Uyenishi vs. the Guardsman

  • Originally published on the Bartitsu.org site on Wednesday, 2nd March 2011

An interesting snippet from the August 4th, 1905 edition of the Auckland Star, describing a contest between former Bartitsu Club instructor Sadakazu Uyenishi and the wrestling champion of the Royal Horse Guards.

A tremendous struggle took place in the riding school at Windsor recently between Corporal Shoeingsmith Fraser, of the Royal Horse Guards (of which regiment he is champion wrestler), and Professor S. K. Uyenishi, the well-known instructor in the art of Japanese self-defence, of Golden Square, W.C. Mr Uyenishi, who has been appointed instructor in his art in the Aldershot Gymnasium, came over by motor-car from the famous camp to give a display.

On his request for an opponent from the audience, Corporal Fraser came forward amid loud applause. The little man certainly took on a stiff bargain, as the giant guardsman must have weighed nearly twice as much as he, but after a truly Titanic struggle he succeeded in hurling the soldier clean over his head on to the platform. Mr Uyenishi admitted that Fraser was the most difficult man he had ever had to deal with, and it must be confessed that the contest was a wonderful example of how futile the greatest strength is made to appear when pitted against the wonderful Japanese science. Two very interested spectators were Prince Alexander of Teck and Major-General Baden-Powell.

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Upcoming Seminar in Surrey, UK

  • Originally published on the Bartitsu.org site on Friday, 27th November 2009
Take that!

On the 7th of February, the English Martial Arts Academy will be holding a one day event in Haslemere, Surrey. On offer will be English backsword, Italian longsword and Bartitsu. The Bartitsu class will focus on the key principles of empty hand and possibly stick, and is designed for beginners and those trained in the martial arts.

The Holmes fans amongst you will know that Conan Doyle settled for a time in this area, and that he is buried just down the road in Minstead, whilst his wife and son are buried in nearby Greyshott.

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Umbrella Self Defence in Vancouver

  • Originally published on the Bartitsu.org site on Thursday, 16th December 2010

by SARAH N. FITZGERALD, METRO VANCOUVER

For many, the Lower Mainland’s wet weather comes with the burden of carrying around an often-cumbersome umbrella. But what if you could turn your weather-based tool into your own personal defence device?

Academie Duello offers an umbrella self-defence workshop that will teach you how to use your wet weather companion to ward off any hooligans.

The course runs several times a year and is based on Bartitsu — a stick-fighting style developed in Victorian England.

David McCormick, who teaches the course, said it’s quite popular.

“It’s very energizing because unlike some martial arts (it’s not) an exhaustive, fatiguing workout. (We) teach skills that are at the same time fun and practical so people can remember what they’ve learned.”

The course, which lasts four hours, costs $60 and is good for most ages and body types, said McCormick.

As for the satisfaction level, McCormick said students are usually laughing when they leave, “and seeing a tool they use everyday in a whole new light.”

For more information on David’s umbrella defence and Bartitsu courses, please visit the Academie Duello’s Bartitsu page.

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Unarmed Bartitsu With Alex Kiermayer

  • Originally published on the Bartitsu.org site on Monday, 18th December 2017

A gallery of images from a recent unarmed Bartitsu seminar with instructor Alex Kiermayer for the inaugural Noble Science event in Ronneburg, Germany. This event brought together instructors in various unarmed martial arts and combat sports including Pankration, Scottish backhold wrestling, pugilism, savate Genovese and traditional German wrestling as well as Mr. Kiermayer’s classes on the kicking and grappling aspects of Bartitsu.

Alex Kiermayer demonstrates the chasse median (mid-level side kick).
Another rendition of the chasse.
Students practice low kicks and evasions.
Escaping a kick to the lead leg.
Targetting the opponent’s leading leg.
Escaping the chasse bas (low side kick).
Mr. Kiermayer teaches the finer points of ne-waza (mat grappling).
The kesa-gatame (side control hold).
The infamous ude garami (key lock) applied as a submission hold.
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Tommy Joe Moore Bartitsu Seminar in Southend-on-Sea (UK)

  • Originally published on the Bartitsu.org site on Saturday, 9th June 2018

An introductory Bartitsu seminar taught by Tommy Joe Moore of the Bartitsu Lab will be offered via  Paper Street Bartitsu and the Southend Combat Academy.

The seminar will be held on July 22, 2018 and is open to all skill levels.  Further information and contact details are available via this link.

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Today in history – “Jujitsu and Judo: The Japanese Art of Self Defence from the British Athletic Point of View”

  • Originally published on the Bartitsu.org site on Thursday, 10th February 2011

One hundred and ten years ago today, E.W. Barton-Wright presented his seminal lecture, Jujitsu and Judo: The Japanese Art of Self Defence from the British Athletic Point of View for the Japan Society of London.

Although a significant event in the very early history of jujitsu in the Western world, Barton-Wright’s lecture had at least one precedent. Some ten years earlier, at the inaugural meeting of the Japan Society, the prominent Japanese banker and judoka, Mr. Tetsuro Shidachi, had delivered a similar lecture, entitled Jujitsu: The Ancient Art of Self Defence by Sleight of Body. Mr. Shidachi’s notes were subsequently developed into a popular article and may even have inspired Barton-Wright’s own training in Japan, which took place between 1895-98.

Before introducing Barton-Wright, the chairman, Mr. Arthur Diosy, paid formal homage to the late Queen Victoria, whose recent death was still being mourned throughout the British Commonwealth. He then referred to the previous lecture and noted that while Mr. Shidachi had concentrated especially on the moral and intellectual aspects of Japanese unarmed combat, Barton-Wright proposed to address it from the practical perspective of the British athlete.

The lecturer commenced with one of his most comprehensive descriptions of Bartitsu, explaining first that the word was simply a portmanteau of his own surname and of jujitsu, which he defined, curiously, as meaning “a fight to the last”. Bartitsu, he continued, implied “self defence in every form, and not in one particular branch”. He went on:

Under “Bar-titsu” I comprise boxing, or the use of the fist as a hitting medium, the use of the feet both in an offensive and defensive sense, the use of the walking-stick as a means of self-defence in such a way as to make it practically impossible to be hit upon the fingers. Judo and Ju-jitsu, which are secret styles of Japanese wrestling, I would call close-play as applied to self-defence.

In order to ensure as far as it was possible absolute immunity as against injury in cowardly attacks or quarrels, we must understand boxing in order to thoroughly appreciate the danger and rapidity of a well-directed blow, and the particular parts of the body which were specially liable to bring about absolute collapse if scientifically attacked. The same remarks, of course, apply to the use of the foot or the stick. Ju-do and Ju-jitsu were not designed as primary means of attack and defence against a boxer or a man who kicks you, but are only supposed to be used after coming to close quarters, and in order to get to close quarters it is absolutely necessary to understand boxing and the use of the foot.

He then proceeded into a thorough precis of judo and jujitsu, although it’s evident either that some of his definitions of Japanese terms were eccentric, or that the secretary, who was recording the lecture for posterity, became confused by the technical jargon.

After an accurate summary of judo as having been founded by Professor Kano and consisting of techniques of yielding rather than resisting, Barton-Wright was then recorded as having defined jujitsu as what we, today, would call submission wrestling. It is, perhaps, more likely that he meant to distinguish judo from jujitsu by noting that (circa 1900) the former discipline concentrated on throwing techniques, whereas certain schools of the latter were more focused on ne-waza grappling and restraint methods.

Barton-Wright noted that European wrestling champions, including “the Terrible Greek” (Antonio Pierri), had refused to wrestle with his Bartitsu Club champions, for fear of having their necks broken. This may not have been showman’s hyperbole; the practice of grappling to the point of submission via joint-locks or choke-holds was entirely novel in Europe at the turn of the 20th century, and many members of the wrestling establishment criticised it as being barbaric.

The secretary appears to have become confused again in recording Barton-Wright’s definition of kata as “a form of wrestling … in which leverage and balance played the principal parts”. In fact, kata are specifically pre-arranged drills; they do usefully teach the skills of leverage and balance, but they do not comprise a form of wrestling in themselves.

Barton-Wright then noted that one reason for the strength of the Japanese wrestlers was that there was very little “animal power” in Japan, i.e., that horses and cattle were comparatively seldom employed as beasts of burden, so that a great deal of human muscular strength was necessarily developed via manual labour. More specific to his subject, he mentioned that it took three months to train the muscles of the neck to the point where they could resist strangling.

There followed a series of practical demonstrations of various jujitsu throws – Barton-Wright took care to reassure his audience that the demonstrators, K. Tani and S. Yamamoto, were not hurt in taking their falls – and then joint-locking techniques. Next was an exhibition of the famous “pole trick” in which the prone Yamamoto, with his hands bound behind his back, wriggled out from beneath a bamboo pole pressed across his throat by six men, while two more attempted to pin his legs to the floor and another two stood on him; a feat of jujitsu escapology that was to become a staple of public Bartitsu demonstrations.

For the finale, Barton-Wright himself demonstrated a series of throws and locks upon a volunteer from the audience, the 6’+ Lieutenant Douglas of the 7th Prussian Cuirassiers, who was a visitor to the Japan Club.

Replying to questions from the onlookers, Barton-Wright said that weight was of no consequence in jujitsu, noting that “leading English pugilists” had refused to try their strength with Tani, because they shared the Terrible Greek’s fear of getting their necks broken. In response to a query about catch-as-catch-can wrestling, he replied that it was effective “in uncivilized countries (against) unclothed men”, but that in civilized countries judo and jujitsu were superior means of self-defence. This was almost certainly a reference to the use of the gi jacket in effecting throws and strangling grips. Barton-Wright would later made the same point to wrestlers who complained about his jacketed submission wrestling rules, noting that if a man was attacked in the street, both himself and his assailant were likely to be wearing coats or jackets.

As to how this art of self-defence would avail in a struggle with a violent drunken man requiring six men to hold him down, Mr. Barton-Wright said that a “lock” could easily be put on a drunken man by which he could be escorted. At the Japanese ports, he said, burly sailors had been picked up by small Japanese policemen and thrown into the sea, the sailors saying that the police officers were “demons”. Both question and answer in this case were very likely inspired by an anecdote about an English sailor in a Japanese port town, related in Rudyard Kipling’s 1892 essay “The Edge of the East”. That essay had also been cited in a footnote to Shidachi’s lecture.

… the beauty of life penetrates (the sailor’s) being insensibly till he gets drunk, falls foul of the local policeman, smites him into the nearest canal, and disposes of the question of treaty revision with a hiccup. All the same, Jack says that he has a grievance against the policeman, who is paid a dollar for every strayed seaman he brings up to the Consular Courts for overstaying his leave, and so forth. Jack says that the little fellows deliberately hinder him from getting back to his ship, and then with devilish art and craft of wrestling tricks – “there are about a hundred of ’em, and they can throw you with every qualified one” – carry him to justice.
– Kipling, “The Edge of the East”

Although the details evidently changed in re-telling, the image of the small Japanese police officer manhandling the drunken English sailor seems to have penetrated the popular imagination of the time; the same anecdote would re-appear some six years later during the “boxing vs. jujitsu” controversy in Health and Strength Magazine.

There followed a miscellany of questions; was jujitsu commonly taught in Japan? No, there were people who had lived there for thirty years and knew nothing of it. Barton-Wright further reported that the Japanese had been suspicious of him when he expressed an interest in the art, that he could not, initially, persuade anyone to return with him to England and display it in the music halls, and that he, himself, had not been taught its higher forms. It was never taught nor exhibited for money in Japan and Professor Kano taught judo for purely altruistic reasons.

Referring to the ethic of self control among combat athletes, Mr. G.C. Haite commented that forbearance was common among his friends who were boxers and wrestlers, so that the Japanese were not singular in that respect. Barton-Wright replied:

Things are different to this on the Continent. In some countries six or seven men think nothing of attacking one. There is a mental as well as a physical side to this training, which is never acquired without practice. Directly one sees a man, one ought to know whether he is a man to go for at once, or whether he should be allowed to have first turn and afterwards come in oneself.

The Chairman, Mr. Diosy, then proposed a vote of thanks to the lecturer, saying that “this wonderful art of self-defence, when used as it should be, in defending the weak against the strong, would be of great service in those countries where one would not find fair play.”

Mr. Haite seconded the Vote, which was carried by acclamation.

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Third Annual Victorian Martial Arts Symposium (Portland, Oregon)

  • Originally published on the Bartitsu.org site on Tuesday, 19th May 2015
vic-martial-arts596_n

Once again Portland, Oregon’s Historic European Martial Arts school Academia Duellatoria is teaming up with GearCon to bring you a full weekend symposium on Victorian Age Martial Arts. The event happens in the convention district of Portland, Oregon Juuly 3rd – 5th at the Double Tree by Hilton Portland, just walking distance from Lloyd Center Mall.

The Victorian Martial Arts Symposium brings together instructors from Canada and the United states to collaborate in bringing you a variety of instruction in Bartitsu and Victorian martial systems. This years instructors include Jeff Richardson and Matthew Hoden of Academia Duellatoria in Portland Oregon, David McCormick of Academie Duello in Vancouver Canada, Thomas Badillo of Botta Secreta Productions in San Francisco California, and Stewart Sackett of Nemesis Jiu-Jitsu in Portland Oregon.

Classes feature a variety of instruction from Historic Sabre and Cutlass practice to self defense with the cane and umbrella to empty hand martial systems. The centerpiece of these arts is Bartitsu, a mixed art self defense system developed in London.  And, as always, the symposium includes a women’s self defense class on Sunday afternoon.

More information and a full schedule of classes for the symposium can be found here.

The Victorian Martial Arts Symposium is held in conjunction with GearCon, Portland’s premiere Steampunk convention. The convention features a fine art salon and market place, a gaming room, a variety of panels, and evening entertainment this year featuring a concert by Aurielo Voltaire.

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Theatrical/cinematic Bartitsu in Italy

  • Originally published on the Bartitsu.org site on Tuesday, 15th February 2011

Ran Braun will be teaching a one-day clinic in theatrical/cinematic Bartitsu via the Red Crow Stunt organisation on Sunday, May 15th in the town of Reggio Emilia in Northern Italy.

The Bartitsu clinic will run between 11.00-1.30 and 2.30-5.00 and will be proceeded by a seminar in stunt equestrianism on Saturday, May 14th. All details are available from info@redcrowstunt.com.

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Theatrical “Baritsu” from Russia

  • Originally published on the Bartitsu.org site on Wednesday, 27th April 2011

A fun display of theatrical “baritsu” from Sergey Mishenev, the “Russian Jackie Chan”. Sergey is also a keen promoter of Bartitsu as a martial art, having written articles, hosted seminars and performed lecture/demonstrations over the past several years.

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The Umbrella: a Misunderstood Weapon

  • Originally published on the Bartitsu.org site on Sunday, 17th May 2009

This humourous article, written and illustrated by J.F. Sullivan, originally appeared in “The Ludgate Monthly” of 1897,  just a few years before E.W. Barton-Wright introduced Bartitsu to London.

3

No weapon is so little understood as the umbrella. This—the true arm of the citizen — has simply been brought into sheer contempt and ridicule by no fault of its own, but simply by the ignorance and want of skill of its wearer. In the case of every other weapon which has been adopted, at various periods of the world’s history, by man, the user has considered a thorough knowledge of its capabilities and limits a fundamental necessity in its effective employment; and has invariably fitted himself, by long and constant practise, for that employment.  What prehistoric man would have thought of using his flint spear as a gun? What Roman legionary would have dreamed of applying a fuse to the hilt of his sword ? Would any sane Knight of the Middle Ages have been caught employing his lance in the capacity of a single-stick ? Very well then !

It fills me with an inexpressible shame to have to declare—to inform presumably intelligent citizens—that the umbrella is not a broadsword!

2

The umbrella is distinctly a form of rapier; the husband-beater is a hand-and-a-half estoc (to be used in the saddle, if required); and the sunshade and parasol are short swords, or long daggers: and one and all are designed for thrusting— not cutting.

Yet how does the citizen use his characteristic weapon ? Why, as a broadsword—nearly always!

How does Jones, Brown, or Robinson —fully armed with his umbrella—behave when attacked by bravos, infuriated females, mad dogs, or infuriated cabmen?

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MISTAKEN UMBRELLIST AND MAD DOG

He simply hits them on the hat—with the exception of the mad dog, of course —with his gingham: and they simply smile, and reduce him to a pulp. We read of cases every day in the newspaper.

Linger for awhile in any wild district into which the arm of the law has not yet penetrated, and where the citizen holds his life in his hands: the districts round about Bow Street Police Station, for example. Wait until you perceive some pedestrian attacked by a gang of footpads, descending from the mountain fastnesses of Betterton Street and Somebody’s Rents. You need not, as a rule, wait more than five minutes.

Now watch : how does that pedestrian employ his umbrella ? Why, almost invariably as a broadsword.

With his swashing blow he endeavours to cleave a rough to the chine, and behead him.

6

MISUSED AS A BROADSWORD

The effort fails in its purpose—and why ? Why, simply because no umbrella, even of the finest temper, will bear an edge sufficiently keen to sever the head from the body at a single blow.

Why does that citizen fail to go home to tea; and why are his widow and orphans left desolate ?

Because he never studied the true use of the umbrella.

But see—here approaches another pedestrian whose wary eye indicates that he knows what’s what. He proceeds along Endell Street, his light overcoat twisted around his left arm; his stern right hand gripping a tightly-rolled umbrella. As he arrives at the scattered chips of the former pedestrian, with a blood-curdling war-cry whose echo may even startle the slumbering policemen in the adjacent station, and cause the magistrate to shudder in his chair, out rush the wild hordes of the alley.

Calmly the new pedestrian places his back to the workhouse wall; then, in a moment, his flashing umbrella has passed, to the very hilt, through his foremost assailant. It is out again, and its keen ferrule passes down the throat of a second foeman.

5

A third falls, the wind whistling shrilly through three distinct perforations which pierce him from back to front. The rest flee in confusion. It is a rout. That citizen stands erect amid a ring of the silent slain. He has learned the use of the umbrella—that is all. He goes home to tea, while the police arrive and gather up the slain.

It is a national disgrace that there exists no School of Umbrella-Fence. In this very London are many schools and clubs for the culture of the rapier and single-stick; yet there is not one where umbrella play may be studied.

Still, even in the absence of schools, the science may be studied at home, with the aid of one’s wife.

It is as well not to allow the wife to be armed in this game, as ladies are proverbially clumsy with weapons, and might damage one seriously.

Let the wife be merely on the defensive, and armed with a shield. A dish- cover with a string inside will serve admirably as a shield; or a sofa cushion will do. By a little practise, according to the following rules, the umbrellist may quickly become proficient in the use of one of the handiest and prettiest weapons yet invented by man.

First Position.—Stand with the feet some sixteen inches apart; the right foot in advance ; the right shoulder turned towards the adversary; the point of the umbrella lowered; the left arm raised as a balance.

The Lunge.—Raise the umbrella to a horizontal position, and thrust it suddenly out until the arm is fully extended; the right foot simultaneously taking a step forward. With a little practise a hit is almost certain, unless your wife has a very quick eye. Hit anywhere, as every hit counts.

If your wife tires of the game, tear up her hat and twist the cat’s neck. Return to first position, and smile.

After a time, when the umbrellist has become to some extent expert, an orange may be placed upon the wife’s head, to lunge at; and when the lunger can succeed in transfixing the fruit with the ferrule, some amount of dexterity has been attained. It is as well for the wife to be provided with sticking-plaster, and a few false eyes; but, as we said before, never allow her to use an umbrella, as serious accidents to the male umbrellist may result.

Where no wife is at hand, any person unable to retaliate will answer the purpose. If you possess a very fat friend, you will find excellent practise in lunging at his waistcoat buttons. Should you injure any vital part, apologise at once: for the strict etiquette of the game should never be omitted.

We will now suppose that the umbrellist has qualified himself for serious combat; and append a few hints as to the proper methods of procedure in some of the many occasions in which the umbrella, as a lethal weapon, may come in useful.

The Duel To The Death With A BURGLAR.—On being disturbed at night by sounds indicative of the presence of a burglar in the house, the umbrellist should arise, select his favourite umbrella, and, proceeding to the grindstone, give a keen point to the ferrule.

He then descends the stairs, and challenges the burglar to single-combat; when the following rules of the duel must be strictly observed :

The burglar, first laying aside any dangerous weapon, such as a revolver or jemmy, with which he may be armed, assumes an upright position, with his hands clasped behind him. The umbrellist now advances, and bows to his adversary, who returns the salute. Play now commences.

It consists of the endeavour of the umbrellist to transfix the burglar with the umbrella. The burglar should not move, as movement is calculated to baulk the aim of his opponent. In this play no hits count unless the ferrule appears on the further edge of the burglar’s periphery.

4

At each thrust which penetrates, yet fails to go right through, the burglar is at liberty to call “half-through,” and scores one. Seven perforations through vital parts secure victory to the umbrellist. Should there be several burglars, only one should join in the duel at a time; the other or others standing aside and somewhat behind the one engaged, in order to check the effective thrusts. These may be marked on the drawing-room wall-paper, or scratched on the piano with a nail.

For the adjustment of affairs of honour, the umbrella might be made invaluable. In fine, the misuse of the umbrella by a nation priding itself upon its military instincts—a nation upon whose flag the sun never sets—is a standing disgrace only to be wiped out by speedy and thorough-going reform.

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