Japan and apparently spoke Japanese tolerably well.
William Garrud, who was teaching his own classes (in person and by correspondence) by 1905, but Garrud was possibly even less “Japanised” than was Barton-Wright.
“Professor Vernon-Smith”, who advertised jiujitsu classes at his Anglo-Japanese Institute of Self Defence (3 Vernon Place, Bloomsbury Square). The latter school seems to have employed Sadakazu Uyenishi as well as “a staff of expert instructors teaching gymnastics, boxing, wrestling, fencing, la savate etc.”; very little else is known about it, or about Vernon-Smith.
William E. Steers, a passionate Japanophile who travelled to Japan in 1903, studied jiujitsu there with fellow expatriate Englishman E.J. Harrison and returned to London in 1904, where he began training at Sadakazu Uyenishi’s school. Later, circa May 1912, Steers went back to Japan and studied judo with founder Jigoro Kano, who described him as being “the most earnest foreign student I have ever had”.
On the face of it, W.E. Steers seems to be the best candidate. The dates roughly match up and Steers’ huge enthusiasm for all things Japanese might well have led to his being characterised as a “Japanised Englishman”. The detail of Toepoel’s instructor training for seven years with Taro Miyake is still puzzling, in that Miyake was affiliated with Tani’s Oxford Street school, while Steers was enrolled at Uyenishi’s dojo at Golden Square. However, it is reported that Steers did study judo with the famous Mitsuyo Maeda from the year 1907, when the latter first arrived in London.
Shifting into pure speculation; assuming that W.E. Steers was Pieter Toepoel’s jiujitsu teacher, why would there have been such secrecy surrounding their lessons? Perhaps Steers felt that he was not really qualified to teach the art; I have found no other records of him as an instructor, though he was active and influential at the administrative level during the early years of the London Budokwai. As he was not a teacher in any official sense, though, Steers would presumably not have been concerned about Toepoel as a potential commercial rival, so why would he have required that the latter promise never to teach jiujitsu in the UK?
Also, Steers was evidently quite a wealthy man, so a shabby, thinly-carpeted boxing school seems an odd choice for a training venue, unless, again, Toepoel’s lessons were being “hidden” for some reason.
Research is ongoing …
Posted inJiujitsu, Mysteries|Comments Off on The Mystery of the “Japanised Englishman”