“How the East Entertains Us” (The Tatler, October 16, 1901)

  • Originally published on the Bartitsu.org site on Friday, 3rd March 2017

If India has not charmed us histrionically, we have to thank Japan for Sada Yacco and several eastern countries for all sorts of entertaining varieties. The Japanese wrestlers now appearing at the Empire are not only illustrating Japanese arts of self-defence, but exhibit a scheme of self-defence designed by Mr. Barton-Wright, who presents and organised the performance. This defence is said to secure immunity from every form of attack to which the unsuspecting traveller in strange or familiar lands may be subjected.

Armed with the necessary knowledge he may go at his ease through streets where the Hooligan flourishes in the outskirts of London, through Montmartre and La Villette in Paris, through the Delicias of Madrid, and the slums where-from Rome looks out towards the Campagna and Stamboul sees the Golden Horn. Mr. Barton-Wright, himself a traveller in many lands, has picked up what he deemed best of every method of self-defence and worked his collection into a comprehensive system that he explains to members of his own club in Shaftesbury Avenue.

In Japan, whence the wrestlers now appearing at the Empire come, all the police are trained in the arts of self-defence and wrestling so that they can deal in short, sharp, effective manner with disturbers of the peace. I have seen a trained wrestler, who knows all that the West of England can teach him, a man standing six feet and two or three inches in his stockings and muscular as Goliath of Gath, floored by a little Japanese instructor of police who came up to his chest. The big man had no chance.

Mr. Barton Wright’s scheme of defence provides against an attack by a man with a knife, and the only way to get rid of a master of the scheme is to shoot him at long range with a rifle. I don’t think the system protects him against that. For the rest, it is an ingenious and genuine method and comes at a fortunate hour when people want to improve their physique.

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The Behnke System at the Bartitsu Club (1900-1901)

  • Originally published on the Bartitsu.org site on Wednesday, 8th March 2017

Mrs. Kate Behnke was a well-known voice teacher and speech therapist who was also, during the brief Bartitsu Club era circa 1900, a neighbour of Bartitsu founder E.W. Barton-Wright. The Musical Herald and Tonic Sol-fa Reporter of March, 1901 mentioned that Mrs. Behnke had been engaged to teach special breathing exercises at the Club. Barton-Wright had printed a chart demonstrating the improvements in his athletes’ chest expansions, which he credited to the Behnke System.

Above: calisthenic exercises from the Behnke System

The following short article from the London Evening News of Mar 7, 1900 reveals some new details about the Club’s equipment and furnishings and also mentions another facet of Mrs. Behnke’s work at the Bartitsu Club:

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Selbstverteidigung – Self-Defence Sketches by Edmund Erpf (1920)

  • Originally published on the Bartitsu.org site on Saturday, 11th March 2017

A series of studies by the German artist Edmund Erpf (1883-1977), drawing inspiration from boxing, savate and jiujitsu:

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Bartitsu Exhibitions in Oxford (February-March 1902)

  • Originally published on the Bartitsu.org site on Thursday, 30th March 2017

During the early months of 1902, E.W. Barton-Wright and the Bartitsu Club instructors undertook a series of touring exhibitions to venues including Cambridge University and the Mechanics Institute Hall in Nottingham. The following accounts offer considerable detail on their demonstrations in Oxford.

The following “advance notice” for the Oxford tournament is interesting in that it adds catch-as-catch-can wrestling to the usual list of contributory styles that made up Bartitsu.

BARTITSU WRESTLING AND BOXING TOURNAMENT

Oxford Times – Saturday 15 February, 1902

An exhibition of the new school of self-defence, named by its founder Bartitsu, is to take place in the Town Hall on dates which will found in an advertisement, and the founder of Bartitsu offers £20 in money to any City or ‘Varsity man who can defeat his Japanese champions, or Cherpillod, his catch-as-catch-can champion. This seems all the more remarkable as these Japanese champions, whose names are Uyenishi and Tani, are only 20 and 21 years of age respectively, and do not weigh more than 9 stone. Cherpillod is a middle-weight, and weighs 11st. 6lb.

It may be remembered that the Japanese were engaged at the London Empire to give demonstrations some time ago, when they defeated all comers, no matter how strong or how big. It will be very interesting when they come here to test their prowess against some our Rugby forwards and boating men.

Bartitsu means real self-defence, and is a combination of all that is best in the East and Western hemispheres, and embraces boxing, the savate, the use of walking-stick as a means of self-defence, the secret Japanese art of wrestling with clothes on, in which neither strength nor weight play an important part, and then catch-as-catch-can wrestling, which is the best European form of wrestling.

All the Bartitsu exponents are world champions, and are quite prepared to meet anybody who disputes their claims to championship honours. It is further claimed for the Bartitsu method of defence with a stick that a lady who acquires a fair knowledge of it could give a very good account of herself if ever attacked when cycling or walking, besides its being most graceful and exhilarating exercise, in which the left hand is brought much into play as the right.

The exhibition interesting both in its extraordinary variety and its ingenuity. Four of the heaviest and strongest men in the audience will be invited to come upon the stage and try to strangle one of the troop, a test which, for obvious reasons, cannot be a convincing one.

This next report on the event offers several curiousities and it’s diverting to try to puzzle out the anonymous author’s take on what he saw and heard.  Sadakazu Uyenishi is confusingly described as the “‘catch-as-catch-can’ champion of the world” in the same paragraph in which the author refers to the advantages of jiujitsu, which was Uyenishi’s actual style, over catch-as-catch-can wrestling.  The reporter never mentions jiujitsu by name, so it’s conceivable that Barton-Wright simply referred to it as “Japanese self-defence” and “Japanese wrestling” during his address to the audience.

We are also offered some rather alarming new information on Barton-Wright’s self-defence experience during his extensive international travels prior to settling in England.

The report on the boxer Whittle competing with Tani and Uyenishi is particularly interesting in that it may be the first reference to the jiujitsuka taking on a boxer in a mixed-styles contest.

JAPANESE WRESTLING EXHIBITION AT THE TOWN HALL

Oxford Times – Saturday 01 March, 1902

An interesting exhibition of the best forms of wrestling, boxing, and walking-stick play, which have been combined under the name of “Bartitsu” or “Real Self Defence” by Mr. E. W. Barton-Wright, was given in the Town Hall on Tuesday evening. There was a poor attendance, a fact which is to be deplored, as, although the first evening’s programme had to be devoted to wrestling owing to the indisposition of two members of the company’s athletes, those who were present were afforded an excellent exhibition of feats of strength and skill.

A special stage had bean constructed in front of the Town Hall orchestra, covered with matting. Mr. Barton-Wright, in the course of a few introductory remarks, said the first item on the programme which he proposed to place before them that evening would be an exhibition of the secret art of Japanese self-defence, which had never been allowed to be shown in Japan in public, much less in Europe. That was the first time the two men who would exhibit the art had ever performed in public. In Japan, the only people who were allowed to learn the art were Government officials and members of rich families.

That form of wrestling was not to be confounded with the other kind of Japanese wrestling, which was naked wrestling (the writer refers to sumo – Ed.). The secret wrestling was practised by men weighing anything from eight to eleven stone and it did not matter a bit whether a man was strong or heavy: a child who had his head screwed on the right way had a good chance against the strongest man in the world.

The exponents of the art before them were Uyenishi, “catch-as-catch-can” champion of the world, and Tani, the “boy champion” of Tokio —in fact, of Japan. These men were respectively 21 and 20 years of age and weighed 9st 6lb and 9st 3lb. (Mr. Barton-Wright) offered £20 to anyone who would throw either of the men. He was an exponent of that style of wrestling himself, and said that it was quite impossible to throw a man, never mind how small he was, unless (one) thoroughly understood the balancing of the body. He advocated that style of wrestling because it was suitable to people of civilised countries, where clothes were worn, and had, therefore, a great advantage over “catch-as-catch-can” which was suitable for people who did not wear clothes (in this case, the writer refers to the wearing of wrestling tights rather than jackets – Ed.). In the latter style, too, strength and weight played very important parts indeed, as well as “science”.

(Mr. Barton-Wright) had had many years of travel as a manager, and he had had some peculiar and dangerous people to deal with at times. He had, in consequence, devoted a great amount of time to self-defence, and as a result founded the school of self-defence known as “Bartitsu,” which embraced everything that was best in the best styles of scientific self-defence, both Eastern and Western. He had frequently been attacked abroad, where they did not believe in our methods of fair play and would injure a man with a bottle, knife, chair, or any weapon which came to hand, and it was very useful to know how to prevent man from using a knife upon one, though he might not stab one very deeply, yet there was danger of bleeding to death in some lonely place before help could be brought.

He had been attacked with picks, crowbars, scythes, spades, and various other weapons, and, as quick as he was in boxing, he was obliged to close with his man, and had he not known anything of wrestling, he would have been overpowered many times. As a means of meeting emergencies of that kind, he recommended (this) form of self-defence.

His two champions then entered upon a bout, hurling one another across the stage in a manner which, if practised upon person who had not mastered the correct way to fall, would result in the breaking of most of his bones. After this, the champion of the world, Uyenishi, exhibited the various falls used. One requires to be something of an acrobat to perform there without being severely hurt, as the “bump” is terrific.

Four men of heavy weight were then invited on the platform, and tried all they knew to strangle Uyenishi by pressing with their whole force upon a pole laid across his throat while he lay on the stage. When he had had enough, with a sudden twist and a spring the Japanese released himself in a truly surprising manner, leaving the four men still bearing the pole.

The next item was a contest between Tani and Odgers, the champion heavy-weight professional Cornish and Devon wrestler. In this, the Japanese had the best of three falls, holding the Cornish champion down with his leg by means of a “lock” with which, Mr. Barton-Wright explained, it was quite easy to break the arm of a defeated opponent.

Mr. Whittle, champion heavy-weight boxer of the ‘Varsity, then mounted the stage, amid loud applause, and had a “bout” with each of the Japanese.  Although for a time he gave the little Japs a considerable amount of trouble, they succeeded in throwing him in the end. Several extraordinary falls were then illustrated by the Japanese, after which commenced a catch-as-catch-can contest, which was protracted for the better part of an hour. The contestants were Cherpillod, the catch-as-catch-can champion the world (who, it is said, has defeated all comers at the St. James’s Hall, and won the International exhibition at Paris against all styles represented), and Zara, the Swiss champion. The struggle between these two was long and determined, and told heavily on both, and eventually the result was declared to be dead-heat.

Mr. Barton-Wright apologised for the absence of two of his men, owing to illness, and the exhibitions of boxing, savate and walking stick defence defence had to postponed till the following evening. The programme, curtailed as it was, however, kept the audience interested until after 10.30.

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“What Every Woman Ought to Know” (1911)

  • Originally published on the Bartitsu.org site on Thursday, 20th April 2017

A short review from The Stage of 14 September, 1911, concerning a one-act polemic play that featured fight choreography by Edith Garrud:

On Monday evening Mr. Martyn Roland and Miss Eva Quin appeared at the London Pavilion in their “matrimonial mix-up” entitled What Every Woman Ought to Know, and met with a gratifying reception from a large audience.

What every woman ought to know in this special instance is ju-jitsu; and the story of the sketch is concerned with the successful taming of a drunken brute of a husband by a wife who has taken lessons in the Japanese methods of self-defence, and who downs her noble lord and master every time he makes a rush at her. In the end, of course, the husband and wife are reconciled, and there is every indication of a happier future, provided that the husband can always remember that discretion is the better part of valour.

Miss Eva Quin plays cleverly as the muscular wife, but Mr. Roland’s acting as the drunken husband is perhaps a shade too realistic, a circumstance which robs the sketch of some of the comedy it ought to possess.

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“Hot, Towzled, and Flabbergasted” (1901)

  • Originally published on the Bartitsu.org site on Saturday, 22nd April 2017

An amusing account of a Bartitsu challenge contest from the Sporting Times of 7 September, 1901. Noting as usual that the term “Jap” was used as a non-pejorative abbreviation in Edwardian English.

Amongst those who went on the stage the Tivoli the other evening to try a fall with the ’Jitsu Japs was certain well-dressed but notoriously impecunious actor. His turn-out was, truly, within a few curves of the immaculate; but—heigho! By the time Uyenishi of Osaka and Tani of Tokio had had their arms round his neck and their knees in his waistcoat, he was Rumpled Robin at 5st 7lb.

Hot, towzled, and flabbergasted, and with his upper garments in a bunch about his shoulders, he stood by the footlights and felt for his eyeglass.

“Will you try again, sir?” asked Barton-Wright, bringing Uyenishi forward.

“For Gawd’s sake don’t, Jack,” cried a seemingly friendly voice from the unreserved fatoils; “if Mo Angel could see those clothes now he’d cancel yet hire-agreement for ever!”

Then Jack retired discreetly; for, be it added, the fine old backsliding potentates of Scripture History are not the only ones who “rent” their garments. There are others.

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“How to Carry a Walking-Stick” (1889)

  • Originally published on the Bartitsu.org site on Saturday, 22nd April 2017

Words of warning from the Pall Mall Gazette of 2 September, 1889:

THE art of carrying a walking-stick, or even an umbrella, properly, is one that has to be acquired, and does not come by any intuitive sense to the majority of people. To carry a stick in a manner that will not only look graceful, but without danger and annoyance to others, requires both thought and practice.

The primary use of a walking-stick, we may take for granted, is to give assistance in walking, or as a means of assisting our locomotion, and not to poke our neighbour’s eye out, or do other grievous bodily harm. The evolution and development of the modern walking-stick is an interesting subject in itself, but into which we must not digress, beginning with the good old times when the quarterstaff was carried for the purpose of defence, down to the beau’s tasselled cane, and from the “crutch” of the more modern masher, down to the later “tree-trunk” or “clothes-prop” period.

Certainly we have sadly degenerated since the days of Brummel, when every dandy used and carried his walking-cane with as much grace as a lady manipulated her fan. Now, as a rule, it is a mere thing of fashion, being oftener carried for ornament than practical use; but that it is undoubtedly a considerable source of danger, the cause of numerous accidents in the crowded streets of our large cities, mostly due to the thoughtless way in which it is carried, is a matter to which public attention should be drawn.

Having had a front tooth knocked out, and been severely prodded about various parts of the body, we can speak from painful experience as to this danger in our midst. The first of these modern nuisances is the man who carries a gigantic stick with a formidable knob or projection at one end. He usually carries this article by grasping it in the centre, in a horizontal position, and naturally swings his arm backwards and forwards as he walks. He may be unconscious that he forms a sort of perambulating battering ram, but woe betide the individual who may unknowingly approach too near him from behind.

Another man thinks proper to carry his stick under his arm in a similar position, projecting about two or three feet out at the back. Beware of him. If he should happen to stop suddenly, or turn to look into a shop window, as we have often seen him do, he kindly upsets the equilibrium of your hat, or you narrowly escape having your eye cut out; and we may remark in passing, a “Beg pardon ” won’t restore sight to a “blind optic.”

Who has not come across those people who will gesticulate and point at various objects, emphasizing their remarks with their walking-stick or umbrella, to the imminent danger of those in their vicinity; and it is extraordinary to what extent this habit is carried. It was formerly thought peculiar to the Briton, but he is gradually being educated or growing out of it; and the very necessary precautions the custodians of our art galleries were formerly obliged to make, in taking charge of walking sticks and umbrellas, before admitting such visitors, are gradually being relaxed. It is quite impossible for these people to inspect any object, from a valuable picture to a ‘bus conductor, without poking or prodding at it.

We must not forget to mention the man, probably of buoyant spirits, whom you may notice walking on his stick in a proper and sedate manner, suddenly commences swinging it round and round like a wheel, describing circles with the greatest velocity, to the risk of any unconscious person who may be close behind.

On the flights of steps running up from our undergound railway stations, the walking-stick demon is very much in evidence (what a pity Mr. Gilbert didn’t “have him on his list”); with his stick thrust under his arm, he is a frightful source of danger to women and children. Notice how he will perform progressive gyrations up the flight of steps, dodging from one side to the other, in order to get up quickly; and when he is suddenly brought to a standstill by a block in front, those who are behind him run the risk of having their front teeth knocked down their throat, or other serious injury.

We must confess the male sex are usually the greatest delinquents, although the ladies are not always faultless. How many long-suffering creatures of the male sex have not been prodded on the toe, or had the lower part of the trousers marked and torn, when walking beside a lady, who is carrying one of those atrocious long-sticked sunshades or parasols, and all owing to the manner in which it is carried. Then the lady who rushes blindly down the street during a shower of rain, with umbrella unfurled and lowered to the charge, is a thing of absolute danger, and should be avoided as a mad bull; especially if you happen to be of somewhat corpulent proportions and not very agile. She makes straight for you, and the result of such a collision is decidedly unpleasant.

Now, as to the carrying of a stick or umbrella from an artistic or graceful point of view very little can be said, as neither of those articles can be called artistic objects in themselves. Perhaps the most natural and easy mode is either to use it as an aid to walk with, as the walking-stick was intended to be, or, if carried, it should be held in a sloping position, with the handle lowered towards the ground. In adopting either of these positions we shall not prove a source of danger to others. If every one would only give a little thought to this matter, it would prevent many accidents which occur daily, and do away with an increasing danger which besets our crowded streets and thoroughfares.

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The Circa 1970 Revival of Umbrella and Walking Stick Self-Defence

  • Originally published on the Bartitsu.org site on Sunday, 23rd April 2017

Much like the first decade of the 20th century, the late 1960s and early ’70s saw an increased general interest in self-defence due to a perceived rise in street crime and a cultural shift towards feminism.

 In 1967, a young Los Angeles radio producer named Jill Maina developed her own basic self-defence system.  A fencer since the age of nine, she observed that the then-trendy martial arts of judo and karate both required body contact with an assailant, and so she advocated the use of umbrellas and walking sticks as defensive weapons to keep muggers at bay.

Although she may well not have been aware of it, her new system re-joined a long-broken tradition dating back to the mid-19th century, which had last been in vogue during the first decade of the 1900s due to the work of E.W. Barton-Wright, Pierre and Marguerite Vigny and others.

Miss Maina’s system favoured thrusts, primarily with the double-handed bayonet grip but occasionally with the regular fencing grip, targeting the attacker’s throat, groin and stomach.  Strikes were reserved for disarming blows to the hand or wrist, should the assailant be armed.

Throughout this period, newspaper and magazine articles re-popularised the notion of using umbrellas and walking sticks as weapons of self-defence.  By 1971 Mr. Norman Simon, the owner of Uncle Sam’s Umbrellas in New York City, was reporting that 30-40 customers per week were asking for weighted walking sticks.

While noting the illegality of purpose-built “weapon canes”, such as those concealing guns or blades, Mr. Simon said that his employees were happy to drill holes into canes and fill the holes with buckshot for extra heft.  Uncle Sam’s Umbrellas sold spike-tipped “hiking” canes, ebony canes with steel ball handles and even a “fencing cane” that looked like wood, but was made of tapered steel.

Interestingly, Mr. Simon was also reported as having sold a “book on stick fighting”, which was probably either Bruce Tegner’s Stick Fighting for Self-Defense: Yawara, Police Club, Aikido, Cane, Quarter-Staff, with a Special Section of Defenses for the Blind and Otherwise Handicapped Persons (1961) or Hatsumi and Chambers’ Stick Fighting: Techniques of Self-Defense (1971).

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“What Every Woman Ought to Know” Reviewed (Daily Mirror, March 29, 1911)

  • Originally published on the Bartitsu.org site on Monday, 24th April 2017
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Bartitsu Stick Sparring with Experimental “Gentlemen’s Canes”

  • Originally published on the Bartitsu.org site on Monday, 24th April 2017

Some dynamic Bartitsu-style sparring from the Szkola Fechtunku Aramis classical fencing school in Poland. The sparring canes are made according to the school’s own design, shown in more detail below:

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