“A man without a stick rushes at you with his fist”: an Interpretation of Captain Laing’s Second Bartitsu Set-Play

  • Originally published on the Bartitsu.org site on Tuesday, 18th October 2016
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Captain F.C. Laing of the 12th Bengal Infantry (Kelat-I-Ghilzai Regiment) spent several months doing intensive training at the London Bartitsu Club.  He then produced a uniquely useful article, The “Bartitsu” Method of Self Defence, which was originally published in the Journal of the United Service Institution of India (1903) and which was reproduced in the second volume of the Bartitsu Compendium (2008).

Like most members of the Bartitsu Club, Laing was a keen fencer and physical culturist who took an interest in unusual antagonistics systems.  He would later prototype the “sword-lance” for the British Army in India, incorporating a radically novel sword design equipped with a spiked pommel; Laing recommended the Bartitsu stick system for its use.

Captain Laing’s brief gloss of canonical Bartitsu stick fighting is significant in that it offers a system of “basics”, including some progressive drills, which were not covered in E.W. Barton-Wright’s articles for Pearson’s Magazine. Although Laing’s essay included some simple sketches of basic cane attacks and defences, however, he did not illustrate the more elaborate defence sequences or “set-plays” that he had learned at the Club.

He did, fortunately, offer brief written “examples” detailing several of these set-plays for his presumed readership of soldiers interested in the “New Art of Self Defence”.  These set-plays are clearly similar to those that were featured in Barton-Wright’s own articles for Pearson’s, but they also include several details that Barton-Wright had omitted, notably including the use of the point (thrust or jab) with the butt or “short” end of the cane at close-quarters.

This feature of the Vigny system was frequently remarked upon by Barton-Wright himself and by observers of the system in action, with several commentators likening it to the use of a dagger.  Laing reported that “Points are made with the butt end of the stick at any part of the body, the most favourable places being at the throat and ribs”.

Here is an interpretation of Laing’s second example, in which the Bartitsu-trained defender is armed with a walking stick and opposed by a man who punches at him.

Second.—A man without a stick rushes at you with his fist.  He will probably strike out at your face or body with his left hand; if so, take up the ” rear guard” position and as he strikes guard with left arm, seize his left wrist, and hit his left elbow with your stick, advance right leg and point with butt end of your stick at his throat, then follow this up by thrusting your stick between his legs and so levering him over.

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The defender (right) assumes the rear guard, inviting the attacker’s left lead-off punch.
The defender parries and catches the attacker’s left-lead punch and simultaneously strikes with his cane into the attacker’s extended left elbow. Right – the same technique from a 1904 article on the Vigny system.
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Stepping forward with his right leg, the defender draws the attacker’s injured arm down and prepares a backhanded strike.
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The defender jabs the point (butt) end of his cane into the attacker’s throat.
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Still controlling the attacker’s left wrist, the defender thrusts his cane between the attacker’s legs, pressing against the upper inside of his left (lead) thigh and the upper rear of his right thigh.
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Dropping his weight through his straight arm so that the cane scissors powerfully downwards against the attacker’s left thigh, the defender exerts a leverage takedown, causing the attacker to fall backwards.
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An Interpretation of Captain Laing’s “4th Practice” of Bartitsu Stick Fighting

  • Originally published on the Bartitsu.org site on Saturday, 26th August 2017

Of all of the exercises described in Captain F.C. Laing’s 1902 essay The Bartitsu Method of Self-Defence, the “4th Practice” is the most difficult to follow. It is presented as a training drill but it has most of the characteristics of a self-defence set-play.  Laing’s instructions are also uncharacteristically ambiguous, so what follows is simply one of several plausible interpretations of this exercise.

4TH PRACTICE (CHANGING HANDS).

To “rear guard.”–With a circular motion of right arm from front to rear hit upwards, point of stick just clearing the ground so as to hit opponent’s ankle; as the stick rises to level of shoulder change it into left hand at the place where it was held in the right hand; hit opponent’s face, then point at his body and return to “on guard,” changing stick back to right hand.

Pierre Vigny (right) assumes a high front guard against E.W. Barton-Wright’s lowered front guard.
Vigny strikes low, catching Barton-Wright across the inside of his right ankle.
Vigny’s swing follows through until his cane is poised near his left shoulder. Vigny now grips his cane with his left hand, swinging the weapon around behind his head …
… executing a backhanded strike across the left side of Barton-Wright’s face …
… followed by a double-handed “bayonet” point thrust to the midsection …
… and finishes by re-assuming the right (front) guard, covering himself against any retaliation from Barton-Wright.
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Captain Laing’s “Third Practice” of Bartitsu Stick Fighting

  • Originally published on the Bartitsu.org site on Thursday, 10th August 2017

Here follows an interpretation of Captain Laing’s “3rd Practice” as described in his 1902 article on The Bartitsu Method of Self-Defence.

3RD PRACTICE.

From “rear guard.”–Guard face sideways, then head as already described, retire one pace, right foot leading, draw left foot back to right, making a half-left turn of the body, riposte on opponent’s head and return to “rear guard.”

Pierre Vigny (right) assumes the rear guard against Edward Barton-Wright’s front guard.
Barton-Wright strikes to the right side of Vigny’s face; Vigny guards the strike.
Barton-Wright recovers and strikes to the top of Vigny’s head; Vigny guards the strike.
Vigny retreats one pace with his right foot and slides his left foot back to meet the right, simultaneously making a half-turn to the left with his torso and striking the top of Barton-Wright’s head.
Vigny re-assumes the full rear guard position.
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An Illustrated Catalogue of Captain Laing’s Bartitsu Stickfighting

  • Originally published on the Bartitsu.org site on Tuesday, 15th August 2017

For convenience, here follows a compilation of all of the drills and self-defence set-plays recorded in Captain F.C. Laing’s 1902 article, “The Bartitsu Method of Self Defence”.  As Laing did not illustrate these sequences – rather, simply describing them in more-or-less detail via prose – the following illustrated sets are presented as interpretations, employing photographs modified from E.W. Barton-Wright’s own “Self-Defence with a Walking Stick” articles for Pearson’s Magazine.

That said, as Laing was a keen student at the Bartitsu Club who learned directly from Barton-Wright and Pierre Vigny, his drills and set-plays constitute part of the Bartitsu canon and serve as a very useful supplement to Barton-Wright’s own writing on this subject.  In particular, Laing offers a simple progression of basic drills that were not illustrated in Barton-Wright’s essays.

First Practice #1

First Practice #2

First Practice #3 (with additional notes on the Second Practice, etc.)

Third Practice

An interpretation of the Fourth Practice

“Attacked by a man with a stick in his hand”

“A man without a stick rushes at you with his fist”

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Suffragette Self-Defence

  • Originally published on the Bartitsu.org site on Thursday, 17th August 2017

In this short scene from the 2015 movie Suffragette, newly militant Maude Watts (Carey Mulligan) receives her first lesson in jiujitsu from Edith Ellyn (Helena Bonham Carter).

In real history, Edith Garrud served as the self-defence trainer for the secret Bodyguard Society of the Women’s Social and Political Union, whose duties included physically protecting suffragette leaders from arrest and assault.

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Trailer for the Vigny Stickfighting Video from Agilitas.TV

  • Originally published on the Bartitsu.org site on Thursday, 17th August 2017

An advance look at some action from the upcoming Vigny stickfighting instructional video, produced by Agilitas.TV and featuring German Bartitsu instructor Alexander Kiermayer.

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“Baritsu (sic) and Bluff” – a Critical Article on Bartitsu from 1901

  • Originally published on the Bartitsu.org site on Saturday, 19th August 2017

The anonymous author of this article from the Pall Mall Gazette of 27 August, 1901 turns a sharply critical eye to E.W. Barton-Wright’s promotion of Bartitsu.  

Noting for the sake of context that the term “Jap” carried no pejorative meaning in Edwardian English, being more in the nature of a simple abbreviation like “Brit” for British or “Aussie” for Australian.

A CLEVER TURN AT THE TIVOLI

If Mr. Barton-Wright, when he set out to introduce the Japanese style of self-defence into England, had confined himself within ordinary limits, it highly probable that athletic young Britain might have taken to the pastime —and to Mr. Barton-Wright. But the latter makes the great mistake of not knowing when he has got a good thing.

During the past three or so years he has had a capital run for his money. The Bath Club took him up and tried to make the business fashionable; but, alas Mr. Barton-Wright was too much of a showman for the game to catch on as an ordinary athletic sport. His claims were tremendous and amusing – no man, even Sandow, could stand against his system; but somehow or other Mr. Barton-Wright never seemed in condition to take on people who came forward in reply to his challenges. Probably he was right in so doing.

Now, at all events, he seems have realized that the business makes a very good music-hall turn, which, as some one prophesied many months ago was what it was best suited for. Certainly it is a pretty game on the stage, and might be useful if one was attacked by a very guileless rough of the Hooligan type. These gentlemen do not come up the in the simple way that some eminently scientific gentlemen seem think, when on plunder bent; very often one s first knowledge of them comes in the shape of a “cosh” on the head with a stick or a punch behind the ear with a fist which naturally puts one at a disadvantage from the start.

Still, provided the rough or thief does get hold of you, you may possibly throw him, especially if he keeps to sporting rules and you get off a foul on him! Indeed, this style wrestling seems to us to be made up of “fouls” – “everything in,” in fact, that precludes anyone being allowed to take Mr. Barton-Wright or his two clever men from Japan at their own game—at all events, in public. Fights to a finish, “nothing barred,” are not permitted in this country.

However, as a music-hall turn the thing is fairly attractive; but let us have no more silly talk about “no one, not even the strongest man in the world”, being able stand up to the Japs. We have had quite enough of that during the couple of years and, to use “Tommy Atkins’s” expressive phrase, we are “fed up” with it.

With the advantage of hindsight, some of the writer’s points are valid; it is, for example, likely that Barton-Wright’s efforts would have been more successful if he had sustained his relationship with the prestigious Bath Club.  The detail of why that didn’t happen has, unfortunately, been lost to history.  

Writing shortly before the commencement of Barton-Wright’s public challenge campaign, at a time when most previous displays had been more-or-less academic in nature, the author’s skepticism is understandable.  That said, he clearly underestimated the practical efficacy of jiujitsu, even against very strong men.  Although Eugen Sandow was later, in fact, challenged by Yukio Tani, the strongman refused to take on any jiujitsu wrestlers, probably because he had only a modest wrestling background and would very likely have lost the match.

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“Suffrajitsu: The Women Who Fought Back”

  • Originally published on the Bartitsu.org site on Thursday, 24th August 2017

Congratulations to high school senior Erin Lowe, whose dramatic presentation Suffrajitsu: The Women Who Fought Back won the first prize in the Senior Individual Performance category during a recent National History Day competition held at the University of Maryland.

A KCUR radio interview with Ms. Lowe is available here.

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Umbrella vs. Knife in a Hamburg Back-alley (Swing Kids, 1993)

  • Originally published on the Bartitsu.org site on Monday, 4th September 2017

In this short fight scene from the movie Swing Kids, Peter Müller (Christian Bale) takes on a knife-wielding member of the Hitlerjugend, applying some deft umbrella techniques that will be recognisable to Bartitsu aficionados.

In real history, the laissez-faire Swingjugend – who much preferred American jazz and English fashions to the crushing conformity of Nazism – frequently did engage in street fights with the Hitler Youth.

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Bartitsu Seminar at Autumnfecht (Maryland, USA)

  • Originally published on the Bartitsu.org site on Tuesday, 5th September 2017

Instructor Chris Dyer will be teaching a Bartitsu seminar at the Autumnfecht HEMA event in Columbia, Maryland on November 4, 2017.

Class description:

Explore the gentleman’s art of self-defense! Bartitsu is a practical style of self-defense with an emphasis on scientific principles to overcome an attacker. The growing threat of street gangs in Victorian and Edwardian London was the catalyst behind the creation of Bartitsu. Named after its creator, Edward William Barton-Wright, Bartitsu incorporates bare-knuckled boxing, French kicking, Japanese jujitsu, and stick fighting to suppress attacks from single ruffians and gangs alike. Sir Arthur Conan Doyle named Bartitsu as Sherlock Holmes’ means of defeating his nemesis, Professor Moriarty. Students will learn a number of choreographed techniques showcasing a variety of Bartitsu methods.

No experience or equipment required. Period dress is not required, but encouraged.

Please click here for further information and registration.

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