A “Suffragette Bartitsu Brawl” Video from Fight Rep

  • Originally published on the Bartitsu.org site on Friday, 23rd June 2017

Fighting for the vote, the Suffragettes have planted an explosive device. As they attempt to make their escape, a husband sells out his wife’s cause to the special constables …

Hats off to the team at London’s Fight Rep for this Suffrajitsu-inspired tribute to Edwardian ass-kickery, which was rehearsed and shot in a mere eight hours. Bartitsu aficionados will appreciate the use of signature techniques from E.W. Barton-Wright’s Pearson’s Magazine articles and Marguerite Vigny’s (“Miss Sanderson’s”) demonstrations of parasol and umbrella self-defence.

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Rare Mid-20th Century Film of Vigny/Lang stickfighting

  • Originally published on the Bartitsu.org site on Friday, 23rd June 2017
Above: Pierre Vigny (left) and his colleague M. Hubert demonstrate the rear and front guards of the Vigny system at the Bartitsu Club (circa 1901).

It’s well-known that the method of walking stick defence taught at the Bartitsu Club circa 1900 was devised by Pierre Vigny. Vigny himself instructed Bartitsu students in his system, and then taught it for some years thereafter at his own London self-defence school.  Curiously, however, there are only sporadic records of Vigny teaching walking stick self-defence after he returned to his home city of Geneva in mid-1908.

Above: H.G. Lang’s trainees demonstrate his “Walking Stick Method of Self Defence” (circa 1920).

The next major development of his style occurred during the early 1920s. Madras, India police superintendant Herbert G. Lang drew very substantially from the Vigny system in writing his book The Walking Stick Method of Self Defence, which was published in 1923. Although Lang’s book was only a modest commercial success, for many years thereafter it remained, effectively, the only comprehensive manual on the subject of stick fighting available in the Western world.

Above: future Israeli Prime Minister Yitzhak Rabin (left) trains in the “long stick” style, circa 1943 (photo courtesy of Noah Gross).

During the early years of the Second World War, when members of the Haganah paramilitary organisation required a systematic method of stick fighting, they began to work from Lang’s Walking Stick Method. Translated into Hebrew, it became one of the foundations of Haganah close-combat training, which also included instruction in jiujitsu, boxing, fighting with knives and short sticks and even stone throwing.  Ironically, few at the time were aware of the system’s actual provenance, the assumption being that, since Lang’s book has been published in India and included many photographs of Indian police officers in action, the system itself must have been of Indian origin.

The walking stick method – known in Haganah circles as the “long stick” style – was practiced without any protective equipment, which was simply unavailable to its practitioners.  The numerous minor injuries, especially to hands and heads, that resulted from this training were seen by the Haganah leaders as an effective test of courage and stamina.

Eventually, many thousands of Hanagah trainees were taught the Lang system, forming what was, in essence, the first generation of Vigny stick fighting revivalists, positioned some forty years after the Vigny style’s heyday in London and about sixty years before the current revival got underway.

Israeli martial arts historian Noah Gross has located this extremely rare film of Haganah members training in the “long stick” style.  Although it’s very short, the film offers a fascinating glimpse back to a time when the walking stick method was studied in deadly earnest:

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“Weird and somewhat horrible”: the Novelty of Submission Wrestling in 1901 London

  • Originally published on the Bartitsu.org site on Friday, 23rd June 2017

Although E.W. Barton-Wright had been lecturing upon and demonstrating jiujitsu since his return to England from Japan in late 1898, it was not until September of 1901 that London music hall audiences saw the Japanese art applied in full earnest against a European wrestling style.  Barton-Wright’s “New Art” was represented by Yukio Tani, while Percy Longhurst of the Cumberland and Westmoreland Amateur Wrestling Society championed the English school.

Longhurst was, in fact, the first British wrestler to accept Barton-Wright’s challenge to compete under his rules, which declared that a bout would continue until one grappler signalled submission to the other.  The concept of submission wrestling was entirely novel at that time and place; the extant regional British and European wrestling styles were predicated upon throwing an opponent onto his back, or wrestling to a pin fall position in which the shoulders were pressed to the mat.  The closest analogue to jiujitsu in the early 20th century European canon was the Lancashire catch-as-catch-can style, which employed some holds that could force the opponent into a pin position through pain as well as leverage.

Thus, Percy Longhurst was at the considerable disadvantage of playing Tani’s game and it is neither surprising, nor to his discredit, that he lost every “test”.  Afterwards, a newspaper reviewer expressed distaste for the spectacle of a wrestler being forced to submit to joint-locks, describing the techniques as “weird and somewhat horrible”, while admitting that jiujitsu seemed ideal for true self-defence against Hooligans.

Thereafter, London’s wrestling fraternity remained wary of the Japanese style, despite Barton-Wright’s inducement of £100 – a very substantial sum of money – to any challenger who could defeat the Bartitsu Club champions.

One would-be challenger, who claimed to be an exponent of “the Russian style” of wrestling, made it as far as the stage wings before his courage seemingly deserted him.  A few more amateurs did consent to square off against Tani or his colleague Sadakazu Uyenishi, but none came close to winning the prize money.  Barton-Wright struggled to get any of the established champion wrestlers to compete under jiujitsu rules and, by October of 1901, he had resorted to advertising his challenges in the pages of the Sporting Life, as seen here:

There followed some vehement arguments, both via “Letters to the Editor” columns and in person during Barton-Wright’s music hall displays, with many challenges and counter-challenges being bandied about.  It would still take some time, however,  before wrestling vs. jiujitsu contests became fully established in England.

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5th Annual Victorian Martial Arts Symposium in Portland, Oregon

  • Originally published on the Bartitsu.org site on Saturday, 24th June 2017

Click here to learn more about this event, to be held at the PDX Gearcon steampunk extravaganza between June 30 and July 2, 2017.

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The Japanese School of Ju-jitsu in Oxford Street (1904-08)

  • Originally published on the Bartitsu.org site on Tuesday, 11th July 2017

After the closure of the Bartitsu School of Arms in mid-1902, the various specialist instructors went their separate ways.  Wrestling and physical culture tutor Armand Cherpillod returned to Switzerland, where he became instrumental in introducing Japanese unarmed combat to the European mainland.  Pierre Vigny eventually established a successful self-defence and fencing academy in London’s Berners Street, while Sadakazu Uyenishi opened his own dojo in Golden Square.

Yukio Tani continued his career as a music hall challenge wrestler, handily winning most of his contests until December 23 of 1904, when he fought the jujitsuka Taro Miyake.  Then newly-arrived in London from Japan, Miyake was the stronger and heavier wrestler.  His victory over Tani was widely reported in the sporting press, with journalists observing that, whereas jujitsu was a great equaliser in instances of mismatched skill favouring the jujitsu stylist, weight and strength advantages still held when two fighters were of approximately equal skill.

Tani and Miyake then joined forces in opening the Japanese School of Ju-jitsu, which was initially located in the basement of a house in Gordon Square. They were assisted in adminstrative matters by L. F. Giblin, an adventurous young Australian jujitsu enthusiast and then-resident of London, who possessed the business acumen and contacts to establish the new venture on a secure footing.

After a few months at the Gordon Square location, the Japanese School moved about one mile to set up a larger dojo on the second floor of a building at 305 Oxford Street (one pities the downstairs neighbours of a jujitsu school).  The School quickly gathered a staff of assistant instructors including S.K. Eida, Shozo Kanaya, Yuzo Hirano, Phoebe Roberts and W.H. Collingridge, with Mr. Giblin serving as secretary.

They offered ongoing daily training and the senior instructors also travelled to teach short-term training intensives for various institutions, including the Royal Navy’s School of Physical Training in Portsmouth.

Another major project was the production and publication of The Game of Ju-Jitsu for the Use of Schools and Colleges, which was attributed to Tani and Miyake but edited (and, very likely, largely ghost-written) by L.F. Giblin and his friend Martin Grainger.

By early 1908, with Giblin and Grainger departed for further adventures and Tani and Miyake increasingly busy travelling to compete in challenge matches, the Oxford Street school was no longer viable as an ongoing concern.  Miss Roberts and Mr. Hirano married and set sail for Portugal; Mr. Eida enjoyed a successful music hall career as a “ju-jitsu waltz” performer; Mr. Kanaya is believed to have returned to Japan, while W.H. Collingridge went on to write Tricks of Self-Defence (1909), which remained in print until the 1960s.

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The Story of the Jujitsuffragettes, Courtesy of “Drunk History UK”

  • Originally published on the Bartitsu.org site on Monday, 17th July 2017

In these excerpts from a recent episode of “Drunk History UK”, inebriated comedienne Luisa Omielan attempts to relate the history of the jujitsu-trained suffragette Bodyguard team:

Bonus points for the casting of actress and real-life suffragette history enthusiast Jessica Hynes as WSPU leader Emmeline Pankhurst.

Ms. Omielan also struggled valiantly to recall the name of suffragette jujitsu trainer Edith Garrud, finally settling on “Gertrude” before being gently corrected by an off-screen colleague. She was probably confused by the similarity of names between Garrud and Gertrude Harding, who was, in fact, the main organiser of Mrs. Pankhurst’s security vanguard.

The episode also included a semi-accurate re-enactment of a confrontation between the Bodyguard and the police during one of Mrs. Pankhurst’s public rallies in Camden Square:

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“Urban Heroes vs. Folk Devils”

  • Originally published on the Bartitsu.org site on Monday, 24th July 2017
Above: French self-defence specialist Jean Joseph Renaud (left) embodies the role of the urban hero vs. three “apache” gangsters .

Emelyne Godfrey‘s 2010 essay on civilian self-defence circa 1880-1914 is available via this link.

Here are some excerpts:

Pearson’s Magazine boasted articles on adventure, features on sport and remarkable fiction; it had just recently serialised H.G. Wells’s The War of the Worlds (1897). Here, Barton-Wright offered the readers of PM the opportunity to imagine their own responses in swashbuckling fantasy scenarios which, although statistically unlikely, could nevertheless occur in everyday life.

Bartitsu constituted an exotic mélange of fighting styles, fortified with ‘traditional’ British virtues. Barton-Wright’s creation could be adapted to fit in with the mere act of strolling, with the anticipation of or encounter with crime. Martial arts were not only designed for use against physical threat, they prompted an imaginative response to the quotidian, an emotional and personalised engagement with the landscape of the city.

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Suffrajitsu Experience Day in London

  • Originally published on the Bartitsu.org site on Monday, 24th July 2017

London’s Radical Tea Towel Company will be hosting a day-long Suffrajitsu Experience on Sept. 16, with a guided tour by historian Elizabeth Crawford, a lecture by Dr. Emelyne Godfrey and a demonstration of suffragette martial arts by Jennifer Garside.

Check out their website for all details!

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How “Re-Nie’s” Jiujitsu Won Against Dubois’ Savate (1905)

  • Originally published on the Bartitsu.org site on Monday, 24th July 2017

In the wake of his stunning six-second victory against savateur Georges Dubois in their 1905 style-vs-style challenge fight, jiujitsuka Ernest Regnier (a.k.a. “Re-Nie”) posed for the following series of technical photographs. The pictures are from the November 3, 1905 edition of La Vie au grand air: revue illustrée de tous les sports and the descriptive text is translated from L’Illustration of November 4th, 1905.

Dubois feinted a low kick with his right leg, which Re-Nie dodged. Dubois then executed a side kick with the same leg, but at the same time, with extraordinary agility, Re-Nie performed a cat-like leap towards Dubois and grabbed him round the waist.

Dubois tried a hip check: Re-Nie, moving to the right of his opponent, placed his right hand on the abdomen of the latter, simultaneously compressing the lumbar muscles with the left hand and swinging a knee to Dubois’ right thigh.

Dubois reeled and fell back onto his shoulders; nevertheless Re-Nie stayed in contact, taking a grip that allowed him to seize Dubois’ right wrist.

Re-Nie immediately dropped onto his back, to the left of Dubois, passing his left leg across Dubois’ throat; Re-Nie was now gripping Dubois’ forearm with both hands, Dubois’ arm passing between his two legs.

  • Note the discrepancy here; if Re-Nie was gripping Dubois’ right wrist, then he must in fact have dropped to Dubois’ right, as illustrated in the photograph, rather than to his left.

A strong pressure exerted upon the wrist of Dubois threatened to dislocate his arm at the elbow, which was now cantilevered. Dubois resisted for a second, then cried for mercy.

  • Interestingly, some observers – completely unfamiliar with jiujitsu techniques – believed that Re-Nie had won by choking Dubois with a leg scissor lock around his neck, rather than via the extended arm-lock.  The arm-lock was also a favourite submission technique of Re-Nie’s jiujitsu instructor, former Bartitsu Club trainer Yukio Tani.
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Professor Chabrier’s Cane and Umbrella Defence

  • Originally published on the Bartitsu.org site on Friday, 28th July 2017

A selection of cane and umbrella self-defence techniques originally published in La Vie au grand air : revue illustrée de tous les sports of February 9, 1906.  The demonstrator is Professor Chabrier of Paris.

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