“Japanese Wrestling” (27 October, 1898)

  • Originally published on the Bartitsu.org site on Friday, 14th December 2012

A report from the Morning Post newspaper on one of E.W. Barton-Wright’s early jiujitsu demonstrations in London.

Mr. Barton-Wright’s demonstration of Japanese wrestling at the St. James’s Hall last evening was a source of much entertainment and scarcely less surprise. This method of self-defence depends entirely on science and very little on strength, and it was Mr. Barton- Wright’s object to show that it enables a man not naturally strong easily to overcome a powerful adversary. He was opposed by Mr. Chipchase, the middle-weight Cumberland and Westmoreland Amateur Champion, whom he threw several times, apparently without much effort.

It was explained that the Japanese method is based on the principle of yielding to the adversary until his muscles are at an unnatural strain, when he is at once at the mercy of an accomplished wrestler. It is evident, however, that if great strength is not necessary, extreme quickness is absolutely essential for the successful practice of the Japanese system, some of Mr. Barton-Wright’s throws having been executed with such rapidity that it was impossible for the eye to follow the movements that brought them about.

Among the most remarkable of his demonstration, was his counter to the Cumberland and Westmoreland overhead throw. Allowing Mr. Chipchase to throw him in this fashion, he caught him by the head while in the air and threw him as he fell.

The counter to the cross-buttock throw was another remarkable achievement, and Mr. Barton-Wright, while lying on the ground, also threw his opponent with his feet. In submitting to the neck throw, though falling first, he pulled his adversary down after him into a position of complete helplessness.

It is noteworthy that in all the throws Mr. Barton-Wright accomplished he placed his opponent in such a position that he was completely at his mercy, and Mr. Chipchase had several times to call out to be released from a painful situation. In these positions Mr. Barton-Wright showed that he could easily strangle his opponent, or break one of his limbs, while he was incapable of resistance.

He demonstrated several ways of meeting an attack and overthrowing the aggressor, and he also exemplified the art of falling without injury and in such a way as to face his antagonist.

That the science of anatomy plays a considerable part in this kind of wrestling was proved by Mr. Barton-Wright, when apparently at his opponent’s mercy, overcoming him by touching a nerve in his arm. Examples of various other styles of wrestling were given, and the entertainment altogether afforded much satisfaction to the audience.

Posted in Canonical Bartitsu, E. W. Barton-Wright, Exhibitions, Jiujitsu | Comments Off on “Japanese Wrestling” (27 October, 1898)

For Your Listening Pleasure: “Eugen Sandow, Victorian Strongman” and “The Bare Fists of Boxing”

  • Originally published on the Bartitsu.org site on Friday, 3rd February 2012

The Art of Manliness website presents a podcast interview with David Waller, author of the new biography The Perfect Man: the Muscular Life and Times of Eugen Sandow, Victorian Stongman.  Sandow was a near contemporary of Bartitsu founder E.W. Barton-Wright’s, and the two men shared several commonalities as pioneers in different branches of physical culture.  Both made their names on the music hall stages of London at about the same time, both went on to found institutions promoting their own novel systems, and both were eventually buried in unmarked graves and thereafter largely forgotten.  Sandow, however, was by far the more celebrated figure, and was more successful than Barton-Wright at capitalising on his fame.

Also newly available to listen online is this BBC radio item on the history of bare-knuckle pugilism in England during the 19th century.  From the Bartitsu point of view, this item is particularly interesting as it describes the origins of the culture of British boxing with which Barton-Wright was, to some extent, competing via his introduction of Bartitsu in the late 1800s.

Posted in Boxing, Edwardiana, Interviews, Physical Culture | Comments Off on For Your Listening Pleasure: “Eugen Sandow, Victorian Strongman” and “The Bare Fists of Boxing”

“It was jiu-jitsu!” (1906)

  • Originally published on the Bartitsu.org site on Monday, 2nd January 2012

I drew a deep breath as I mastered the contents of this momentous document. Then, just as I was about to replace it in the ingenious receptacle contrived for it, I felt a tap on my wrist, a light simultaneous pressure on my throat and knee-cap, and staggered back helpless and overpowered.

It was jiu-jitsu!

– From The Secret Treaty of Portsmouth, a short story published in Pearson’s Magazine, volume 16, issue 5 (1906).

Posted in Edwardiana, Fiction, Jiujitsu | Comments Off on “It was jiu-jitsu!” (1906)

“The Best Self Defence” (1910)

  • Originally published on the Bartitsu.org site on Thursday, 3rd November 2011

Some sound advice in this article from the Australian Northern Star of November 25, 1910. The anonymous writer may well not have been aware of Bartitsu, which actually included each of his proposed “best methods of self defence.”

Although boxing is called “the noble art of self-defence,” there are forms of attack against which it would require the co-operation of other defensive arts. Man is a fighting animal, not because there is anything innately savage in his composition, but because he has to fight in order to hold his own in the struggle for existence. We may be the most peaceably inclined nation in the world, but because our neighbours are aggressive as the result of either ambitiousness or envy, we have to make warlike preparations against possible attack. As with the nation, so with the individual.

Mr. Citizen may be a most amiable gentleman. He may be strolling along, full of the utmost benignity and charity towards all mankind, when, from behind the shadow of a temporary lurking place, a murderous “footpad” rudely disturbs his peaceful meditations, by rushing out upon him, on robbery and violence bent! Much as he may, in the abstract, dislike inflicting injury upon a fellow being, our worthy burgher must disable his assailant or be left battered and plundered on the road side. The fittest of the two will survive.

Mr. Citizen may have a stout walking stick, and, thanks to a military training, may be able to use it dexterously, so that on recovering from the first-shock that the footpad’s rush has occasioned, he may elude an attempt to sandbag him, and then bring his weighty stick down heavily upon the unguarded head of the would-be robber, and thus render him hors de combat. Or the footpad may be trusting to his fistic and garrotting powers, and Mr. Citizen may have no walking-stick. So then it would be a case of a contest with nature’s weapons.

Footpads are notoriously what are known in the parlance of the ring as “foul” fighters. That is to say, they kick as well as hit, and are not particular about hitting only above the belt. Consequently, the citizen who finds himself set upon by one of this gang of criminals requires something more than a knowledge of the hits and guards that a rudimentary knowledge of boxing gives. Many a good boxer who suddenly found himself in holds with a wrestler would be at a disadvantage unless he had also a smattering of the science of wrestling, and, therefore, the art of self-defence (to be thorough) should take in not only a knowledge of how to hit, but also how to grapple and throw. While a Britisher has a leaning for boxing as a defensive art more than for wrestling, the fact is patent that not only does he want to know how to wrestle, should occasion require it, but he should know how to wield a walking stick, or an umbrella for defensive purposes.

Maybe the most effective way of escaping or warding of threatened danger would be to “run for it,” if the opposing forces are too numerous, but we are taking the case where this discretion that is said to be the better part of valour cannot be resorted to, and a man has to stand and fight it out in a corner, with one or two assailants. A stroke across the shins is a most effective way of disabling an assailant, and a good single-stick player could effectively deal with any aggressor by such a means in very short order.

Footpads are not generally courteous and chivalrous Claude Duvals, and a favorite mode of attack with them is the use of the boot. Opposed to the citizen possessing a knowledge of the art of the Japanese Ju-Jitsu or the French method of fighting with the feet, the thief wildly letting fly his boots would promptly be stood on his head. Such methods of attack are practised in Ju-Jitsu, the science of Ju-Jitsu being in brief how to defend oneself from attack when deprived of any weapon. Once a Britisher gets a man on the ground his instinct is to let him up again, but with the Japanese that is just the stage of the combat at which the fun really begins. The Japanese practise so that, even though they may be underneath in the fall, they contrive to turn the table on the “top dog.” We Britishers are apt to decry Ju-Jitsu because of the severity of some of the holds and methods invoked, forgetful that it is intended for defensive purposes in mortal combat. The fact that the London police have been instructed in Ju-Jitsu holds shows that there is a lot in it for the man who would know how to take care of himself in an emergency where his life may be hanging the balance.

The garotte, or the grip of the Indian thug, in the ordinary strangling-hold, for which there are several effective stops, and these apparently deadly modes of attack upon citizens can he guarded against in a fairly simple way if the citizen, in his youth will only set about learning how. But our fancy runs so much with the direction of our national pastimes that the very essential sport of wrestling is relegated to the background. Wrestling does not rank second, to boxing as a defensive art. and as such deserves every encouragement. The reason for this unimportant position it occupies in public estimation lies to some extent in the fact that wrestling matches are easily “faked” and several big matches have occurred in which the public felt that the combatants were not triers. But, quite apart from wrestling as a method of entertaining sporting patrons, its value as an exercise and one likely to stand a man in good stead at some time in his life, cannot be gainsaid.

Posted in Antagonistics | Comments Off on “The Best Self Defence” (1910)

“Foiling the Ubiquitous Thug” (1912)

  • Originally published on the Bartitsu.org site on Thursday, 27th October 2011

A selection of illustrations from the New York Tribune article Unarmed Citizens May Here Learn How To Foil The Ubiquitous Thug (March 10, 1912).

Posted in Antagonistics | Comments Off on “Foiling the Ubiquitous Thug” (1912)

Professors of Self Defence

  • Originally published on the Bartitsu.org site on Thursday, 2nd December 2010

I resolved on putting myself into the hands of some professor of self-defence, who whilst he knocked me about for his amusement, and worked me into a state of complete exhaustion for my improvement in condition as for his own benefit in pocket, should teach me that noble science …

– The works of G.J. Whyte-Melville, Volume 7 (1899)

Although the term “professor of self defence” sounds odd to modern ears, attuned to associate professorship with formal academia, professors of that subject (and of boxing, physical culture, etc.) were common at the time E.W. Barton-Wright opened his Bartitsu School of Arms in London. In fact, Barton-Wright himself was referred to as a professor of self defence by reporter Mary Nugent, in her December 1901 article “Barton-Wright and his Japanese Wrestlers”.

Typically, a professor of self defence circa 1900 was a combat athlete in his post-competitive years, when and if they turned to teaching their skills. In some cases, such as that of Bartitsu School instructor Sadakazu Uyenishi, the term was used to describe still-active competitors who also worked as self defence teachers. Never, apparently, a “rank” to be awarded, antagonistic professorship was simply an honourific title, equivalent to the Japanese sensei or the modern English coach.

… the services of Professor Sandow, Captain Alfred Hutton, Mr Eustace Miles, Mr Fry, and a professional boxer (could) be commandeered, with some capable doctor to assist them. Perhaps, also, some professor of jiu jitsu would be useful, and these distinguished persons could then safely be left to devise a new and improved ‘battel.’

– Chambers’s Journal (1906)

Professorship has also been retained, or has evolved into a specific rank in some contemporary martial arts, including Gracie jiu-jitsucapoeira and kenpo as well as various Filipino martial arts. Curiously, one of the few similar instances of the original implications having survived in modern English is that of traditional Punch and Judy puppeteers, who are customarily called professors.

Although the implications of the word “professor” became increasingly specialised in 20th and 21st century English, and are commonly understood to refer to formal academic rank, the Merriam Webster dictionary offers several definitions:

1: one that professes, avows, or declares
2: a) a faculty member of the highest academic rank at an institution of higher education
b) a teacher at a university, college, or sometimes secondary school
c) one that teaches or professes special knowledge of an art, sport, or occupation requiring skill

That said, in modern English-speaking countries “martial arts professorship” runs a very strong risk of being misunderstood as unethical appropriation of a formal academic title, outside of LARP events such as steampunk conventions.

Posted in Antagonistics, Editorial, Edwardiana | Comments Off on Professors of Self Defence

“New Weapon Against Hooliganism: The Walking Stick as a Means of Defence” (1902)

  • Originally published on the Bartitsu.org site on Thursday, 28th March 2019

Following the Bartitsu Club’s “Anglo-Japanese Tournament” tour of early-mid 1902, the Club dissolved and the former instructors all went their own ways.  The subject of this September 14, 1902 London Times article, Pierre Vigny, established his own school in London, offering a Bartitsuesque curriculum of antagonistics, albeit with a much greater emphasis on fencing than on Japanese unarmed combat.

Noting that the use of heavily-buckled belts as street-fighting weapons was “in the news” during this period and that the stick vs. belt defence alluded to in this article is distinct from the only other known representation of a Vigny-style defence against a belt attack, which is shown here for reference:

Note also that the “Miss Sanderson” referred to as Vigny’s student below was, in fact, Marguerite Vigny, who went on to devise her own method of women’s self-defence employing parasols and umbrellas as weapons.


With the present reign of hooligan terrorism, the noble art of self-defence has need to adopt other and more modern methods. Practices that stood well against smart arm and head work are of little value against the belt and the knife. Yet it is a commonly accepted fact that a walking stick or an umbrella affords the innocent pedestrian all the defence be needs against the most unexpected kind of attacks, the weapon be used scientifically.

Few people are aware of the tremendous possibilities of defence or attack that lie in these commonplace companions. A man with a walking-stick and an average amount of dexterity may ward off a blow with a belt or a knife, and at once land his opponent in a position of comparative helplessness. He may even stand his ground against the attacks of half-a-dozen of the worst type of London hooligans, and may “elbow” his way out of a crowd without much difficulty.

This up-to-date art has an able champion and exponent in Professor Pierre Vigny, director and manager of a new school of self-defence. When the school was opened the other night at 13, Berners Street, Oxford Street. many well-known sportsmen were present to witness the professor’s exhibition. Among various items of the programme the new art of handling a walking-stick or an umbrella, straight or hooked handle, as a means of defence or attack, attracted special attention by its originality and its ingenious tricks and counters.

In the case of a blow from a belt, a proper attitude of defence with a walking-stick would result in the belt twisting round the stick and being swept from the grasp of its user before he was aware of the harmlessness of his stroke. Then, before be could thoroughly realise that he had lost his grip of the belt, the man with the walking-stick would have turned that weapon of defence dexterously so as to deal has opponent a blow with the other end of it, either on the chest or on the head: or, in the case of a hooked stick, might have pulled him to the ground by the neck, or tripped him by the leg.

If Professor Vigny’s new science spreads and becomes popular, it will fare badly with the hooligan, who will soon find his occupation gone entirely, or too dangerous to follow.

Ladies, of course, may also find the new science of value to them. Miss Sanderson, a pupil of Professor Vigny, delighted the audience the other night by her clever and careful attacks, and proved that the art is simple enough to find able exponents and pupils in the fair sex. It seems probable, too, that the attention of the younger generation may be turned to the new science, in which case school children would find in it not merely training for future occasions of defence that may arise, but a pleasant and health-giving exercise.

Posted in Vigny stick fighting | Comments Off on “New Weapon Against Hooliganism: The Walking Stick as a Means of Defence” (1902)

Bartitsu on BBC3 Radio’s “A Time Traveller’s Dictionary”

  • Originally published on the Bartitsu.org site on Friday, 22nd March 2019

Dr. Naomi Paxton offers a brief but highly accurate summary of Bartitsu in this new edition of BBC3’s Time Travellers podcast series.

Dr. Paxton (right) squares off against fellow academic, stand-up comic and jiujitsu purple belt Iszi Lawrence.

Dr. Paxton also has a longstanding interest in suffrajitsu and has previously offered several entertaining public lectures on that subject, including this 2014 presentation at the Camden Comedy Club:

Posted in Canonical Bartitsu, Interviews, Suffrajitsu | Comments Off on Bartitsu on BBC3 Radio’s “A Time Traveller’s Dictionary”

Edith Garrud and Suffrajitsu Featured in “Beauty Bites Beast”

  • Originally published on the Bartitsu.org site on Thursday, 21st March 2019

Self-defence expert Ellen Snortland’s 2016 documentary Beauty Bites Beast includes a short feature on Edith Garrud’s role in training the “Amazons” of the women’s suffrage movement.

The suffrajitsu excerpt, including images from Bartitsu.org, is featured in this teaser trailer:

Beauty Bites Beast makes a strong case for appropriate study and funding in support of women’s self defence courses.  The documentary is currently available to rent or purchase from Amazon.com and is freely available for Amazon Prime members.

Posted in Documentary, Suffrajitsu, Video | Comments Off on Edith Garrud and Suffrajitsu Featured in “Beauty Bites Beast”

“Vice, Crime and Poverty: How the Western Imagination Invented the Underworld”

  • Originally published on the Bartitsu.org site on Saturday, 16th March 2019

This new book by French cultural historian Dominique Kalifa explores the notion of the criminal underworld in Western popular culture, including the infamous Parisian Apache and London hooligan phenomena that fed – and were fed by – numerous scaremongering media reports at the turn of the 20th century.  Those reports, in turn, fuelled the urban self-defence craze that arguably began with E.W. Barton-Wright’s Bartitsu and continued largely via English, French and American sources until the outbreak of the First World War.

Vice, Crime and Poverty: How the Western Imagination Invented the Underworld is now available for pre-order Amazon.com and will be released on April 16th, 2019.

Posted in Academia, Edwardiana, Hooliganism, Pop-culture | Comments Off on “Vice, Crime and Poverty: How the Western Imagination Invented the Underworld”