- Originally published on the Bartitsu.org site on Monday, 15th July 2013

A dynamic throw demonstrated at the recent Victorian Martial Arts Symposium at the Gear Con 2013 steampunk event in Portland, Oregon.

A dynamic throw demonstrated at the recent Victorian Martial Arts Symposium at the Gear Con 2013 steampunk event in Portland, Oregon.
An illustration from The Wrinkle Book, edited by Archibald Williams and published by Thomas Nelson & Sons Ltd., London.
These techniques were probably inspired by those described in Percy Longhurst’s Jiu-jitsu and Other Methods of Self Defence, first published in 1906. Longhurst was an associate of most of the principal figures attached to the Bartitsu Club and may well have trained there himself.
The Level 1 and Level 2 incarnations of Flint, the Bartitsuka flamingo
“Flint” is a new character in Urban Rivals, which is a “free multiplayer online trading card game (MMO TCG) with hundreds of characters to discover, collect and level up by fighting live against players from all over the world!”
We here at the Bartitsu Society website are very old and do not quite understand what that means. According to Flint’s official biography:
Maintaining one’s chic and sang froid under any circumstances is no easy task when you’re surrounded by badly brought up country bumpkins who have a nasty habit of getting into fights for no apparent reason. But Sir Flint isn’t just any old poseur. His mastery of Bartitsu has made him an opponent to reckon with, who’ll have you on the floor in less time than it takes to relight his pipe. And just in time for tea, if you please.
So, if you’ve ever wanted to play a free multiplayer online trading card game (MMO TCG) as a Bartitsu-fighting flamingo, here’s your chance.
Founded by Muriel Cossgrove in 1908, the New Zealand Peace Scouts were a precursor to the Girl Guide movement in New Zealand.
Peace Scouts were encouraged to eschew corsets, which were believed to interfere with breathing and natural movement, to eat healthily, to play outdoor sports and to train in self defence techniques, as seen above.
This post includes another example of Peace Scout self defence training.
One of the most famous and colourful “characters” of Chicago during the roaring ’20s was Detective Alice B. Clement, whose sharp wits, snappy dress sense and enthusiastic use of jiujitsu in quelling “mashers”, fraudulent clairvoyants and other ne’er-do-wells made her the darling of the city’s newspaper editors.

Alice Clement, badge # 1708
According to this excellent 2003 article from the Chicago Magazine:
She was the city’s own “feminine Sherlock Holmes,” “the saviour of souls,” “nemesis to many a masher,” “the wonder of the police world,” “terror of the guilty and hope of the friendless.” This was Chicago’s woman of a thousand disguises and a thousand arrests (including at least one lunatic, according to the papers), who could expose phony clairvoyants and fold a man into a jujitsu pretzel; who could pass as a bagwoman one day and seduce an embezzler with a saucy smile the next (“Old dips fall for us,” she was known to say).
When she wasn’t dragging a criminal in by the ear like some exasperated aunt, she was sizing up the latest dances, infiltrating the cabarets and shimmy parlors to see whether new steps like the “moonlight slide” and “angle-worm giggle” squared with the moral code of the day. With the blessing of the police chief and other high-ranking officers, she had even produced—and starred in—her own movie, Dregs of the City, in which she saved a country girl from the “bright lights, the flashy dress and the glib tongue” of the city’s underworld.
The new documentary No Bois Man No Fraid explores the stick fighting art of kalinda as a vibrant modern martial art with roots embedded deeply in Trinidadian and African cultures. Kalinda also has an intriguing connection with Herbert Gordon Lang’s Walking Stick Method of Self Defence, as put forth in his book of that title, which was published in 1923.
At that time, Lang was a senior officer in the Indian police force and he hoped to institute his system of stick fighting as a key aspect of police training, while also noting its potential as a method of civilian self defence.
In his Introduction, Lang noted that:
The System has been carefully built up after several years’ thought and demonstration, and combines a method devised by a Frenchman, Vigui (sic), of which, little is now heard, together with the stick play of tribes of negroes on certain of the West India Islands, called “Bois.”
Additions and ameliorations have been made as the result of experience and close practice under varying circumstances.
Although the actual historical connection between H.G. Lang and Pierre Vigny remains frustratingly unclear, Lang’s book represents the most detailed exposition of Vigny’s unusual method of stick fighting, which had earlier been incorporated into the curriculum of Bartitsu.
Lang was born in Grenada, West Indies, on December 3, 1887. It’s possible that he studied bois there as a teenager and later melded that style with what he learned of the Vigny system.
The Creole term “bois” (“wood”, or “stick”, also “bois-bataille”, etc.) was historically applied to stickfighting in both Grenada and Trinidad. While actual stick combat was successfully banned in Grenada, “bois” is still practiced there as a folk dance. However, as shown in No Bois Man No Fraid, the combat system has been perpetuated in Trinidad via the carnival traditions.
Thus, it’s likely that Trinidadian kalinda (a.k.a. bois, kalenda, calinda, etc.) is very close to what Lang might have added to the Vigny method.