Originally published on the Bartitsu.org site on Saturday, 20th October 2018
Actress Doris Lytton puts up her dukes as Maude Bray, a supporting character in the 1917 theatrical farce Wanted: a Husband. Hilarity ensues when one of Maude’s friends advertises for a husband to spark some ideas for her new novel.
Maude – a “strenuous woman” who is well-trained in boxing and jiujitsu – volunteers her services as a “chucker-out” (Edwardian-vintage slang for a bouncer). At one point in the play she deals handily with a “colonial” would-be suitor who is making a pest of himself:
This was not the first time that the Japanese art of unarmed combat had been associated with “chuckers-out”. Some reviewers of E.W. Barton-Wright’s early jiujitsu displays commented that they could conceive of no other lawful use of the art, much to Barton-Wright’s indignation.
Originally published on the Bartitsu.org site on Saturday, 20th October 2018
Participants in the upcoming Bartitsucon 2018 event will experience the full range of Bartitsu training, along with some related skills, as taught by no fewer than six instructors. In addition to the panoply of seminars, the two-day event will also feature interclub sparring in four styles: pugilism, savate assaut, grappling and cane fighting.
Prize Ring Rules: Pugilism and the Science of Self Defence
Tommy Moore, The Bartitsu Lab
Covering:
Pugilism techniques 101
Crafty In-play
Power generation
Pugilism vs modern boxing approaches
Session 2:
11.40 – 13.10
Close Range Cane
James Stewart, Dewskitch School of Impact Arts
Covering:
Basic grips (and the strikes that best suit)
Close range cane striking
Defence against grabs and holds
Lunch: 13.10 – 13.40
Food to be provided. Buffet lunch and drinks.
Session 3: 13.40 – 15.10
Suffrajitsu
Jennifer Garside
Covering:
Practical ways to use science, subterfuge, ju jitsu and antagonistics to defeat the most seasoned policemen the Met can throw at you. Drawing on the inspirational strategies, studies and techniques of “the Bodyguard”.
Session 4: 15.10 – 16.30
Improvised weapons
Duncan Mcnulty, Bartitsu and Antagonistics Forum
Covering:
Flexible weapons
Coat, cosh, weighted handkerchief
Improvised weaponry
Session 5: 16.40 – 18.00
Catch Wrestling
Mark Randall
Covering:
Smashing people up
Ripping things off people
Twisting off heads
Depart / Open mat for sparring and free work 18.00 – 18.45
Sunday agenda:
Open and welcome:
09.00
Session 1
9.30 am – 11 am:
Chausson: early Savate
Tommy Moore, The Bartitsu Lab
Covering:
Savate kicking techniques 101
Open hand strikes
Combination hitting
Session 2:
11.10 – 12.40
Bartitsu-era Ju Jitsu
Peter Smallridge, Basingstoke Bartitsu Irregulars
Covering:
Joint breaks, locks and Bartitsu grappling, otherwise known as:
“Subjecting the joints of any part of his body, whether neck, shoulder, elbow, wrist, back, knee, ankle, etc. to strain which they are anatomically and mechanically unable to resist.”
Lunch: 12.40 – 13.10
Food to be provided. Buffet lunch and drinks.
13.10 – 16.30: Interclub sparring
Some competitions will be simultaneous in ring / on mats. Participants to email their weight, experience levels.
Competition 1: Pugilism
Medium / controlled contact, x 1 5-minute round, grilled head guard, MMA gloves. Throws and trips allowed. Scoring based on clean shots, control of ring, and technical competence.
Competition 2: Savate
X 3 90 second rounds of Savate Assaut, light continuous contact. Scores based on clean shots, ring craft, ring control and technical competence.
Competition 3: Grappling
X 1 5-minute round.
Gi / No Gi at discretion of participants. Slams / high velocity throws to be avoided wherever possible. Three options of play:
1. Ground grappling to a pin / submit (as agreed by participants)
2. From standing to a successful throw / takedown
3. Full grappling (from standing to submit or pin)
Competition 4: Cane
X 2 2-minute rounds. Gloves, mask and padded stick / or light rattan. Contact levels agreed between participants. Additional padding optional. Striking with limbs allowed. Disarm wins the round. Otherwise scored on clean striking, mat control and technique.
Originally published on the Bartitsu.org site on Saturday, 20th October 2018
Artwork by Anna FC Smith.
When E.W. Barton-Wright introduced Bartitsu at the turn of the 20th century, the English (or, at least, the middle-class London) bias against kicking was well-established. The reasons for that bias are not, however, well understood. It may simply have been that the popularity of boxing engendered a general assumption that a “fair fight” was to be fought with fists alone, and thus that any use of the feet in a fight was brutal and “unmanly”.
Nevertheless, kicking folk-sports are well-documented in several regions of England, some dating back at least as far as the 16th century. These styles included several variations depending on local custom and time period; some were contests of agility and endurance in which low-kicking was the only legal technique, and others were styles of wrestling that allowed low kicks along with foot-sweeps and trips. The best-known historical variant today was known as purring and was introduced to the United States during the late 1800s, primarily via Cornish miners; another style is currently practiced as part of the revived Cotswold Olympicks, as seen here:
The anonymous author of the following article from the London Daily News was clearly not aware of the prevalence of English kicking sports. He does, however, offer an interesting description of a Lancashire variant called “puncing”, a term that may well be a cognate of “purring”.
The moral climate of middle-class England during the 1880s was very much in favour of the “civilising impulse” that had by then suppressed duelling and even pugilism. Typically of London-based commentary on kick-fighting during this period, the author takes a disapproving tone, conflating the practice of kicking as rough and tumble sport with street assaults by “cornermen” (gangsters) and even with domestic violence.
We have already commented on the sentence which Lord Justice Brett recently passed upon two Lancashire kickers, and on the circumstances of the crime which provoked that severe but most just punishment. The prevalence of this peculiar form of brutality, however, in Lancashire—or rather in parts of it—is a sufficiently remarkable fact to deserve more attention than that somewhat fitful interest which occasional cases excite.
It is not more than three or four years since a similar outrage first attracted the notice of Londoners and residents of the South of England generally. Although there is unfortunately a good deal of brutality all over England, it cannot said that any particular form of it prevails remarkably in districts other than Lancashire. That “wives are made to be trampled on” is a maxim which is taken literally by ruffianly husbands all over the country as it is uttered metaphorically by enraged and slightly-shrewish wives. Fists, though the scientific use of them is sadly on the decline, are too frequently employed for the purpose, not of self-defence, but offence of a very definite and inexcusable kind.
But the Cornish miner, the Dorsetshire labourer, and the Sussex or Wiltshire shepherd do not usually confine themselves to any special method of avenging themselves against their enemies or giving vent to their feelings. Even in the “Black Country,” the coal districts of Durham and Northumberland, the manufacturing towns of Yorkshire —though in the first two, at any rate, a sufficiently unpolished code of manners prevails —neither kicking nor any similar practice has been brought the level of fine art.
Lancashire – and not the whole of the county, but only in certain of its large towns—stands alone in the rather unenviable possession of this “specialty.” In the towns in which kicking does most prevail, it is practised on a very much larger scale and with very much more precision than the stranger who merely reads a case now and then would suspect. It may perhaps news to some people that kicking does not come by nature, though a little practice at the game of football soon will convince them of the fact. Neither foot nor hand will strike heavily aud accurately without a considerable amount of education; and, as the foot is as used for fewer purposes than the hand, its unhandiness (if an unavoidable pun may be allowed) is far greater.
The Lancashire kicker therefore practises his unamiable art from early age. But in truth he does not call it— at least in its finer forms—kicking. The proper term is “puncing,” and the highest branch of art is a “run punce.” It is, indeed, in good running kicks that the great difficulty of the more harmless game consists, and it is not surprising to find that, in the kicking of men and women, the same obstacles to perfection are found. Practice, however, makes both the Rugby boy and the Lancashire corner-man perfect; the latter, like the former, beginning at a very early age.
It is not to be supposed that the carnivals of brutality which culminate in twenty years’ penal servitude occur constantly, though their occurrence is only too frequent. But lesser opportunities for the practice of the art are probably at least as frequent as opportunities for the display fistic skill were not very many years ago. The alleys and closes of certain Lancashire towns, the corners of the streets, and the doors of the public-houses are frequently the scenes of milder skirmishes, in which this unlovely version of the exercise called in French savate is brought into play.
Fighting footwear; clogs worn in foot-combat matches were often augmented with nail studs and iron plates, producing truly fearsome weapons.
The heavy clogged boot which is usually worn in these districts has sometimes been taken to be a contributory cause of the practice, on the well-known principle of the connection between the means to do ill deeds and the doing of them. It is, course, clear that whether this is so or not, the boots are a very important factor in the question. Moreover, whatever may be thought about the origin or causes, the fact of the existence of the custom is quite unquestioned. It is an extremely local one, and there are Lancashire towns in which it is possible to reside for months and years without seeing or hearing anything of the practice.
But, on the contrary, there are others in which it is rife, and where, if murder is not done frequently, it is only because the “puncer” is a sufficiently skilful and accomplished practitioner to able to inflict grievous bodily harm without running the risk of the last penalty of the law.
If it is asked what the public opinion of the class which chiefly indulges in this brutal pastime is on the subject, the question is not an easy one to answer. Such public opinion on such points is never very easy to get at. But it would seem to the effect that “puncing,” though not exactly a laudable amusement, is at least not more brutal nor revolting than fighting with the fists. We are not concerned to indulge in any casuistry as to the two exercises. But it may be at least pointed out that even noted bruisers do not generally run amuck through the streets of a town, getting the heads of the casual public into Chancery, and performing the other operations to which the picturesque and metaphorical, though slightly obsolete, terms of the ring are applied.
It takes two to make a fight, in the old sense. In the literal sense, doubtless, it takes two to make the amusement which is the corner-man’s delight. But as in love, in puncing—there is one who punces and another who very unwillingly allows himself to be punced. The highest delight of the puncer, indeed, appears to be to hunt in company, and to toss the victim from boot to boot with a cheerful precision which has something indescribably diabolical about it to those who have not been born and bred to the manner.
The great object of kicking of this kind appears to be the display of skill and the enjoyment of an invigorating pastime, much more than the punishment of injuries or the solace of an irritated temper. Yet, it would appear that in the kicking districts puncing is sometimes regarded by respectable persons as a legitimate, though perhaps extreme, method of showing displeasure. Occasionally in a Lancashire story the villain meets with chastisement in this form, and the agent is not held up to anything like the moral reprobation which would attend the act elsewhere.
Of course, all this shows the need of a very decided reformation of manners; but this reflection, which everybody will agree, leaves untouched the strangeness of the fact that in one district, and in one district alone, of the United Kingdom this peculiar form of brutality has attained something like the proportions and the vitality of an institution. There are no particular elements in the population of the county of Witches which are not present elsewhere. Drunkenness is, unfortunately, by no means confined to Lancashire, and, though the dreary appearance of but too many of her towns might fancifully supposed to roughen the manners of the inhabitants. Yorkshire and Warwickshire, Northumberland and Durham, not mention Glasgow and the towns of the Scotch black country, can fearlessly enter the lists with the blackest town in Lancashire in this respect. The sociologist, who must have a theory, is therefore thrown back upon the boots.
But, whatever may have been the beginning of the practice, whatever may have been the reasons of its continuance and spread, there can be no two opinions about the desirability of its speedily coming to an end. To the antiquary it may possibly be an interesting subject tor investigation and discussion, but to the contemporary historian and student of manners it is anything but satisfactory. There is a certain glib way talking about “relics of barbarism”; but this particular habit, though it is certainly worthy of any barbarism that ever existed, would seem to have grown up in the full civilization of nineteenth-century England.
Posted inAntagonistics|Comments Off on “The Problem of Lancashire Kicking” (January 30, 1880)
The three-day event drew more than 100 international journalists and also included vinyl hunting in Soho and an exploration of the photoshoot locations of Pink Floyd or David Bowie’s most famous album covers, rounded off by a “cosy and resolutely London-style soirée” held at the exclusive Mayfair private club, Loulou’s.
Posted inExhibitions|Comments Off on Bartitsu at the Vacheron Constantin FiftySix Launch Event
Originally published on the Bartitsu.org site on Thursday, 11th October 2018
Instructors Tommy Joe Moore (left) and James Marwood (right) demonstrate Bartitsu during a recent private black-tie function at the Savile Club, a gentlemen’s club in Mayfair, London.
Posted inExhibitions|Comments Off on Bartitsu at the Savile Club
Originally published on the Bartitsu.org site on Sunday, 7th October 2018
Emily (Diana) Watts‘ 1905 book The Fine Art of Jujutsu is historically significant as the first Japanese unarmed combat manual to have been written by a woman, and also the first English-language manual to represent Kodokan judo.
Mrs. Watts’ book was dedicated to “Her Grace the Duchess of Bedford, with grateful affection”, and the photographs illustrating the Fine Art were taken on the lawns of Bedford Abbey in Bedfordshire, which was one of the Duchess’s homes. According to Meriel Buxton, the author of the biography The Flying Duchess: Mary du Caurroy Bedford, 1865-1937, the Duchess not only leant her property and patronage to Mrs. Watts’ project, but also took an active part in its production as a demonstrator in many of the photographs.
Confirming the Duchess’s role in The Fine Art of Jujutsu is complicated by the claim by some modern researchers that she also wrote the book’s introduction. In fact, Mrs. Watts wrote the introduction herself, following a preface written by Sir Thomas Lauder Brunton. Newspaper archive searches fail to bring up any other connection between the Duchess of Bedford and jujutsu training.
However, although Mrs. Watts only named Sadakazu Uyenishi among the several people photographed assisting her in the technical photos, one of her female sparring partners does closely resemble the Duchess. Speculatively, she may have been a private student of the art.
The Duchess of Bedford led an adventurous life as a sportswoman and organiser of charities, notably establishing and working in a series of cottage hospitals on the grounds of Bedford Abbey to care for wounded soldiers during the First World War. She was also a pioneering aviatrix, gaining her pilot’s license during her mid-60s and accomplishing several long-distance flights. She died at the age of 71, in March of 1937, when her plane went down in the North Sea; her body was never recovered.
Posted inBiography, Jiujitsu|Comments Off on Mary Russell, the “Flying Duchess”
Originally published on the Bartitsu.org site on Tuesday, 2nd October 2018
Victor Breyer’s rather intricate article from La Vie au Grand Air of January 12, 1906 illustrates some of the puzzles faced by European fighters in adapting to Japanese jiujitsu.
Meanwhile, in both France and England, fighters representing traditional European styles were forced to contend with the novelty of submission grappling. As Breyer points out, unless a striker is able to deal an unusually conclusive knock-out blow early in the fight, the odds favoured the grappler; and as wrestlers discovered, simply lifting, thowing or even pinning their opponent was no guarantee of success under jiujitsu rules. With tongue somewhat in cheek, Breyer also hints at some of the extreme tactics that an “orthodox” combatant might have to resort to in order to win under these unusual circumstances.
The translation of M. Breyer’s article begins:
(…) It is very difficult to draw rigorous conclusions from the avalanche of bizarre and more or less sporting encounters (in general rather less than more) provided by the recent the introduction of jiu-jitsu. There is no doubt that the measure has been surpassed, in that the truly sporting side has been neglected for the benefit of show business, and that the music hall has played too large of a role in the organization of these encounters, many of which really smelt of the “collusion” dear to our “fairground athletes”.
Also, the importers of the Japanese method desired to prove too much, instead of presenting reasonable demonstrations of their evidence to the press.
All this, I repeat, is unfortunate, but does not detract from the high value of jiu-jitsu as a method of combat. I remain convinced (and am certain that the future will demonstrate it to us) that this method is of the first order.
Both opponents are on guard. The boxer’s tactic is to hold the jiu-jitsuan at a certain distance.
It involves putting into practice some techniques based on a much more perfect knowledge of human anatomy than our athletes had hitherto worried about. Also, there is no doubt that a small and light fighter, knowing jiu-jitsu, will be able to defend himself against an opponent of greater height, weight and muscular strength. Simply using our boxing and French wrestling, he would not last for a moment.
This is especially the case since the Japanese method, when applied to a real fight, does not prohibit any strike or grip. It is perfectly permissible for the jiu-jitsuan to punch with his fist, if the opportunity arises. That is why it is, in my opinion, utterly absurd to insist that a man, using all the weapons that nature has put at his disposal, will be defeated by a man who has foresworn in advance the use of three quarters of these weapons.
But this is what they would make us believe, those who defy jiu-jitsu champions with boxing.
The best boxer in the world will not put a man out of action with one punch.
I can assure you that I have, for the “noble art” of the Marquis of Queensberry, the most ardent admiration. It’s a superb fighting sport, but it is ridiculous to consider an athlete invincible simply because he has a background as a boxer. I have already, by the way, had the opportunity to test this theory that in a fight between a jiu-jitsuan which every trick would be allowed and a boxer knowing English boxing, and nothing more, the “Japanese” victory is assured. And I intend to prove it very clearly.
First defence: dodge and then seek to close in.
But first, you have to admit that, except for excessively rare cases, a trained athlete will never be put out of action by one punch, even if delivered by Jeffries. If you are doubtful, I will remind you that the world champion, even when contending with “second-raters”, never vanquished an opponent with less than fifty puches, let alone one single punch. And if you object to me that these matches involve the use of gloves, I will remind you of that time long-past when we fought with bare fists. Those fights lasted even longer, the bare hand being less potent than the leather of the boxing glove.
Now, going back to Jeffries, you’ll admit that during the six months in question, his opponents were often able to clinch – especially if their only tactic was to close in – as will the jiu-jitsuan, of course. Well, that is the moment when the boxer will be caught; it being specified, I repeat again, that boxing per se is his only resource. Here he is absolutely at the mercy of one of these terrible tricks of Japanese wrestling – or free-style wrestling, if you prefer – which will fell in a few seconds a man ignorant of this method.
After dodging, parrying or even receiving a punch, the jiu-jitsuan will surely reply to the boxer.
Note, moreover, that the “Japanese” fighter, especially if he has studied a little bit of boxing, is not even sure to receive a stopping blow.
Second defence – parry the blow, closing in to counterattack.
Three options are available to him; dodging, parrying and “smothering”, to use a term of the most expressively sporty slang.
The third, and clearly the worst, option!
And what of the boxer? The first two options – and especially on the first, which brings the two adversaries “belt to belt”, will be accompanied by a quick trip that will imbalance you before you can say “Phew!” He is almost safe, if not on the first try, at least in the second or the third. As for the third solution – to absorb the blow – I have just shown that it will hardly protect the boxer from the famous counters of jiu-jitsu.
What is the boxer to do now that the iiu-jitsuan has dodged, parried or absorbed his strike?
It is the same when the jiu-jitsuan is opposed by a fighter who it is forbidden to use his feet and his fists, and who cannot call to service those strikes which might prevent his opponent from closing.
This is what happened when Chemialkine met recently with Yukio Tani at the Hippodrome. The giant Russian wrestler twirled the little Japanese man around his head in vain, as if Goliath had transformed David into the sling. The Jiu-jitsuan was content to “play dead”, knowing although he was going to secure one of his favourite holds as soon as he was returned to the mat.
But if Chemialkine had been able to punch the man already stupefied by this unusual exercise, the outcome of their fight would have been quite different.
It would also have been quite different if, instead of trying to squeeze Tani’s throat as if trying to strangle him, the Russian could have done to his adversary what our good Apaches call the “trick of the postage stamp”, an energetic expression implying to stomp on the opponent’s head once he has fallen to the ground. This is the trick that Charlemont would prefer in such an encounter, he told us recently.
Unless, of course, all of this has been done in advance, which would certainly secure the outcome!
Originally published on the Bartitsu.org site on Tuesday, 7th August 2018
Bartitsu instructor Alex Kiermayer (in black pants) and his colleague Christoph Reinberger perform an exhibition of bare-knuckle pugilism at the Coburg Zeitreise 2018.
Although this is clearly a friendly demonstration rather than a serious contest, note the upright and even slightly backward-leaning fighting stances, shifts between lowered/extended guard positions, milling the fists and transition into standing grappling and throwing, all of which are characteristic of boxing under various 19th century rulesets.
Posted inBoxing, Sparring, Video|Comments Off on An Exhibition of Old-School Fisticuffs
Originally published on the Bartitsu.org site on Tuesday, 7th August 2018
There follows a detailed account of three encounters between former Bartitsu Club instructor Yukio Tani and a trio of Cornish wrestling champions. Although the rules aren’t entirely clear, they may have combined both styles in catch-as-catch-can fashion, to the effect that victory could be achieved either by a clean throw onto the back, a “pin” position in which the opponent was held so that both shoulders and one hip were pressed to the mat, or via a submission hold. Tani, as the visiting champion, was required to defeat his opponents within a particular time limit, or to pay a forfeit to them.
It’s worth noting that Tani was about 45 years old in 1926, and almost certainly had more experience in jiujitsu vs. European wrestling contests than anyone else alive at that time.
Noting, as usual, that the term “Jap” did not hold any pejorative meaning at this time, being rather a simple abbreviation like “Brit” for British.
Watching closely the opponents who have faced the celebrated Jap Yukio Tani at the Palace Theatre, the difference in the style of wrestling was most marked. Although the Japanese wear a jacket, it is close fitted to the body, held with a strap or girdle round the waist, and not like the loose jacket which is proverbial in the Cornish contests.
The Cornishman depends upon his supreme strength, strong holds, and hitches (throws) which are essential to bringing his man square down on his back. Ju-jitsu is well known to be an elaborate system self-defence based upon scientific knowledge of balance and anatomy, applied with quickness and cunning.
Fred Richards, of Old Found, age 27, weight 177lb., who is one of the finest wrestlers Cornwall has ever produced, was one of Yukio Tani’s challengers on Monday evening. Tani, knowing that he was meeting such a skilled exponent of the Cornish style, was a little wary and would not rush in. Richards, however, quickly embraced an opportunity and endeavoured to bring his man down with the fore hip, for which he is famous.
CLEVER PLAY
Here was seen the great cleverness the Jap. Tani, swinging round, endeavoured to get an arm hold and back heel. Richards’ strength enabled him to bring Tani under him, and he cleverly held him down. Tani immediately applied the under grip and leg hold, from which Richards extracted himself. Both rising rapidly, they locked again in a deadly grip.
Coming down again under Richards, Tani applied the leg half-nelson. Richards, grasping Tani, again swung him under with great determination, the Cornishman shaking the Jap and bouncing him back several times on the mat. The ten minutes in which Tani had pay forfeit had now elapsed.
Tani endeavoured again make Richards throw himself, but being wary the Cornishman eluded his wily opponent and lasted out 11 and 3/4 minutes, to the great delight of the large assembly, both wrestlers receiving a great ovation for the spirited display.
CAUTIOUS TACTICS
Harry Gregory, St. Wenn, age 22, 5ft. 8in., weight 156 1b, who also tried his skill against Tani on Tuesday, is a well-known exponent of the Cornish style, and was only narrowly defeated for the middleweight championship in September last.
Tani was very cautious, and Gregory also exercised care. Four minutes elapsed ere Gregory endeavoured to trip the Jap, but he lost his balance, and the Jap, following, was on top instantly. Gregory, by sheer strength, rose, turning over the Jap and holding him down for three minutes, during which time was an extreme trial between the Eastern and Western trials of strength and cunningness. Tani extricated himself and applied the deadly arm lock which Gregory got out of on two occasions, the second time dragging Tani down behind, a result which he had scarcely contemplated.
The ten minutes had now elapsed and cheers showed the great appreciation of the sterling contest which was taking place. Gregory, taking his man off the ground, brought him down with tremendous force on the mat, making the house ring with the thud, but, the Cornishman slightly losing his balance, the Jap was quick to embrace the opportunity of the outstretched arm and locked him in ll minutes 5 seconds.
Yukio Tani has promised to visit Cornwall next season and try his skill against the Cornishmen in their own style. He expressed great appreciation the temperament and skill of his opponents, and hoped they would not match him too heavily when competing for the first time at Cornish tournament. Such a great exponent of the art as the Jap is certain to receive a hearty welcome to Cornwall.
GEORGE BAZELEY AND TANI
There was exciting contest between George Bazeley, of St. Dennis, and Yukio Tani at the Palace Theatre, Plymouth, last night. The Cornishman had the Jap down for considerable periods, and tried desperately to pin both shoulders and a hip to the ground, but Tani wriggled free before this could be done, and in turn made every effort to bring into force his ju-jitsu service. For just over the prescribed ten minutes Bazeley held the Jap, before succumbing to the arm hold.
Posted inJiujitsu, Wrestling|Comments Off on Yukio Tani vs. the Cornish Wrestlers (Western Morning News, 12/11/1926)